Internet TV News

Xbox LIVE will use the British Board of Film Classification (BBFC)'s well-known ratings for content sold via the Xbox LIVE Zune video marketplace, allowing users to make informed choices about the content that they purchase for themselves and their families.

David Cooke, Director of the BBFC, says We're delighted to add Microsoft's Xbox LIVE to the roster of customers using BBFC services. In the digital age the variety of content platforms available means that, more than ever, the BBFC has a role to play as a trusted guide to content. The public, especially parents, have told us it's important for them to see classification ratings they can trust before choosing entertainment for themselves or their children and by joining the BBFC's voluntary service Xbox LIVE is helping its users make informed and confident choices about what they watch.

Microsoft's goal has always been to provide parents and caregivers with the tools and resources necessary in managing age-appropriate entertainment experiences on Xbox 360 for children, says Stephen McGill, Microsoft Ltd's Director of Xbox and Entertainment. Alongside use of the forthcoming PEGI ratings system for video games, deploying BBFC classifications for film and video content on Xbox LIVE will allow parents to make more informed choices regarding what they and their families watch on our service.

The BBFC's service for streamed and downloaded content was launched in 2008 to provide its trusted and recognised classifications, category symbols and Consumer Advice to set-top box, video-on-demand and other online content providers. The BBFC worked closely with the home entertainment industry to develop a voluntary regulatory service that would bring the benefits of the DVD classification system to content delivered online. When the public was surveyed about the new service, 82% of parents said that they preferred to download films that were classified with the trusted BBFC symbols and content advice. Government ministers and other Parliamentarians are on the record as supporters of the BBFC's work in this area.

Microsoft Ltd joins other key affiliates to the BBFC service including Walt Disney Studios Home Entertainment Europe, Warner Bros., Paramount, 20th Century Fox, Universal, BT Vision, Tesco/Blinkbox, TalkTalk, Picturebox and Netflix, bringing the total number of members to 38.

The modern implementation of commercial censorship is that internet throughput is way too massive for any meaningful or well meaning attempt as decision making. Instead the first level of censorship is implemented as cheaply as possible presumably with absolutely minimal time available to look into each report.

Most of the duff decisions are presumably uncontested as they generally inconvenience people without the necessary clout or motivation to do anything about it. However, just occasionally, crap decisions get noticed. The internet company involved get real people involved and then apologise profusely about the crap decisions whilst trying to spin that these don't happen very often.

The latest example is a  one-minute clip of model and cover girl, Kate Upton, gyrating and bouncing in an itty bitty bikini, demonstrating how to do the Cat Daddy dance while on a magazine shoot.

The video was yanked by YouTube for violating its nudity policy, despite the fact she was not naked.

The ban got publicised and YouTube had an inevitable rethink. The video was reinstated,  but this time with an age restriction.

A Google rep explained to FOX411's Pop Tarts column:

With the massive volume of videos on our site, sometimes we make the wrong call. When it's brought to our attention that a video has been removed mistakenly, we act quickly to reinstate it.

Apparently the age restriction was a mistake as well, because that too soon got lifted.

When a south London teenager uploaded a series of amateur rap videos to YouTube, he had no reason to believe they would make legal history.

But the videos, a vivid account of life on the road in Peckham for a young black male, quickly gained millions of views. In one, 18-year-old Matt raps about stabbing, saying: You're always chatting on, you should feel a piece of the knife, stabbing in your head, stabbing in your chest.

In another video, teenagers make gestures and call out gang names. It was not long before the authorities took notice: last year Matt became the first person in England and Wales to be banned by law from producing music or videos that encourage violence.

Southwark council, which took out the injunction against Matt, believes YouTube has become the new playground for gang members. By all means we want people to use social media, but we do not want you to use it in ways that will incite violence, said Jonathan Toy, Southwark council's head of community safety. This remains a big issue for us and without some form of censorship purely focusing on [violent videos], I'm not sure how we can address it.

...Read the full article

US nutters from the Culture and Media institute are whingeing at Jennifer Lopez's new video for Dance Again.

In a recent interview with Radar, Dan Gainor for the institute spouted:

Jennifer Lopez's skanky new video shows how desperate she is to retain her fame despite her fading relevance.

Gainor said the big issue with the video is the fact that it premiered during a show watched by children:

Even the supposedly family-friendly TV shows like American Idol are never safe in the hands of Hollywood. Such sexualized videos aren't appropriate for any children to watch, including Lopez's own twins.

The video, which debuted on American Idol last week has racked up nearly 10 million views on YouTube. It has Lopez dancing around and running her hands over herself and other dancers. Lopez's choreographer and boyfriend Casper Smart figures prominently in the video. Pitbull is also featured on Dance Again. It's Lopez's second recent collaboration with the Cuban rapper.

Sky's new internet pay as you go TV service, offering access to the broadcaster's content on a wide range of broadband-connected devices, will be called Now TV.

Launching later this year, Now TV will provide instant access to some of Sky's most popular content, including hundreds of films from Sky Movies.

CEO Jeremy Darroch explained the significance of introducing an entirely new brand:

We'll offer two distinctive ways to watch: the market-leading full Sky service [with] the peace of mind of a monthly bill; or the flexible, more spontaneous, pay-as-you-go service of Now TV.

[Now TV] will be available on a wide range of devices and offer instant access to a range of high quality Sky content, with no install and no contract. Starting with movies, it will soon expand to offer sport and entertainment as well. And customers will be able to pay monthly or rent a movie on a simple, pay as you go basis.

Darroch hopes Now TV will appeal to those people who do not subscribe to any Sky service.

Madonna's new video for Girl Gone Wild has been restricted to adults by YouTube. It is supposedly too raunchy for general viewing, with scenes including partial nudity and a close-up of a man's PVC-clad crotch.

YouTube censors have told Madonna's management that if they want it to be available for viewing by all, they must edit out shots of bare bottoms, a man rubbing his crotch and an implied masturbation scene where a man gyrates before a mirror.

A rep for YouTube told the New York Post

YouTube has decided the video is too raunchy and should only be viewed by those 18 or over, and actually, the video is hard to find on the site. YouTube has sent Madonna's team a list of shots that should be cut to make it appropriate for everyone.

While we don't comment on individual videos, we review all videos flagged by our users against our community guidelines. In some cases we age-restrict flagged material that, while not in violation of those guidelines, contains images that may be unsuitable for younger users.

Madonna's team are working on an edited version of the video for YouTube.

BBC television programmes will be available in a new paid download store shortly after first transmission, director general Mark Thompson has confirmed.

The iTunes-style store, codenamed Project Barcelona, will operate in addition to the existing BBC iPlayer and give users the option to pay for owned downloads of new and old TV shows.

Speaking at the Royal Television Society, Thompson said:

BBC iPlayer is the most successful and most intensively used catch-up service in the world but it's true that, after that seven day public service window, a large proportion of what the BBC makes and broadcast is never seen or heard of again.

On television, despite all of our existing forms of public service archival and commercial windowing, the overwhelming majority of what the BBC commissions and broadcasts becomes unavailable when that iPlayer window expires.

We want to change that and have started to talk to our partners, including the independent sector and PACT, about a proposal which we will formally submit to the BBC Trust later this year which - for reasons which escape me - we call Project Barcelona.

The idea behind Barcelona is simple. It is that, for as much of our content as possible, in addition to the existing BBC iPlayer window, another download-to-own window would open soon after transmission - so that if you wanted to purchase a digital copy of a programme to own and keep, you could pay what would generally be a relatively modest charge for doing so.

The store's launch is contingent upon the BBC obtaining agreement from programme production companies and the BBC Trust.

Creating parodies goes to the heart of comedy and is one of the most effective ways to highlight social issues.

But parodies of films and music aren't allowed under UK copyright law, unless you have explicit permission of the copyright owner.

A political YouTube video that may have infringed copyright got over 90,000 views when published last year by Mother's Best Child, before being abruptly taken down thanks to the Olympics Committee.

Update: Dishing out repression

4th March 2012. See article from dailymail.co.uk

Residents of every property in Shepherdess Walk in Hackney, East London, were told by their local council to remove their satellite dishes or face eviction.

Most of the dishes have been fixed to the front of houses for more than ten years. But Hackney Borough Council says planning permission was never granted.

Only people living in listed buildings need planning permission for a satellite dish (up to about a meter diameter), but the properties under duress are in fact listed.

The council has now told housing trust Circle 33 to make their tenants take down the dishes and fit them to the rear of houses - or switch to cable.

It is believed that the residents are the victims of a bid to clean up Hackney before the start of the Olympic Games in London in June.

resident Tony Emberson said:

I got the letter with only three days to sort something out. Residents believe the council's order is part of a bid to smarten the area up ahead of the Olympics, many events of which will be staged from the Olympic Park in the neighbouring borough of Newham.

The deadline was extended to three weeks once the press got hold of the story.

Ofcom commissioned Ipsos MORI to survey audiences to understand attitudes towards content regulation; and how far, and in what ways, the public expects it should be protected in a world where content can be accessed in such a broad range of ways.

The report Protecting audiences in a converged world is based on findings from seven pairs of workshops conducted across the UK, each of which had around 20 participants. Fieldwork took place in June and July 2011.

Key findings include:

• Protecting minors, and protection from harm, were considered to be the most important areas for future regulation.

• Offence is very important to some, but not at all important to others.

• Impartiality, privacy and fairness were usually considered to be relatively less important. But a wide range of views were expressed, depending on whether participants considered the areas to be an important principle to uphold or personally relevant.

• Knowledge of current content regulation is high for broadcast services, but lower for other services like catch up and VoD (video on-demand).

• Viewers have high expectations of content regulation on broadcast television, and associated VoD and catch-up services.

• Other online audio-visual content is seen to be different from broadcasting content and people have generally lower expectations about regulation in this area.

• Converged TVs and devices, which incorporate broadcast, VoD and open internet services, are considered to be closer to a TV-like experience -- and have a higher expectation of regulation -- than the open internet. It is particularly important to protect vulnerable people in this environment.

• Technology use and social attitudes were found to be the most influential factors in influencing people's views on the future of content regulation.

The BBFC has added BT Vision to the roster of platforms that use the BBFC.online classification service.

From January 2012, BT Vision subscribers will see the same classification symbols and content information next to films as those the BBFC provides for cinema releases and DVDs. A BT Vision and BBFC co-branded electronic black card, similar to those UK cinemagoers see before theatrical releases, will also be run before each film begins.

David Cooke, Director of the BBFC, said We're delighted to welcome BT Vision to our BBFC.online service. Parents have told us it's important for them to see the classification symbols they recognise before they download or stream a film for family consumption. We asked parents for their views and 82% said they would prefer to download films that are classified with the trusted BBFC symbols and Consumer Advice.

Jacob Ahlin, Head of Film said BT Vision are delighted to become a member of the BBFC, enabling us to clearly label the hundreds of blockbuster and classic films, which are available on BT Vision and giving our customers peace of mind when choosing what to watch with their family.

BBFC.online was launched in 2008 to provide the BBFC's trusted and recognised classifications, category symbols and Consumer Advice to set-top box, video-on-demand and online content providers. The BBFC worked closely with the home entertainment industry to develop the voluntary regulatory service to bring the benefits of the DVD classification system to digital content that is delivered online.

BT Vision join other key industry members working with the BBFC including Walt Disney Studios Home Entertainment Europe, Warner Bros., 20th Century Fox, Paramount and platforms including BlinkBox, Picturebox and Talk Talk, bringing the total number of members to 34.