Fox has announced that it will cut Deadpool 2 for a PG-13 re-release on December 21, 2018.
Ryan Reynolds confirmed the news on Instagram with an image that appears to be from newly-shot footage of Deadpool retelling the events of Deadpool 2 as a bedtime story to a grown-up Fred Savage, Princess Bride-style, as a framing device:
One has to think that the editors will be hard at work trying tone down the rather caustic humour of Deadpool.
The BBFC waives its previous cuts for animal cruelty
26th September 2018
The Green Inferno (aka Cannibal Holocaust 2) is a 1988 Italy action crime horror by Antonio Climati.
Starring Marco Merlo, Fabrizio Merlo and May Deseligny.
UK: Passed 15 uncut for strong violence, injury detail with previous BBFC cuts waived for:
2018 88 Films Limited [16:9] video
The BBFC has just waived its cuts to the Italian horror, The Green Inferno. It was previously released in the UK titled Cannibal Holocaust 2 with a 15 rating after BBFC cuts for animal cruelty. The previous 12s cut from 2002 was to remove the
sight of a monkey hit with a blow dart.
A man named Pete gets a phone call from his friend, Jemma, who says she has evidence that a professor missing in the Amazon is still alive. Pete hires two men, Mark and Fred, to steal a plane and fly down to the jungle to meet with her. Once
there, they meet with Jemma and head into the jungle. The group gets the help of a young native girl to take them to the legendary Imas tribe, the tribe in which the professor was said to be with. However, during their search for the Imas, they
run into gold hunters, who are intent on killing the tribe and stealing their treasure. Now racing against the treasure seekers to reach the Imas, they also uncover another scandal in the jungle and try to shut them both down to save the local
Religious communities in the US have tried several times to introduce technology that sanitises movies, skipping over sex, violence or strong language. Such censorship is totally voluntary and is not inflicted on others, so perhaps at first
thought it should not causes any issues. However Hollywood has taken a strong stance against this form of movie vandalism. Presumably Hollywood doesn't appreciate the effects on word of mouth advertising. They wouldn't really appreciate people
bad mouthing films that may have been rendered incomprehensible by the cutting of key scenes.
So now the influential religious community have come up with new law proposal to legalise move sanitisation.
Moralists of the Parents Television Council has provided a statement outlining the thinking behind the Family Movie Act Clarification Act of 2018 (HR 6816), which was introduced by Representative Mia Love, a Utah Republican on September
13th. PTC President Tim Winter said:
It is ironic that legislation first passed in the 21st century needs to be brought into the 21st century, but that is exactly what the Family Movie Act Clarification Act will do. This bill is a long-overdue update to the Family Movie Act of 2005
and would give parents the digital ability to plug their kids' ears and cover their kids' eyes to harmful and explicit streaming content, just as the 2005 Act allows them to do via a DVD. We applaud Congresswoman Mia Love for recognizing the
need for the law to catch up with technology in order to better serve parents.
Based on stories I've heard from inside the beltway, Love and the bill's cosponsors deserve combat valor medals for weathering an intense, scorched-earth effort by Hollywood lobbyists working to prevent even the introduction of this bill, let
alone its consideration.
But why would Hollywood studios object to legislation that would allow their films to make more money? They have claimed that digital filtering is akin to piracy, but there is no piracy taking place. Parents are only skipping past the
objectionable content of movies they've purchased and are watching in the comfort of their own homes. The studios raised the same arguments over a dozen years ago when the Family Movie Act of 2005 was being considered. Those arguments were
hollow then, and they are hollow now. The only plausible reason why anyone in Hollywood would be opposed to this measure is that some sort of agenda would be obviated by the consumer.
Make no mistake: this is a win-win for Hollywood and for parents. Families would be able to protect their children from harmful content in movies they stream; and Hollywood immediately increases its revenue capacity by broadening the marketplace
for its products. Any publicly-traded studio that opposes either the spirit or the letter of this legislation is acting against its own fiduciary interests and, therefore, violating its corporate duty to shareholders.
We call on congressional leadership, both in the House and in the Senate, to deliver a Christmas present to parents and families, and pass H.R. 6816 before the end of this year.
Rafiki is a 2018 Kenya / South Africa drama by Wanuri Kahiu.
Starring Patricia Amira, Muthoni Gathecha and Jimmy Gathu.
Banned by the Kenya Film Classification Board in April 2018. The KFCB claimed the film seeks to legitimize lesbian romance.
Rafiki, which means friend in Swahili, is adapted from the 2007 Caine Prize-winning short story, Jambula Tree, by Ugandan writer Monica Arac Nyeko. It follows two close friends, Kena and Ziki, who eventually fall in love despite their
families being on opposing sides of the political divide.
Wanuri Kahiu, the director of the banned film Rafiki is Suing Kenya's film censors to unblock the way for the film to qualify as contender for the Oscars. The suit demands that the local ban be lifted in time for her to submit the film to
be considered for an Oscar. It's also pushing to change the law that has been used to ban popular films like The Wolf of Wall Street.
For Rafiki to be eligible for a Best Foreign Language award, it needs to be shown in Kenya before September 30, The Hollywood Reporter adds . If the selection committee is given permission to screen the film to submit it to the Academy, Rafiki
could be the first Kenyan film to be nominated in that category
Wanuri Kahiu's Rafiki has received its due praise on the film festival circuit since her film was selected to make its world premiere at Cannes earlier this year-- making it the first Kenyan feature film to do so. However, the Kenya Film
Classification Board banned the film, claiming that it seeks to legitimize lesbian romance.
Update: Make love not war, court organises a 7 day truce
A Kenyan judge has lifted a ban on a film about a lesbian relationship - for a week. Judge Wilfrida Okwany decided to allow the screening of the film for seven days so that it could be submitted for the Oscars.
In order to be submitted to the Academy Awards, the film must have been publicly exhibited for at least seven consecutive days at a commercial motion picture venue.
In her ruling on Friday, Ms Okwany gave permission for the film to be shown to willing adults. She said she was not convinced that Kenya is such a weak society that its moral foundation will be shaken by seeing such a film.
But the head of the Kenya Film Classification Board, Ezekiel Mutua, was unhappy about the decision, claiming homosexuality is not our way of life.
The film's director Wanuri Kahiu, who appealed against the ban, was overjoyed with the latest decision.
The film's Twitter account announced that it will hold screenings in the Kenyan capital, Nairobi
24th September 2018. See article
Rafiki, temporarily reprieved from being banned showed on Sunday to a cheering full house audience in Nairobi. The cinema showed on an additional screen after more than 450 people arrived.
Nairobi residents will be able to watch Rafiki during daytime-only screenings at the Prestige Cinema in the capital for a week
Manmarziyaan is a 2018 India romance by Anurag Kashyap.
Starring Abhishek Bachchan, Vicky Kaushal and Tapsee Pannu.
The film is a love story set in Punjab where Abhishek Bachchan, Taapsee Pannu, and Vicky Kaushal will be seen in prominent roles.
The Delhi Sikh Gurudwara Management Committee (DGMC) is staging a protest on Sunday against this week's movie release, Manmarziyaan (Husband Material) , demanding a nationwide ban on the film.
The committee claims that the filml has a few anti-Sikh scenes which have the potential to hurt the sentiments of the community.
DSGMC president Manjeet Singh GK said:
I believe that this movie should not be screened till makers remove the objectionable scenes from the movie.
Since ages we have been demanding that the censor board should recruit a representative of the Sikh community in their team but they haven't.
We will not tolerate this at any cost and will strongly protest against this movie.
The Delhi police have stepped up the security outside the movie theatre to prevent violence.
Meanwhile in Pakistan, Manmarziyan, has not been cleared by the Central Board of Film Censors for release in Pakistan. According to CBFC Chairman Danyal Gilani, all board members found the content inappropriate and agreed that the film violated
its censorship code.
However, the film was given an adults only 'A' Certificate by the Censor Boards of Sindh and Punjab.
Manmarziyan released in India, USA and Australia on September 14, after a world premiere at the Toronto International Film Festival on September 8.
Update: The producers decide to cut the film for national reease
Eight local councils have now decided to overturn a film's BBFC 15 age rating so younger viewers can watch it.
The documentary A Northern Soul was rated 15 by the BBFC for strong language. The BBFC commented:
It includes around 20 uses of strong language and therefore exceeds by some margin anything we have ever permitted at 12A.
The film follows Steve, who struggles to make ends meet as he tries to teach hip-hop to children in Hull schools with his Beats Bus.
So far, licensing committees in Hull, Lambeth, Leeds, Liverpool, Sheffield, Southampton, Hackney and Calderdale have downgraded A Northern Soul from a 15 to a 12A.
Phil Bates, licensing manager at Southampton City Council, said he viewed the film differently because it's a documentary rather than a drama. He explained:
We can see why BBFC awarded a 15 rating, although equally we can see why other authorities have also granted it a 12A.
The use of profane language is fairly infrequent, some of it was used at a time of stress but there were occasions when it was used as everyday language. As this is a fly-on-the-wall style film, showing life as it is, rather than a scripted film
where the language is used for effect, we felt the film warranted a 12A.
Director Sean McAllister spoke of the councils' decisions: I think they're responding as human beings. He added that Steve's language was credible and real and culturally embedded within how he speaks. He continued:
The irony is that the motivation for making this film and the heart of why this film should be seen has got the thing censored.
When people actually see it, everyone's saying 'where's the swearing?' They [the BBFC] have done a word count, which is an F count, and they've simply censored it based on that. And they've got to get over that.
When in Mission Impossible people are having their heads blown off and 12As are being granted, the whole thing is hypocritical, backward and needs reassessing. Language not used for effect
The BBFC repeated its mantra that its classification guidelines are the result of a large scale public consultation designed to reflect broad public opinion across the UK. Bit in reality the 'large scale' part of its public consultation asks a
few broad brush questions about whether people generally agree with the BBFC about ratings. The questions do not offer any more nuanced insight into what people think about swearing in the context of everyday parlance of some working
The Nun is a 2018 USA horror mystery thriller by Corin Hardy.
Starring Taissa Farmiga, Bonnie Aarons and Charlotte Hope.
When a young nun at a cloistered abbey in Romania takes her own life, a priest with a haunted past and a novitiate on the threshold of her final vows are sent by the Vatican to investigate. Together they uncover the order's unholy secret.
Risking not only their lives but their faith and their very souls, they confront a malevolent force in the form of the same demonic nun that first terrorized audiences in 'The Conjuring 2,' as the abbey becomes a horrific battleground between
the living and the damned.
Lebanon's film censors have banned the new horror movie, The Nun, from a cinema release. The censors claimed that the film was offensive to the Christian faith.
The Warner Bros production was awaiting a screening licence from the General Security's censorship committee ahead of an expected release on 6 September. However last Wednesday, the Catholic committee watched the movie and asked the General
Security to ban it in Lebanon for religious reasons.
It is unclear which scenes caused 'the offence', but some believe the ban may stem from the victimisation of nuns in the film.
According to the constitution, multi-religious Lebanon can impose censorship on local and international productions for a number of reasons. These include banning films for stirring religious and political sensitivities as well as those with
sexually explicit content.
John Carpenter's Halloween just downrated to 15 for cinema release
14th September 2018
Halloween is a 1978 USA horror by John Carpenter.
Starring Donald Pleasence, Jamie Lee Curtis and Tony Moran.
John Carpenter's Halloween has just been passed 15 uncut for strong threat, violence, nudity for 2018 cinema release.
It has always been uncut in the UK and US. It was 18 rated until 2018, when it was passed 15 for a cinema release.
The previous BBFC 18 rating has been widely questioned for some time now. It seems to compare with 15 rated horrors rather than 18 rated horrors, but perhaps the quality filmmaking makes it a bit more scary than if judged by the violence you
The film has not yet been submitted for reconsideration on video, so is still nominally 18 rated for 2018 home video releases.
Uncut and MPAA R rated in the US. There is also an Extended TV cut.
Jungle Love is a 2012 Philippines drama by Sherad Anthony Sanchez.
Starring Gloria Morales, Mei Bastes and Martin Riffer.
A jungle in an undisclosed Philippine location hosts a middle-aged woman who runs off with a baby, two juveniles lost in sexual games, military cadets leisurely wandering about and a guide with an obscure presence. All consumed with the game of
their own lives until the jungle comes to play.
The film won an Honorable Mention (Feature Film), at the Porn Film Festival Berlin 2013.
Shadows of Fiendish Ancestress and Occasionally Parajanov on Durian Cialis is a 2017 Singapore / Japan / Philippines romance by Tze Chuan Chew.
Starring Raissa Ai, Karla MC Bautista and Paolo Dumlao.
With reference to native historical texts and the mythological and religious depiction of the Holy Whore, Chew constructs a mythology of a hermaphrodite who comes to town to impart a wisdom that proves to be too carnal and untimely. Years in the
making and strung together with documentary-like footage of orgiastic happenings, punctuated with moments of refrain into randomness, the film soon escalates into a schizophrenic psychedelia of multicultural and polymorphous sexuality.
Two films that were set to be showcased at a film festival in Grays have been banned by Thurrock Council.
The Thurrock International Celebration of Film runs from September 6th to 9th at the Thameside Theatre in Grays
The organisers were stunned to hear that council has refused them permission to screen two of the planned films. One of the festival organisers, Hi Ching, explained what has happened. He said: T
Thurrock Council has banned the films Jungle Love and Shadows Of Fiendish Ancestress And Occasionally Parajanov On Durian Cialis (pictured right) from being screened at the TIC Film Festival at Thameside Theatre because an initial assessment
suggests both films would be rated R18 and therefore can only be shown in licensed sex premises.
In both films, sexuality does indeed play a central role, but the BBFC explanatory notes state that the R18 rating is normally intended for works whose primary purpose is sexual arousal or stimulation of the viewer. These two films do anything
but -- and moreover, a rating of suitable only for 18 years and over was already in place in order to make sure that only adults would be able to see these films.
Both films have been screened at other film festivals around the world. One reviewer summed up that Jungle Love accomplishes the nearly impossible task of turning what could be a lewd and perverted showcase into a mirror of our innate desire to
venture into the unknown, to abandon the clutches of good taste, and to get lost in the limitless jungle where men are but beasts among other beasts.
By banning these two films, Thurrock Council have the dubious honour of joining these two countries and doing exactly what they have done: performing censorship and stifling discussion. Both films require serious discussion about opportunities
and limits of filmic representation of sexuality -- but with its decision, Thurrock Council tried to make such a discussion impossible.
Councillor Deborah Huelin, Portfolio Holder for Communities, said:
Thurrock Council is supporting the film festival taking place at the Thameside by Thurrock International Celebration of Culture (TICC) by providing the Thameside Theatre as a venue.
The film programme includes a number of short and full length films that aim to celebrate diversity. Most of the films have not been given a rating by the BBFC (British Board of Film Classification) and in such cases responsibility for issuing
ratings for films to be shown in a local area lies with the local authority.
Based on an initial review by the council, it was identified that two of the films could likely be rated R18 if a full assessment were carried out under the guidelines issued by the BBFC. These types of films can only be shown in specially
licensed sex cinemas or supplied by licensed sex shops. The entertainment license for the Thameside Theatre does not allow them to show R18 films which means that these two films cannot form part of the festival.
Shadows Of Fiendish Ancestress And Occasionally Parajanov On Durian Cialis had previously been banned in Singapore in 2017. The picture had been scheduled to have its world premiere at the Singapore International Film Festival, part of
the Singapore Media Festival , this week. But it was this week denied a public release certificate by Films Appeal Committee, on the grounds that it could hurt Muslim religious feelings.
I am sure, Mr Speaker, that you will have seen the 2010 film The King's Speech , portraying George VI. It contained 11 uses of the F-word and was granted a classification of 12A. I recently saw the highly rated documentary A Northern
Soul by Hull film-maker Sean McAllister. Its main character uses the F-word 14 times and it is heard 19 times in total in the film. None of it was aggressive or gratuitous, and the film simply portrays the life of a working-class Hull man
and his work helping local children, but it has been given a 15 certificate nationally. May we therefore have a debate about whether there is a class bias in the way censors seek to protect younger teenagers from the reality and language that
many experience in their lives every day?
Andrea Leadsom Lord President of the Council and Leader of the House of Commons
The hon. Lady raises a genuinely interesting point, and I urge her to seek an Adjournment debate so she can discuss it with Ministers and then take it forward.
The man behind a new film about Hull's year as the UK City of Culture has hit out at censors after they gave it it 15 rating.
A Northern Soul is Hull-born award-winning documentary filmmaker Sean McAllister's take on 2017. It follows struggling factory worker Steve Arnott's dream of bringing hip-hop and rap to the city's estates in a youth project involving a
The film was given a 12A rating by licensing councillors in Hull ahead of a recent series of initial screenings at the University of Hull and Vue cinema.
But now the BBFC has decided it should have a 15 rating for strong language.
While the documentary does feature regular use of the F-word, McAllister said swearing was what ordinary people in Hull did and claimed the decision was an attack on working-class people. On Twitter, he said:
It's a film about a working-class bloke helping kids with rap music find a better life.
McAllister commented: It's funny the swearing in The King's Speech is a lot worse, including the C-word, but that gets a 12A. He also compared the decision to the swearing on many of celebrity chef Gordon Ramsey's TV shows.
More screenings will be held on three evenings next week at Vue as well as later in the month. In response to the BBFC decision, Mr McAllister said all next week's screenings would be free to children under 15 and over 12ish.
[The censorship of strong language in films is one of the silliest aspects of film censorship. Surely young teams will be well versed in strong language, and they will have heard it all before. Surely it will make no difference if they hear the
same at the cinema.
But to be fair to the film censors, strong language is one of the things that parents, maybe especially middle class parents, ask for the censors to cut or restrict.
Should the film BBFC consider the actual effect of young teens hearing strong language on screen, or should they follow the wishes of the parents?.
And there certainly is a class aspect to this. The unspoken underlying reality is that middle class parents simply don't want their kids speaking like working class kids].
Hull City Council has decided that it will not adhere to the BBFC decision to award Sean McAllister's feature documentary A Northern Soul a 15-certificate. Instead, the council will allow the film to be shown in the city at a 12A rating,
granting anyone from the age of 12 upwards the option to view the film, while those under 12 can do so if accompanied by an adult.
The council had originally granted the film a 12A certificate for a short theatrical run in the city prior to its official release (which begins on Friday, August 24), but had informed the filmmakers that it would be implementing the 15 rating
for further screenings. This decision has now been reversed, and three further screenings at Vue Hull this week will carry the 12A rating.
Following a hearing, the council said that its Licensing Sub-Committee had determined the film would be classified 12A for showings, at any time, at premises within the Licensing Authority's area. It gave its reason for the decision as being:
Strong language was only used by the subject of the film to express emotion in interviews with the filmmaker, was never directed at an individual, or used in an aggressive manner
The BBFC's original certification has caused controversy in the UK since the decision was made on August 11, with many viewing the certificate as not appropriate for a feature doc that spotlights everyday working-class Britain. The rating was
awarded due to the film's strong language, owing to it containing more than four uses of the word fuck -- the film contains the word or variations on it a total of 10 times.
Director McAllister said that the film contains no violence, no sexual content, and no aggressive swearing, with the only use of profanity being within the confines of everyday language. He noted that the rating now restricts their outreach
opportunities. [The decision] prevents school screenings of this film (for kids under 15) which is so necessary in the communities across this divided nation, he commented when the BBFC classified the film.
Diana Johnson, Labour MP for Kingston Upon Hull North, said on Twitter that she was surprised by the BBFC's decision, adding that she didn't understand why the film would be a 15 while a title such as The King's Speech , which contains
stronger language, would receive a PG.
A Northern Soul producer, Elhum Shakerifar, commented:
As a documentary producer, I hope that this does bring into question the matter of representation, particularly of working class realities on screen, but also the reality of documentary filmmaking versus fiction. Our characters aren't scripted,
they're real people that we spend time with to build bridges of confidence, respect and communication with - and we don't want to take words out of their mouths, just as we don't put words into them, she said.
Shakerifar added that they are now intending to apply for local certificates with further local councils, and have already begun the process in Beverley, which is seven miles away from Hull and will be hosting screenings of the film in a few
Comment: The Director of A Northern Soul makes his case against the BBFC in the Guardian
My film-making style is intimate and engaged -- I look for characters whom I film over a long period of time and who let me into their lives fully. Finding people who can articulate their situation is important, and Steve's dream of helping poor
kids in Hull during the city of culture period seemed the perfect opportunity. Steve trusted me and talked openly and honestly. Trust and intimacy are things a documentary film-maker works hard for -- they're not easily won, and it is also a
As a result, Steve speaks to me as he would to a mate -- his language is real and engaging. He uses the occasional F-word, as most of us do in everyday language, but only ever in my company, never in front of anyone else, and this is never
aggressive or sexual.
There is a limited amount of bad language in the film. There are 19 F-words: 14 from Steve, and five that feature in the song Sometimes by Akala, who appears briefly in the film on stage, singing the lyrics When I feel like / Fuck it, I've had
enough. It's the BBFC's job to count them and apparently you're not allowed more than four!
But the point isn't the strong language -- it's about a voice and the everyday lived reality of someone being censored. It seems absurd that this would be deemed inappropriate for children, while films currently playing at the cinema receive 12A
certificates despite gratuitous on-screen violence. Mission Impossible, 12A, has a scene of someone being shot point blank on camera, for example.
Crazy Rich Asians is a 2018 USA comedy by Jon M Chu.
Starring Constance Wu, Michelle Yeoh and Henry Golding.
The story follows Rachel Chu (Wu), an American-born Chinese economics professor, who travels to her boyfriend Nick's (Golding) hometown of Singapore for his best friend's wedding. Before long, his secret is out: Nick is from a family that is
impossibly wealthy, he's perhaps the most eligible bachelor in Asia, and every single woman in his ultra-rarefied social class is incredibly jealous of Rachel and wants to bring her down.
The film is uncut and 12A rated in the UK. It is uncut and PG-13 rated in the US. However it has been cut in Australia to achieve a PG rating.
On July 3, 2018, an uncut print of CRAZY RICH ASIANS was passed with an M (PG-15) rating for coarse language.
On July 11, Roadshow Films resubmitted the film in a censored version. This time it received a PG rating for mild themes and coarse language
Reviews on US Christian sites mention that there are two uses of the word Fuck. The Refused Classification website commented that it suspected that both of these have been overdubbed in the Australian PG version.
Maybe the Australian categories provide a different dynamic to the US. In America the success of the PG-13 rating means that it is now the dominant rating for a film marketed for all ages. The PG rating has become associated with children's film
and so is something to be avoided for films that appeal to all ages. It has been noted that some instances of strong language are there just to ensure a PG-13 rather than a PG. Perhaps that is the reason for strong language in Crazy Rich Asians.
It would be a little ironic if the US film makers added it to avoid a PG whilst the Australian distributors cut it to obtain a PG.
An unholy row has flared after a cathedral's decision to screen films which include a graphic sex scene, full female nudity and a Pagan sacrifice.
Some church-goers believe that showing cult horror movie The Wicker Man and the thriller Don't Look Now at Derby Cathedral is inappropriate.
Wardens from other churches have called for the screenings to be scrapped.
However, the Cathedral's Dean said the building was for everybody and it needed to serve a wide range of people in the city. The Dean, the Very Reverend Dr Stephen Hance, said:
The first thing we're trying to do is open the cathedral to new people. It doesn't just belong to the people who go to church; it certainly doesn't belong to me; it doesn't just belong to religious people.
This is Derby's cathedral and it needs to serve the needs of the people of Derby, as wide a range of the people of Derby as we possibly can.
Steve Dunning, a church warden from within the diocese of Derby, said:
I just think it isn't appropriate to show these films in a place of worship that is consecrated and hallowed, and therefore it compromises the spiritual integrity of the cathedral.
The films are part of a season of film screenings called Quad in Residence at Derby Cathedral, which begins on 7 September. Other films include Monty Python's Life of Brian, a religious satire telling the story of a man who is mistaken for Jesus,
and which has itself sparked controversy in the past. Sister Act, in which Whoopi Goldberg's character is forced to join a convent, is also being screened.
The latest film being cut for a 15 rated UK cinema release
18th August 2018
Final Score is a 2018 UK action film by Scott Mann.
Starring Pierce Brosnan, Dave Bautista and Ray Stevenson.
UK: Passed 15 for strong violence, language after BBFC advised pre-cuts for:
2018 cinema release
The BBFC commented:
This film was originally seen for advice. The company was told it was likely to be classified 18 but that their preferred 15 could be achieved by making reductions to stronger moments of violence. When the film was submitted for formal
classification these moments had been acceptably reduced and the film was classified 15.
Slender Man is a 2018 USA horror by Sylvain White.
Starring Joey King, Javier Botet and Annalise Basso.
Slender Man tells the story of a tall, thin, horrifying figure with unnaturally long arms and a featureless face, who is reputed to be responsible for the haunting and disappearance of countless children and teens.
Slender Man, as released in US theaters this week, is not a complete movie. While originally the producers developed a much darker take on the character,
bloody-disgusting.com were told that the producer Screen Gems' mandate was that it should be PG-13. The target was and always has been for teenagers.
However insiders told bloody-disgusting that Sony/Screen Gems were succumbing to fear of a PC backlash that started when the father of the girl who stabbed her classmate called it distasteful. 2018 isn't exactly the year of reason, and the studio
was scared into back peddling their horror film.
The father of the victim whose life was nearly claimed by two girls that worshipped the Slender Man had spoken out against the film, citing how they feel disgraced by Hollywood making a film about events that led to tragedy.
This also caused Sony and Screen Gems to release the film with very little promotional materials to it and it did not screen for critics.
bloody-disgusting's sources confirm that several major scenes from the film were completely removed by the studio leading up to this past weekend's release. Slender Man, as presented to audiences, isn't a complete film; many of the striking
scenes that were teased in the first trailer, like one of the characters stabbing her eyes out, or another ripping her tongue out after encountering Slender Man in the woods, are completely missing from the film.
In an effort to safeguard artistic freedom in India, Congress MP, Shashi Tharoor, introduce d the Cinematograph (Amendment) Bill 2018 to reduce the pre-censorship powers of the Central Board Of Film Certification (CBFC).
Tharoor commented that the CBFC should be a certification body and not a moral policing body. He wrote on social media:
I introduced my Cinematograph (Amendment) Bill, 2018, to remove the outdated provisions which hamper the free flow of free speech, especially artistic freedom. The protection of artistic freedom is essential for the development of our culture
and our democracy.
It's [The CBFC's] censorship powers (& the Govt's power to revise its decisions as to whether a film should be screened or not) reflect a regressive and paternalistic outlook which is out of date in the 21st century. The existing
guidelines for certification are broad and vague, allowing the CBFC to pass absurd orders such as muting individual words of dialogue, like the term 'cow' in a documentary on Amartya Sen. My Bill introduces comprehensive guidelines for gradation
in film certification. My Bill also removes the discretionary powers of the State to ban films. The State should only resort to the power of suspension of films as the last resort in order to maintain public order. We should not be held hostage
by vigilante groups & self-appointed 'moral police'.
The bill seeks to completely remove the State's power to ban a film, which he says should be considered as a last resort. During the time of Padmaavat's release, states claimed that Section 6 of the Cinematograph Act empowers them to stop the
release of any film that risks public order.
Amongst the key changes are additional film certificates:
U -- film suitable for all persons, regardless of age, and is often family friendly;
U/A 12+ -- film suitable for persons above twelve years of age or for a person under the age of twelve with parental guidance;
U/A 15+ -- film suitable for persons (adolescents) above fifteen years or for a person under the age of fifteen with parental guidance
A -- film suitable for public exhibition, but restricted to adults;
C (A with Caution) -- film restricted for adults with the specific purpose of cautioning them that it has more than a reasonable amount of content such as violence, sex, nudity, drugs and other related contents;
S -- film restricted to viewership by members of a profession or any class of persons, having regard to the nature, content and theme of the film
Detailed guidelines are included in the bill for each category, here are the rules foa an adults only A rating:
Discrimination -- While there may be discriminatory themes and languages in the film, the film as a whole shall not endorse or glorify discriminatory language or behavour ;
Psychotropic Substances, Liquor, Smoking, Tobacco -- Imbibing of these elements may be shows, but the work as a whole shall not promote or encourage misuse of the same. The misuse of easily accessible and highly dangerous substances (for
example, aerosols or solvents) is not acceptable;
Imitable behaviour -- Dangerous behaviour (for example, committing suicide or inflicting self-harm) shall not be shown in detail that could be copied by others . Context, realism and setting shall determine the acceptability of depiction of
easily accessible weapons;
Language -- Very strong language, including abuse and vulgar words is permitted;
Nudity --There may be nudity, even in a sexual context, but without explicit detail ;
Sex-- Sexual activity may be portrayed but without strong detail . References to sexual behaviour is permitted, but very strong reference can only be justified in context . Works whose primary purpose is sexual arousal or stimulation is not
Fear, Threat & Horror--There may be strong threat and horror. A sustained focus on sadistic or sexual threat is not acceptable;
Violence--Strong violence is permitted, but explicit gory images are not acceptable . Strong sadistic violence is not acceptable, there may be detailed verbal references to sexual violence but the depiction of sexual violence must be discreet
and justified by context.
The proposal is introduced with plenty of fancy words about the CBFC being classifiers not censors, but the bill includes plenty of reasons to continue censoring and banning films anyway:
Films under this [top A with Caution] category shall not qualify for certification in the event of the following--
( 1 ) Where the material is in breach of criminal law, or has been created though the commission of a criminal offence;
( 2 ) Where material or treatment appears to the Board to risk harm to individuals;
For example, the detailed portrayal of violent or dangerous acts, or of illegal use of psychotropic substances, which may cause of public harm or morals. Other examples may include portrayals of sadistic or sexual violence that make this
violence looking appealing; reinforce the suggestion that victims enjoy sexual violence; or films that invite viewer complicity in sexual violence or other harmful violent activities;
( 3 ) Where the work is pornographic in nature and or compromises explicit sexual activity or dialogue that is non-contextual in nature. However, any sexually explicit material for educational purposes shall be allowed;
( 4 ) Where the work involves sadistic or sexual violence with children;
( 5 ) Where the work, including its dialogues, are likely to encourage an interest in sexually abusive activity which may include adults role- playing as non-adults.
Eighth Grade is a 2018 USA comedy by Bo Burnham.
Starring Elsie Fisher, Josh Hamilton and Emily Robinson.
An introverted teenage girl tries to survive the last week of her disastrous eighth grade year before leaving to start high school.
Eight Grade is a US film aimed at 8th graders but its 8th grade strong language has resulted in it being rated R by the MPAA. The R rating means that with graders cannot see the film at theatres unless accompanied by their parents.
The film makers from A24 Studio are not impressed by their target audience being disallowed so organised nationwide screenings where the R rating was not enforced (age restrictions are legally voluntary n the US). 50 no-rating-enforced screenings
were organised on August 8. The studio partnered with one theater in every state across America for the screenings.
But US moralist campaigners were not happy. The Parents Television Council called on the Motion Picture Association of America (MPAA) to hold the A24 Studio accountable for those under 17s admitted without a parent. PTC President Tim Winter
Subjective declarations such as the one by A24 -- that some content is 'too important' to be labeled in accordance with the standards set forth by the MPAA and understood, trusted and relied upon by parents -- undermine and negate the entire
purpose of having the content rating system in the first place. In this instance, and based upon empirical data of this film's content, the Hollywood studio at issue here is grotesquely and irresponsibly usurping parental authority. Either the
standard means something or it means nothing. Those who are openly violating both the spirit and the letter of the age-based content ratings system for this publicity stunt should be held to account by the MPAA.
Inbetweeners style comedy cut for a 15 rated cinema release
7th August 2018
The Festival is a 2018 UK comedy by Iain Morris.
Starring Joe Thomas, Hammed Animashaun and Claudia O'Doherty.
The film was passed 15 for strong sex references, crude humour, sex, drug misuse, very strong language after BBFC advised category pre-cuts for cinema release in 2018.
The BBFC commented:
This film was originally seen for advice. The company was advised the film was likely to be classified 18 but that their preferred 15 could be achieved by making reductions to three sequences of crude and sexual behaviour. When the film was
submitted for formal classification acceptable reductions has been made the film was classified 15.
When Nick's girlfriend dumps him at graduation, he has a colossal meltdown in front of the entire university. He's convinced his life is over, but his best mate Shane has the perfect solution: three days at an epic music festival. With the help
of "festival aficionado" and certified oddball Amy, Shane tries to get Nick to embrace the music, the mayhem and the mud. From the creators of the Inbetweeners comes The Festival, a movie about friendship, growing up, and going mad in a field.
Christopher Robin is a 2018 USA children's musical by Marc Forster.
Starring Hayley Atwell, Ewan McGregor and Chris O'Dowd.
The Children's film Christopher Robin has been banned by Chinese film censors. No reason was given for the denial, but a source pinned the blame on China's crusade against images of the Winnie the Pooh character, which is widely used as a
mocking representation of the Chinese leader Xi Jinping.
Last summer, authorities began blocking pictures of Winnie the Pooh on social media when bloggers drew comparisons between the pudgy bear and Xi, which has put the country's censors in overdrive. In June, Chinese authorities blocked HBO after
Last Week Tonight host John Oliver mocked Xi's sensitivity over being compared to Winnie the Pooh.
BBFC category cuts required for a 15 rated UK cinema release
1st August 2018
The Equalizer 2 is a 2018 USA action crime thriller by Antoine Fuqua.
Starring Pedro Pascal, Denzel Washington and Bill Pullman.
UK: Passed 15 for strong violence, threat, language, drug misuse after BBFC advised pre-cuts for:
2018 cinema release
The BBFC commented:
This film was originally seen for advice at which stage the company was informed it was likely to be classified 18 uncut but that their preferred 15 classification could be achieved by making reductions to scenes of strong violence and gore.
When the film was submitted for formal classification these scenes had been acceptably reduced.
The film is uncut in the US where it is rated R for brutal violence throughout, language, and some drug content.
The running time suggests that the cut UK version will also be shown in Ireland rated 15A for strong violence.
Robert McCall serves an unflinching justice for the exploited and oppressed, but how far will he go when that is someone he loves?
Mission Impossible: Fallout is a 2018 USA action adventure thriller by Christopher McQuarrie.
Starring Tom Cruise, Henry Cavill and Ving Rhames.
Ethan Hunt and his IMF team, along with some familiar allies, race against time after a mission gone wrong.
India's Central Board of Film Certification (CBFC) has cut out overt references to Kashmir in Mission: Impossible - Fallout .
It was previously reported that director Christopher McQuarrie had set the film's final act in Kashmir because he wanted to make a more politically complex film.
However, the version of the film released in Indian theatres has no mention of Kashmir - there are noticeable cuts in the final act of the film, and a section of the credits mentioning the banned location has been deleted.
The film still contains a few oblique references such as Ilsa Faust makes a passing reference to the Nubra Valley and the Siachen glacier, but never is the word Kashmir mentioned.
The film makers tried to shoot the scenes in Kashmir but were refused permission. The scenes ended up being filmed in New Zealand. Ethan Hunt and his crew arrive in Kashmir to stop a dastardly plan to unleash a nuclear attack on the region, which
connects three of the most populous countries in the world, and therefore likely to claim the most casualties.
The Daily Mail is hyping some cinema 'outrage' about a new children's film opening this week, Show Dogs . The Mail writes:
Parents have reacted with fury after British cinemas are still showing scenes from Hollywood film Show Dogs that were banned in America months ago because they were deemed inappropriate for children.
The film features scenes touch in hyper sensitivity of PC extremists about consent and touching relating to dogs bollocks.
In one scene the dog has his genitals inspected and is told to go to a zen place and in a later scene urged to overcome his resistance to being touched so he can become a champion.
Moralist campaigners first raised concerns about the scenes in the United States and Global Road Entertainment, who distribute the scene said it decided to remove two scenes from the film 'Show Dogs that some have deemed not appropriate for
Of course the British 'outrage' is pretty minimal and was spotted mostly in a few angry tweets. One mother from north London, who asked to remain anonymous, told MailOnline:
Expecting that the scenes had been cut I didn't think twice about taking my four-year-old. So it was quite shocking to discover that the scenes appeared to still be in there - with one of the dog characters being coached to go to their 'zen
place when the judges were going to inspect their genitals.
This was repeated a second time towards the end of the film, when the character of Max the dog has the inspection.
It wasn't a packed viewing but a few of the parents of the younger children immediately covered their ears and asked them to look away.
Annoyed parents have also been in contact with the BBFC about the contentious scenes. The BBFC responded that the scenes are entirely innocent, non sexual and occur with in the clear context of preparing for and judging in a dog show
It is surely the case that the BBFC have found a successful formula for producing age rating pretty much following the expectations of film and video viewers. At least with film and video, people have to pay good money up front, and so do a
little research about what they are expecting. This also means that the easily offended will have decided that the film is not for them before they see it. Also the BBFC tend to steer clear of the illogical and contradictory rules of political
correctness, so don't get tripped up by silly decisions in the name of PC.
Whatever the reasons, complaints they receive are more or less nil. The BBFC has recorded a total of 262 complaints for 2017, compared with 371 the previous year. Surely the number of complaints for a single film is statistical noise but data
seems to be the most interesting chapter of the report, at least as far as the press is concerned. So far the record here are the films scoring the most complaints in 2017:
Logan , 20 complaints for being too violent for its 15 rating
The Indian film Padmaavat had some pre-release hype suggesting that it insulted historical characters, but this all fizzled away after opening when people realised that the hyped offence was all bollox. Anyway the BBFC reported just 10
complaints about the supposed insult.
8 people whinged about violence and sex in the 15 rated Atomic Blond e.
8 people also whinged about sex in Kingsman: The Golden Circle.
Kong: Skull Island wound up 6 people for 12A rated strong language.
Alien Covenant had 5 complaints about violence at 15.
Ghost in the Shell also scored 5 for violence at 12A.
They are hardly the most controversial of bands, with their upbeat songs and wholesome Scandinavian image -- but it appears that even Abba have fallen foul of PC sensibilities.
The Swedish band has changed the lyrics to some of its classic hits to make them more acceptable to today's PC world. Tracks rerecorded for this summer's blockbuster movie, Mamma Mia! Here We Go Again, have been altered to remove any hint of
inappropriate relationships between young girls and older men.
The biggest change comes in the 1976 song When I Kissed The Teacher , about a female student besotted with her male teacher. It originally featured the line:
One of these days, Gonna tell him I dream of him every night. One of these days, Gonna show him I care. Gonna teach him a lesson alright.
But the film version changes the teacher's gender and the emphasis:
What a mad day, Now I see everything in a different light. What a mad day, I was up in the air. And she taught me a lesson alright.
Ex-Radio 1 DJ Mike Read commented:
Rock 'n roll was founded on young love and you can't rewrite history ....BUT... you can see why people have started looking at songs and asked, Should we still be playing that?
82% more films were classified for cinema in 2017 compared to 2007.
Video on demand continues to receive more BBFC age ratings than any other format
In 2017 the BBFC gave 378 films a 12A age rating, the most ever at the 12A category
In 2017 the BBFC age rated 1,048 films for cinema release, representing an 82% growth in films classified compared to 2007. With a total of 378 titles, there were more films with a 12A age rating in 2017 than ever before. However 15 remains the
most common age rating with 392 theatrical classifications last year. Every film classified by the BBFC comes with detailed BBFCinsight information to help people make informed viewing choices for themselves and their family. BBFCinsight is
available on bbfc.co.uk and the BBFC's free apps for tablet and mobile devices.
Although cinema is as popular as ever, digital content continues to grow, with submissions increasing by 25.3% since 2016, with just under 160,000 minutes of digital content classified in 2017.
David Austin, BBFC Chief Executive, said: Our aim is to support children and families to make viewing decisions that are right for them whenever, whatever and however they are watching, be it cinema, Blu-ray or DVD, or Video on Demand (VOD).
Going forward we will continue to carry out research to ensure that our standards are in line with what people across the UK believe and expect. In February 2018 the Government designated the BBFC with new responsibilities as the age-verification
regulator for online commercial pornography, under Part 3 of the Digital Economy Act 2017. This is due to our acknowledged expertise in assessing and classifying content, including pornographic content, and our longstanding experience of online
regulation. The new legislation is an important step in making the internet safer for children.
In addition to providing the latest age rating information on our websites, twitter account and free app, the BBFC continues to publish resources for children, teachers and older learners including a regular podcast, a children's website
(www.cbbfc.co.uk), case studies and classroom posters.
In 2017 the BBFC's education team held 137 teaching sessions speaking to over 8,000 people across England, Scotland, Wales and Northern Ireland Sessions focussed on BBFC age ratings, our history and our current work including in the online space.
The BBFC education and outreach work aims to help children and young people choose well when selecting viewing material online, at home and in the cinema.