El Inca is a 2016 Venezuela romance by Ignacio Castillo Cottin.
Starring Alexander Leterni, Scarlett Jaimes and Miguel Ferrari.
A tragic love story based in the life of the great Latin American boxer Edwin "El Inca" Valero. The only fight he lost, was the one against himself.
On an April morning in 2010, Venezuelan boxing legend Edwin El Inca Valero, an undefeated two-time world champion, murdered his wife. Two days later, he took his own life in his prison cell at 28 years of age.
Now, his violent and troubling story is making headlines again, in a politically charged scandal over a banned film about his life. The movie, El Inca, was a box office sensation when it premiered on Nov 25, rising to become the third-most
lucrative film of the year in Venezuela in less than three weeks.
But its run came to an abrupt halt on Dec 13, when a judge ordered it removed from theaters and impounded all copies. The court case was brought by Valero's family, which accused director Ignacio Castillo Cottin of slander. But the director alleges
politics had more to do with the ruling.
The film was banned by temporary injunction before the defamation trial even got under way. The judge then postponed the first hearing, scheduled for last Monday, because neither he nor the prosecution had seen the movie.
Connections of the film were not impressed that it was banned before the judge had even seen it.
National Archives show minister for justice Alan Dukes clashed with attorney general John Rodgers over access to the film censor's historical files.
In 1986 Kevin Rockett, then academic and chairman of the Irish Film Institute , wrote to attorney general John Rogers to say he had been refused access to the film censor's files, even for films of the 1920s, by then minister for justice Alan Dukes .
Rogers wrote to Dukes saying that he did not see the legal basis on which access to the files, especially for films made 30 years or more previously, could be resisted or refused.
A month later, Dukes responded that over the years, censors and ministers for justice had always considered themselves precluded , on the basis of breach of confidence, from disclosure of information on films.
Further letters ensued and eventually the files were opened following a long struggle. Rockett told The Irish Times that a fter a long and frustrating campaign he eventually convinced the Official Film Censor in 1998 to transfer the more than 100
volumes of film censorship material to the National Archives.
Rockett wrote Irish Film Censorship: A Cultural Journey from Silent Cinema to Internet Pornography in 2004, with the help of those files.
Embrace is a 2016 Australia / Canada / Dominican Republic / Germany / USA / UK feminsit documentary by Taryn Brumfitt.
Starring Renee Airya, Jade Beall and Taryn Brumfitt.
When Body Image Activist Taryn Brumfitt posted an unconventional before-and-after photo in 2013 it was seen by more than 100 million people worldwide and sparked an international media frenzy. EMBRACE follows Taryn's crusade as she explores the global
issue of body loathing, inspiring us to change the way we feel about ourselves and think about our bodies.
Never cut by censors but the film made the news in Australia after the director successfully appealed against a MA 15+ rating and won an M rating instead.
In Australia, the original MA15+ (15A) rating was downrated to M (PG-15) for nudity on appeal. The Review board explained:
A three-member panel of the Classification Review Board has unanimously determined that the film Embrace is classified M (Mature) with the consumer advice Nudity .
The National Classification Code and Classification Guidelines allows for nudity to occur at the M level if it is justified by context. In the Classification Review Board's opinion Embrace warrants an M classification because the scenes of nudity and of
women's breasts and genitals in the film are justified by the context of the documentary approach to women's body image and their impact is no higher than moderate.
Now the BBFC have passed the film 15 uncut for cinema for strong language, nudity, brief surgical detail.
Sausage Party is a 2016 USA animation comedy adventure by Greg Tiernan and Conrad Vernon.
Starring Kristen Wiig, Seth Rogen and Paul Rudd.
An animated fable about the delusion of religion. It is set in an American supermarket, its characters are horny and often blasphemous foodstuffs who at one point engage in a mass sex party.
Catholic and right-wing have whinged about a Seth Rogen cartoon featuring lots of strong language and a foodstuffs orgy scene.
France's film certification board, (Centre National de la Cinematographie: Commission de Classification, CNC) has now come under renewed censorship pressure by conservative organisations angry at what they perceive as an overlenient rating given to
a Hollywood cartoon.
In the US, the film was rated R for strong crude sexual content, pervasive language, and drug use. The film was cut in the US to avoid an NC-17 rating, with the censors asking for the deletion of the hairy scrotum of a pita bread. This cut version
has been distributed worldwide. In the UK, it had 15 for very strong language, strong sex references . In France it has been given a 12 certificate.
Jean-Frédéric Poisson, president of France's Christian Democratic party whinged:
An orgy scene for 12-year-olds! Everything remains to be done to combat early exposure to pornography.
La Manif Pour Tours, which has campaigned against same-sex marriage fired of an angry tweet:
Hello CNC, explain how you can authorise the screening of a giant orgy for the whole family?
The Association of Catholic Families warned parents:
[The movie gives] the appearance of being intended for young people and children. its content is not only coarse, but also clearly pornographic, under cover of being 'politically incorrect'.
The French ratings board has traditionally been more lenient than its UK and US equivalents, but is not entirely out on a limb in Europe as Sweden awarded an even lower rating, 11A.
New Zealand film censors of the Office of Film and Literature Classification have been commissioning research on the topic of the depiction of sexual violence in entertainment media. The censors have presented their report framed in the jargon of
political correctness as follows:
Teenagers think that inaccurate depictions or misrepresentations of sexual violence in entertainment media are potentially harmful. Harms identified included normalisation, perpetuation of harmful stereotypes, negative impacts on victim/survivors, and
being negatively influenced by behaviour seen on screen.
These are some of the findings detailed in Young New Zealanders Viewing Sexual Violence, the latest research report from the Office of Film and Literature Classification.
Given that there is real concern in New Zealand about sexual violence in wider society, it is perhaps surprising that to-date there had been no New Zealand research asking young people about their views of sexual violence in entertainment media such as
movies, TV shows and games.
The report is based on focus groups conducted with teenagers from Auckland and Wellington, undertaken by Colmar Brunton. It represents the first part of a research and consultation project exploring the effects -- particularly on young people -- of
viewing sexual violence in entertainment media. The project also explores the impact on the wider community, and builds on international research showing that repeated exposure to violent entertainment content can have significant negative effects on
Project leader Lexie Kirkconnell-Kawana says that the findings will inform the classification of sexual violence depictions in New Zealand:
We hope the results of our own research translate into meaningful policy and action to improve the lives of New Zealanders, particularly in how they engage with entertainment media. We also hope the results encourage future (much needed) research on this
subject both nationally and internationally.
The results so far suggest that it is not a question of if depictions of sexual violence are shaping young people's understandings of sexual violence, but how they are shaping young people's understandings.
Chief Censor Andrew Jack says some of the findings are hardly surprising:
We know that the development of children and young people is heavily influenced by their environment and the modern reality is that media is a large part of their environment.
The research shows that young people want more and better information rather than less when making viewing choices.
The wider project involves specialists in the field of sexual violence prevention, treatment and education (including front-line victim/survivor counsellors) and academics and officials with expertise in sexual violence. Preliminary findings reveal a
high degree of concern about the nature of entertainment content being made available in New Zealand, and participants agreed that young people's unfettered access to material was a pressing issue in the provision of their services. A full report on
these consultations will be published in due course.
Blasphemy cuts waived to John Waters' Multiple Maniacs
27th November 2016
Multiple Maniacs is a 1970 USA crime comedy horror by John Waters.
Starring Divine, David Lochary and Mary Vivian Pearce.
UK: Passed 18 uncut for strong sex references, sexual violence with previous BBFC cuts waived for:
2016 cinema release
UK Censorship History
Heavily cut by the BBFC on grounds of blasphemy for 1990 18 rated VHS. A restored version was passed 18 uncut with previous cuts waived for 2016 cinema release.
The previous BBFC cuts were:
Cut to remove an entire supposedly blasphemous sequence set in a church in which a male transvestite buggered himself with a rosary. The shots of the transvestite were intercut with footage of Christ moving through the Stations of the
The travelling sideshow 'Lady Divine's Cavalcade of Perversions' is actually a front for a group of psychotic kidnappers, with Lady Divine herself the most vicious and depraved of all - but her life changes after she gets raped by a fifteen-foot
New Zealand's film censor, the Office of Film & literature Classification, has published its 2016 Annual Report.
It spends a fair few pages glorying in what a good and important job it is doing. However it also highlights some of its key decisions during the year:
Perfect Sisters re-rated from Australian M to 16
A member of the public emailed the Classification Office outlining concerns about the classification of the DVD Perfect Sisters. The DVD was cross-rated by the New Zealand Film and Video Labelling Body from its Australian rating of M [PG-15], with a note
for sex scenes and offensive language. The complainant was surprised at the unrestricted M rating as they observed that the film contained strong suicide references; sex scenes including attempted coercion; and violence, including attempted drowning of a
parent in a bath. The complainant also noted that the film (under the title Deadly Sisters) is classified 18 in the United Kingdom, with an advisory about strong violence, suicide references .
The Chief Censor called in the DVD for classification and subsequently gave it a R16 rating. noting that younger teens and children will not be able to place this material in a meaningful context and would likely be greatly shocked and disturbed.
Unfortunately, Perfect Sisters illustrates a growing divergence between Australia and New Zealand in the tolerance of material that depicts violence and sexual violence.
Maken-Ki! Two banned
OFLC received a set of two Blu-ray discs showing season two of the Japanese anime series Maken-Ki from distributor Madman Entertainment for classification prior to commercial release in New Zealand. The series was classified as objectionable (i.e.
The series relates to a group of gifted or magical students who attend a specialised high school named Tenbi Academy. A select group of them form the leadership committee which resolves crises, using their powers and weapons (Maken-Ki), which enhance
their powers. The majority of the publication is dubbed in English or is in Japanese with English subtitles. The series tends to promote or support the exploitation of young persons for sexual purposes through the unrelenting sexualisation and
fetishisation of the young female characters. The characters are all in high school. Their youth is evidenced by their being dressed in school uniforms, the high school setting, and the fact that they engage in high school activities such as classes and
homework. The oldest of the high school characters describes herself as a senior (aged 17), while a number of the characters are described as juniors or freshmen.
This sexual focus is relentless. Every episode features extreme close ups of bare breasts and nipples, and every episode features the characters willingly, or having been coerced, fondling each other's breasts and genital areas. The main purpose of this
publication and its hyper-sexualisation of the young female characters is the titillation and arousal of the viewer. It is therefore likely to attract viewers with a prurient interest in young persons. It is likely to reinforce such an interest in young
persons and contribute to the problem of young persons being sexually exploited in real life.
Senran Kagura Estival Versus (Console Game) rated R18
Senran Kagura Estival Versus is a video game developed for the PlayStation 4 and PlayStation Vita by Japanese studio Tamsoft. For this Western release it is presented in Japanese with English subtitles. In this continuation of the Senran Kagura series,
girls from rival shinobi academies find themselves magically transported to the sunny beaches of a mysterious island. Tasked with a series of challenges, the girls battle it out for victory.
The constant sexualisation and sexual themes of the publication are of particular concern. With an exclusively female roster, the game uses a damage mechanic based on the character's clothing. As enemies or allies lose health, their clothing is ripped
and torn away with the camera leering at breasts and buttocks as the material disappears.
The characters are shown to be embarrassed and with teary eyes during these sequences. During the fights, the player can also instigate a shinobi transformation , which has several variations. With a swirling background the character is stripped
nude, although lens flare effects obscure any genital or nipple nudity. A ninja scroll is then extracted from between their breasts or thighs and held up in a hero pose. The camera focuses on their breasts and buttocks during this, and again as their
transformation clothing appears. There is little reason for this beyond titillation.
The dominant effect of Senran Kagura Estival Versus is of a 3D combat game with an inordinate focus on the sexualisation of its female characters. This constant objectification is degrading and demeaning to women, and presents them as sexually available
and compliant. This is likely to negatively influence the developing attitudes of younger audiences, including teenagers, by normalising and encouraging such conduct. Moreover, there is extensive sexual innuendo as well as references to adult sexual
practices. Consequently, the game earned itself an R18 classification.
Hitman (Computer Game) rated R18
The game Hitman (2015) was classified R18 in New Zealand. Through the use of firearms and explosives, players are able to kill a multitude of innocent people. Opening fire at a Parisian fashion show causes immediate panic, with civilians screaming in
terror. Some are huddled on the ground with their hands over their heads, while others flee the room. Security guards and police will attempt to kill the player. If caught in the open the player will quickly die, but through the use of cover combat may
be drawn out. With some elusive play and the acquisition of a new suit, the player can escape arrest relatively easily. Although, the blood and gore is not rendered at a high level of resolution, the effect of gunning down a screaming civilian crowd
remains high impact. While the killing of civilians is not overly encouraged by the routine gameplay in Hitman, the Classification Office is aware that players routinely post video game footage of these sorts of massacres online where they attract a
level of appreciation and acknowledgement from likeminded players.
The Classification Office must conclude that the purpose and intended audience of these posts is likely to be supportive of this high level of violence and cruelty. Through an unfortunate coincidence, Hitman was commercially released soon after the
terrorist attacks in Paris where civilians were brutally killed in a real life display of the types of tactics and behaviours demonstrated in the game.
Inside Amy Schumer rated R18
Amy Schumer is an American comedian who is known for her clever deconstruction of what life is like for young, single women whose urban heterosexual lifestyles are a minefield of uncomfortable pressures. Schumer satirises a culture that degrades and
demeans women in numerous skits and jokes that are aimed at women's self-obsessions including body-sculpting, the fitness industry, sexual selfies , quick-fix methods of weight control and plastic surgery aimed at vaginal rejuvenation .
Schumer constantly exposes the difficulties of meeting male expectations.
Some of the material deals quite candidly with the pornification of American culture. For example, a gang-bang skit, relies on the over-used but still relevant feminist trope of women as sex objects. The disc has strong sexual content,
particularly a skit that lampoons scat porn (faeces used in a sexual context) and segments where golden showers (urine used in a sexual context) are mentioned among other sexual proclivities of interviewees.
Schumer does not shy away from presenting material dealing with anal sex, ejaculation on women's faces, or frank discussions of sexual parts, male and female. Extreme sexual practices, such as those commonly portrayed in porn, are discussed frankly and
The sexual content is clearly likely to cause harm if the DVD is available to children or young teenagers. However, injury is also likely if young people in their mid-teenage years access the material. The DVD confronts its viewers with strong sexual
content that includes unusual sexual practices. Adults are presumed to have the ability to critically assess difficult content, but the bulk of 16 or 17 yearolds will not have the sophistication required to fully understand the irony and satire that is a
feature of the comedy. Some young people are likely to be disturbed or intimidated by the material and it could place expectations and pressure, particularly on young women, who might then feel that they should be more fully engaged in a
Motel Mist (Rong Ram Tang Dao) is a 2016 Thailand Sci-Fi thriller by Prabda Yoon.
Starring Prapamonton Eiamchan, Vasuphon Kriangprapakit and Wissanu Likitsathaporn.
In just a few hours, at an unusual love motel on the outskirts of Bangkok called Motel Mistress, four (human) lives intertwine and change forever. Sopol, a typical Thai father-like figure with kinky and dangerous sexual fetishes, brings his new young
prey, a school girl named Laila, to room number 7, his custom-made erotic chamber. Tul, a former child actor has been reported missing by his mother and causing the media to speculate wildly over his alleged delusional belief that aliens are coming to
take him away.
Prabda Yoon, one of Thailand's best-known writers and winner of the 2002 SEA Write Award for his short-story collection, has made his debut feature film, one of the most anticipated Thai movies of the year and which has toured film festivals since
January. Rong Ram Tang Dao , or Motel Mist , was scheduled to hit Thai cinemas yesterday, but at the 11th hour on Wednesday night the film's investor, the cable network TrueVisions, has decided to pull it off the screen to the dismay of the filmmaker and
The film's Facebook page cites disagreement between the filmmaking team and the investor regarding the content of the film .
A representative of TrueVisions tried to spin the censorship by weakly claiming that it didn't ban the film... BUT ... [is postponing] the release indefinitely for more appropriate timing .
It is believed that TrueVisions only saw the film recently and decided that it was not to their liking. The postpone indefinitely decision, which is entirely its right, has deprived Prabda's fans -- and there are many -- as well as the audience
from seeing one of the year's most unusual cinematic visions on the big screen. TrueVisions also isn't sure when the film will be screened on its channel.
Motel Mist had already passed the Thai censorship board with an 18-plus rating, a liberal decision given the film's sexual content.
The Red Pill is a 2016 USA documentary by Cassie Jaye.
Starring Marc Angelucci, Jack Barnes and Richard Cassalata.
The Red Pill chronicles filmmaker Cassie Jaye's journey following the mysterious and polarizing Men's Rights Movement. The Red Pill explores today's gender war and asks the question "what is the future of gender equality?"
The Red Pill, a new documentary film about men's rights activists (or MRAs), is out in limited release across the United States. It is also showing is in Melbourne, Australia, where tickets have completely sold out ahead of its November 5th
The film's producer, Cassie Jaye, has inevitably met with backlash from feminist campaigners for taking a balanced approach toward the subject of men's rights activism.
A petition has been started by Australian feminists urging Kino Cinema to censor the screening of the film whilst describing the movie in misleading terms. The petition reads:
Film-maker Cassie Jaye follows members of online hate-group 'The Red Pill,' known to most as the sexist cesspit of the internet, begins the complaint. The general plotline goes something like this: 'feminist' Jaye decides to investigate rape-culture,
opens the first hit on Google (Red Pill) and before she knows it, she has seen the light and converted to 'meninism.'
Please do not associate your cinema with the kind of people who teach men how to violate women physically and emotionally. Please stand with the women everywhere, and do not promote misogynistic hate.
Much of the enmity toward The Red Pill comes from how it features men's activist Paul Elam, who writes incendiary remarks and articles about women online. While there's no defending much of what he has says, the film itself neither promotes his most
offensive opinions, nor does it vilify women the way some feminists do to men. It merely presents MRAs in a (partly) sympathetic light.
The Red Pill was due to have its Australian premiere in Melbourne next month, which has since been cancelled by Palace Cinemas. The move comes after a campaign labelled it misogynistic propaganda.
In a letter to Men's Rights Melbourne, who have the exclusive distribution rights to the film after donating to its Kickstarter campaign, Palace Cinemas explained:
We have come to a decision based on the overwhelmingly negative response we have received from our valued customers. We cannot proceed with the booking.
The cinema chain also referred directly to a Change.org petition protesting the premiere of The Red Pill at Palace Kino in Melbourne, which received 2,370 signatures. The overwhelming number of responses, many from regular Kino customers, has really
resonated with us, Palace Cinemas told Men's Rights Melbourne.
The Motion Picture Association of America (MPAAP and the National Association of Theatre Owners have come out victorious in
a lawsuit that ludicrously claimed that tobacco imagery in films rated G, PG or PG-13 causes 200,000 children every year to become cigarette smokers and 64,000 people to die as a result.
Now U.S. District Judge Richard Seeborg dismissed an attempt to hold major film studios and theater owners legally responsible.
The legal action by Timothy Forsyth claimed that the industry's film-ratings practices amounted to negligence, misrepresentation, breach of fiduciary duty, false advertising, unfair competition and nuisance.
In response, Hollywood argued that ratings merely reflect opinions about what's suitable for children and compelling them to give R ratings to anything found socially unacceptable could apply to films depicting activity like alcohol use, gambling,
contact sports, high-speed driving and so forth.
The judge wrote:
Forsyth insists that a rating less stringent than R is a representation that 'the film is suitable for children under seventeen unaccompanied by a parent or guardian. The ratings plainly make no such representations. Rather, the PG and PG-13 ratings
caution parents that material in such movies may be inappropriate for children. More fundamentally, the ratings reflect the consensus opinion of CARA board members. As such, neither intentional nor negligent misrepresentation claims are tenable as
The judge also noted that Forsyth also failed to prove his other claims.
India takes its time over changes to film censorship law and similar ideas have been discussed several times before.
Now it is reported that India's film censors of the Central Board of Film Certification (CBFC) has accepted the recommendations of a government-appointed panel to introduce new movie categories.
The government appointed the panel led by filmmaker Shyam Benegal following allegations that the CBFC was stifling artistic freedom under the crazed CBFC chairman Pahlaj Nihalani .
The panel submitted its report to the Centre recently on restructuring the Cinematography Act and rules, under which films are categorised depending on the nature of its contents including adult themes. The panel has suggested adding more categories for
films with explicit sexual content instead of CBFC's use of the scissors, which often leads to conflict with filmmakers over allowing kissing scenes, sexual content and cuss words in films.
The CBFC board however questioned some of the new categories and how they will be defined, such as adult with caution . At present, films with explicit adult content are given an A certificate, a U/A certificate which mandates
parental accompaniment for children below 12 and the U certificate for universal viewing.
The Benegal committee has recommended dividing the U and UA Categories to UA12+ and UA15+ and the A category to be sub-divided into A and AC (adult with caution) categories. The proposed A/C category will not include pornography, but will be a
certificate for films with explicit sexual content or nudity.
Pornographic films or those that supposedly hurt religious sentiments or harm national security will still be banned.
Changes to India's film classifications will require new legislation.
China has passed a new film censorship law mopping up a few more prohibitions somehow overlooked by previous censorship laws.
the law bans content deemed harmful to the dignity, honour and interests of the People's Republic and encouraging the promotion of socialist core values .
The law claims that its aim is to spread core socialist values , enrich the masses' spiritual and cultural life, and set ground rules for the industry.
The law further forbids content that criticised the law or constitution, harms national unity, sovereignty or territorial integrity, exposes national secrets, harms Chinese security, dignity, honour or interests, or spreads terrorism or extremism. Also
banned are subjects that defame the people's excellent cultural traditions , incite ethnic hatred or discrimination or destroy ethnic unity.
It is also illegal for Chinese firms to hire or partner with overseas productions deemed to have views harmful to China's dignity, honour and interests, harm social stability or hurt the feelings of the Chinese people .
Films must not violate the country's religious policies, spread cults, or superstitions , insult or slander people.
A freshly restored version of horror classic Suspiria is set to return to Italian movie screens 40 years after its
The 1977 classic by director Dario Argento is being restored in 4K resolution. It is also the first Argento movie to have THX-certified audio to enhance the effect of the score by Italian rock group Goblin, which includes a death waltz.
The new restoration is expected to premiere at next year's Berlinale in February in a special section, along with special theatrical screenings to follow. Argento said in a statement:
I can't wait to see it at the movies again with all the young people who will see it for the first time.
Simultaneously US cult specialists Synapse Films bought the US distribution rights back in 2013, and they have also been working on a 4K restoration for the last couple of years.
The movie attracted a fair amount of attention from the UK and US. It was cut by the BBFC for X rated 1977 cinema release. Less cut for 1990 18 rated VHS and uncut since 1998. It was cut in the US for an MPAA R rating but Unrated releases are
uncut. See further details at Melon Farmers Video Hits: Suspiria
Meanwhile cameras began rolling last month on a remake of Suspiria by director Luca Guadagnino.
One hundred years ago, film censorship was introduced to New Zealand, making it illegal to show any film without it first being passed by the Censor. The 1916 Cinematograph Film Censorship Act was the government's first attempt to restrict what New
Zealanders could watch and hear in audiovisual media.
From 16 to 26 November, Nga Taonga Sound & Vision will mark the centenary with the event CENSORED -- 100 Years of Film Censorship in NZ. A two week programme of films banned in New Zealand including: Mad Max, The Wild One, All Quiet on the
Western Front and Battleship Potemkin .
There will also be public panel discussion with the Chief Censor Andrew Jack on censorship in a digital age. He will outline in plans to keep censoring films for a few more years yet, saying:
Important changes are coming and public debate is essential if we're going to ensure a system that is workable, fair, and helps protect our young people from access to potentially harmful content.
The Economist is reporting that Kenya's film censor is out of control and riding a wave of popularist support for his bollox
claims that is seeing an expansion of his remit.
In addition to his day job of censoring films, Ezekiel Mutua, the head of the Kenya Film Classification Board (KFCB), has been making bollox claims, for instance that his organisation will need to raid strip clubs to 'prevent a wave of bestiality'.
He has also raged against homosexuality and threatened to regulate Netflix as a possible threat to national security.
In March he claimed that foreigners were organising a mass sex and drugs party called Project X in Nairobi, which they would film and sell as pornography. In July he threatened a nightclub over a speed-dating night he claimed was an orgy of
lesbians . And last month he claimed that women were being paid peanuts to perform sex acts on dogs.
This wave of censoriousness has amused the Kenyan press and made Mutua into a national figure and has gained him a following among the easily outraged. He even seems to have plenty of fans in government, leading to a bill in parliament to widen the remit
of the film board to regulate advertisements and live events, such as stage plays.
Embrace is a 2016 Australia / Canada / Dominican Republic / Germany / USA / UK documentary by Taryn Brumfitt.
Starring Renee Airya, Jade Beall and Taryn Brumfitt.
When Body Image Activist Taryn Brumfitt posted an unconventional before-and-after photo in 2013 it was seen by more than 100 million people worldwide and sparked an international media frenzy. EMBRACE follows Taryn's crusade as she explores the global
issue of body loathing, inspiring us to change the way we feel about ourselves and think about our bodies.
Ausralia's Classification Review Board has received an application to review the classification of the film Embrace.
Embrace was classified MA 15+ with the consumer advice Strong nudity by the Classification Board on 7 July 2016. Director Taryn Brumfitt is asking for the MA 15+ (age 15 restricted) to be reduced to M (age 15 advisory).
The Classification Review Board will meet on 13 October 2016 to consider the application.
The film features explicit detailed vagina imagery in a feminist 'feel good about your vagina 'context and aims to communicate this message to teenage girls.
The Girl on the Train is a 2016 USA mystery thriller by Tate Taylor.
Starring Laura Prepon, Emily Blunt and Rebecca Ferguson.
Rachel, devastated by her recent divorce, spends her daily commute fantasising about the seemingly perfect couple who live in a house that her train passes every day, until one morning she sees something shocking happen there and
becomes entangled in the mystery that unfolds. The Girl On The Train is a darkly addictive thriller based on the international publishing phenomenon.
The recently-launched psychological thriller The Girl on the Train will not be shown in Qatar's cinemas, operators have said. The film was due to be screened for the first time in Qatar last Friday, but cinema companies told Doha News that authorities
asked them to not run it.
Trailers for the film show sex scenes, and the story revolves around the main character's drinking problem.
Qatar's Ministry of Culture and Sports declined to comment, but said it would provide an official statement on Monday.
The movie has also been banned in Kuwait.
Kuwait: Banned in October 2016
Banned by government film censors but the reason is not yet clear.
Qatar: Banned in October 2016
The authorities banned the film very near to the cinema release for reasons that are not yet clear.
UK BBFC: Passed 15 uncut for strong language, sex, violence.
US MPAA: Rated R for violence, sexual content, language and nudity
Pakistan's Central Board of Film Censors (CBFC) has conceded before the Supreme Court that the ban on feature film Maalik was imposed without inquiring into the allegations levelled by complainants against the film.
Chairman CBFC Mubashir Hassan conceded this before a two judge bench of the top court which on Friday took up the government's appeal against Sindh High Court's quashing of the government's ban of the film.
Hassan told the court that the board had banned the film on several complaints by the general public against the objectionable script maligning politicians and judiciary. He said that keeping in view the sentiments of public, the members of the board
recommended banning the film.
Justice Qazi Faez Isa, on the bench, observed that volume of complaints of the public were meaningless unless these complaints are substantive.
Justice Umar Ata Bandial inquired under which law the ban was imposed. He added that there was nothing wrong with institutions being criticised. Justice Qazi observed that under section 9 of Motion Pictures Ordinance 1979 there was nothing objectionable
in the film. Qazi reserved a few choice words for Hassan:
You approved the screening of the film and the other day you banned it as your mood changed on a single phone call. Isn't this effectively corruption? What do you people want? Do you want to devastate the Pakistani film industry?
What are you doing being a chairman of responsible institution? You are repeating like a parrot that the ban was imposed in regard with complaints. Is this the job you are doing?
Following the arguments, the top court directed the federal government to submit a report on objectionable contents in the film along with the objectionable part of the script in order to establish the de-certification of the film Maalik. The
hearing of the case was adjourned for 15-days.
Personal Affairs (Omor Shakhsiya) is a 2016 Israel drama by Maha Haj.
Starring Maisa Abd Elhadi, Ziad Bakri and Jihan Dermelkonian.
In Nazareth, an old couple lives wearily to the rhythm of the daily routine. On the other side of the border, in Ramallah, their son Tarek wishes to remain an eternal bachelor, their daughter is about to give birth while her husband lands a movie role
and the grandmother loses her head ... Between check-points and dreams, frivolity and politics, some want to leave, others want to stay but all have personal affairs to resolve.
The Nights of Zayandeh-Rood (Shabhaye Zayendeh-Rood) is a 1990 Iran by Mohsen Makhmalbaf.
Starring Manuchehr Esmaili, Mojgan Naderi and Parvaneh Goharani.
The 16th Beirut International Film Festival [BIFF] has been asked to cut footage from three films before they could be screened, according to news reports.
The censored films are Personal Affairs directed by the Palestinian filmmaker Maha Haj, World Cup [Ka's Al Alam] directed by two Syrian brothers, Mohammed and Ahmad Malas, and The Nights of Zayandeh-Rood directed by the famed Iranian
artist Mohsen Makhmalbaf.
According to Colette Naufal, Lebanon's General Security agency demanded that a specific scene be deleted from World Cup, allegedly because it was deemed to contain insults to Lebanese personalities and parties.
It is unfortunate that political considerations interfere in arts and culture, declared Naufal, the BIFF Director, adding that the cinematic event aimed to present a platform for freedom of expression that the overwhelming majority of Lebanese stand for.
Tareq Halabi, the head of the audiovisual department at General Security, disagreed and insisted that screening the Palestinian director's film went against a boycott of all Israeli products in Lebanon, whether artistic or not , presumably because
it was produced by an Israeli company and shot in Israel.
Halabi also concluded that The Nights of Zayandeh-Rood, which apparently showed certain elements concerning Iran , contravened Lebanese law. He commented: Lebanese laws forbid meddling in Iranian affairs .
The Nights of Zayandeh-Rood is banned in Iran because it raises troubling questions. It is about an anthropologist and his daughter, who happens to be an emergency room nurse, where she deals with various suicidal patients who try to take their own lives
through drug use. What is interesting about the 1991 film is that the narrative occurs during three different periods -- before, during and after the 1979 revolution -- and that highlight a recurring problem in modernising cultures.The movie is available
on YouTube and can be accessed by anyone anywhere.
Lebanon, once considered to be an open society that tolerated conflicting norms, is increasingly burdened with censorship. Although sensitive religious concerns and some strong sexual content are routinely expurgated from movies, the latest tendency is
to extend this censorship to political matters.
The film festival opened on October 5 and will conclude on October 13.
Ka Bodyscapes is a 2016 India / USA gay drama by Jayan Cherian.
Starring Adhithi, Tinto Arayani and Arundhathi.
Three young people, Haris, a gay painter; Vishnu, a rural kabaddi player and their friend Sia, an activist who refuse to conform to dominant norms of femininity, struggle to find space and happiness in a conservative Indian City.
A revising committee of the CBFC banned the film in July 2016 citing:
The revising committee felt that the entire content of the Malayalam feature film Ka Bodyscapes is ridiculing, insulting and humiliating Hindu religion, in particular portraying Hindu Gods in poor light. Derogatory words are used against women. The Hindu
God 'Hanuman' is shown as coming in the books titled 'I am Gay' and other homosexual books. The film has also references to lady masturbating, highlighting 'gay' by many 'gay' posters. The film offends human sensibilities by vulgarity, obscenity and
The film makers have been contesting the ban in court and appear to have made progress. The Kerala High Court has set aside the recommendation of the revising committee of India's Central Board of Film Certification (CBFC) to ban the public
screening of Malayalam film KA Bodyscapes , produced and directed by the New York-based filmmaker Jayan Cherian.
Justice P.B. Suresh Kumar also directed the revising committee to make clearer the reasons for banning the screening of the film with specific reference to the theme of the film and relevant guidelines. The court added that if the objection concerned
only the depiction of the Hindu God Hanuman and the reference to masturbation of women and homosexuality, there was no need to ban the exhibition of the film, as the scenes could be deleted or modified.
Major cinemas in Pakistan have banned Indian films in what they call an act of solidarity with their country's armed forces.
The film boycotts have been announced in Lahore, Karachi and Islamabad. Big Pakistani cinema chains and screens say they have taken a spontaneous decision not to show Indian films for at least a couple of weeks, or until what they call normality returns
in relations between the two countries. They admit their cinemas may suffer financially because of the popularity of Bollywood movies in Pakistan.
The move follows a rise in military tensions between the two countries over the divided territory of Kashmir.
A BBC correspondent explains that Bollywood movies are immensely popular in Pakistan, whose own movie industry, although enjoying a revival, is much slimmer. In fact Indian movies had been banned officially in Pakistan for many years for reasons of inter
state tensions and the ban was only relaxed a few years ago.