The MPA is the international wing of the Motion Picture Association of America, a trade group representing the major Hollywood studios. MPA president
Stan McCoy has written an open letter to new culture secretary Matt Hancock reminding how important it is to protect the US film industry.
He needn't have bothered, the culture secretary is currently well busy suffocating the UK porn industry and handing everything over to Mindgeek, which is set to become the Facebook/Google/Amazon of the porn world.
Stan McCoy writes:
For Matt Hancock, as for any new leader, the first weeks on the job offer a unique opportunity to write the screenplay for a successful tenure.
Here are seven humble suggestions that the Culture Secretary may wish to consider as he crafts his new role...
Be a passionate ambassador for the creative industries
We are one of the country's most valuable economic and cultural assets -- worth almost £92bn, growing at twice the rate of the economy, and making a positive contribution to the UK's balance of payments. Britain's status as a center of excellence
for the audiovisual sector in particular is no accident: It results from the hard work and genius of our creative workforce, complemented by the support of governments that have guided their policies toward enabling continued excellence and
Support a responsible online environment
The new Secretary of State should make platform responsibility a priority. A joined-up strategy to curb proliferation of illegal, often age-inappropriate and malware-laden content online must include addressing the websites, environments and apps
that host and facilitate piracy.
In addition to hurting one of Britain's most important industries, they are overwhelmingly likely to harm children and adult consumers through nasty ads, links to adult content with no age verification, scams, fraud and other unpleasantness.
Building on last year's voluntary deal with search engines, the Government should stay at the cutting edge of ensuring that everyone in the ecosystem -- including search engines, platforms and social media companies -- takes a fair share of
Banish dodgy streaming devices from lawful commerce
Illegal streaming devices loaded with piracy apps and malware -- not to mention the occasional electrical failure -- are proliferating across the UK, to the detriment of consumers and industry.
The sector is still waiting for the Intellectual Property Office to publish the report on its Call for Views on this subject. This will be one of several opportunities, along with the promised Digital Charter, to make clear that these devices and
the apps and content they supply are unacceptable, dangerous to consumers, and harmful to the creative industry.
Embrace a creative sector-friendly approach to skills
More flexibility in the Apprenticeship Levy would help, but the Government must also ensure there are no unintended consequences from its targets, and that these do not undermine existing voluntary sector-specific skills levies and other similar
programmes that are putting Britons to work in film and television. Likewise, embrace the industry's efforts to educate people of all diversity profiles about career opportunities.
Of course, the elephant in every room is Brexit. It was worrying to read that almost 27,000 creative sector jobs could be under threat from a 'no deal' hard Brexit, according to analysis commissioned by London's mayor. In fact, audiences and
workers on both sides will benefit from preserving two-way trade -- whether in the form of licensing audiovisual services, welcoming creative workers, or preserving the ease of cross-border collaboration in film and television production.
Pursue export growth
Britain's audiovisual sector is a dual cultural and commercial success story, and could be a leader in showing how high-value export and investment-driven industries can make the most of the opportunities of new relationships inside and outside
The Government has the opportunity to capitalise on its strong creative export sectors -- in particular by working with the industry to explore the potential of further developing non-EU markets for UK audiovisual exports, while sustaining our
large and mutually beneficial trade with the EU.
Don't forget the DSM
The UK still has a vote and a responsibility to work with EU Member States to shape the EU's Digital Single Market agenda in 2018. Most important is to oppose the "buy one Member State, get the rest thrown in" approach to licensing
broadcaster online services. This is a point where the UK can work constructively with other member states trying to make sure the Commission does not inadvertently undermine the system of financing productions and thus limit the content available