From
The
Independent, Thanks to Marc
See also
CleanFilms,
CleanFlicks &
ClearPlay
What are decent-minded middle-American Christian conservatives to do if they
abhor sex, bad language, illicit drug use and gut-spilling violence but still
have an urge to see Saving Private Ryan? Or Goodfellas? Or The
Amityville Horror? The beginnings of an answer came a few years ago with the
advent of CleanFlicks, a kitchen-sized Utah company that decided to offer videos
and DVD for rental - after they had been edited to remove all content likely to
be offensive to the local Mormon population.
Today, that kitchen-sized enterprise has turned into a veritable industry,
spanning numerous states and attracting the attention of both lawyers and
politicians all the way to Washington. CleanFlicks is going from strength to
strength, offering its services on a monthly subscription basis much like the
wildly successful mainstream company Netflix. And a second, even more
sophisticated, company called ClearPlay, also based in Utah, has sprung up.
ClearPlay doesn't edit the films as such, but rather offers a series of filters
so individual consumers can decide how much sex or violence they want to
tolerate. Want to see a gritty urban drama like the recently released Crash,
which examines racism in Los Angeles, but without the "implied premarital sex"?
Just press the appropriate button on your DVD menu and you can relax in the
knowledge that all suggestions of illicit nookie have been purged ahead of time.
The service has not only proved popular in conservative states such as Utah.
There is some evidence it appeals to a much broader range of movie consumers,
particularly families concerned about the content Hollywood is throwing at their
children, even at a tender age. The sanitising companies have even set to work
on Shrek and Shrek II, finding the animated smash hits replete
with squirm-inducing sexual innuendo and language that may not be cursing as
such but is still too salty for their puritan tastes.
The film industry, as might be expected, has not reacted well. Starting three
years ago, when CleanFlicks started making its first serious commercial inroads,
the Directors Guild and the Writers Guild have been railing at what they see as
a straightforward infringement of intellectual property.
For while their work is modified and edited all the time - for broadcast on
television or on commercial plane flights, for example - the difference is that
these modifications are done with their permission, through formal licensing
agreements. CleanFlicks and ClearPlay don't ask for permission from anyone,
arguing instead that their adjustments and amendments fall under the category of
"fair use".
The two sides quickly fell into a predictable legal dispute, which dragged on
until earlier this year when the Bush administration itself decided to get
involved and passed the Family Movie Act, which sanctioned what the sanitisers
were doing and was signed into law explicitly to make the legal challenge from
the Hollywood bigwigs vanish into the judicial ether.
As far as the White House was concerned, the law was an easy way of appealing to
the Republican Party's fundamentalist Christian base and bashing one of its
favourite targets - Hollywood's free-speech liberals. Quite a few Democrats
jumped on board as well, partly because of a perceived need to defer to the
conservative "family values" agenda and partly because the Bill also embraced a
handful of anti-piracy provisions that the film industry was keen to see entered
into law.
The hypocrisies of excessive puritanism have been an irresistible spectator
sport for centuries, not just in the United States, and the advent of the DVD
profanity police is no exception. Part of the fun of visiting the ClearPlay
website, over and above the intriguing categories available for censorship
(what, one wonders, qualifies as a "non-graphic injury/wound"?), is seeing where
the content police were forced to give up. The site's listing for Crash, for
example, includes this line: "Filter settings not available: ethnic and social
slurs." In a film preoccupied to the point of obsession with racist attitudes
and behaviour, one would think not. But surely someone somewhere will still take
offence? The CleanFlicks site ("It's about choice!" screams the banner headline)
is even funnier when it delves into the technical minutiae of censorship. The
list of profanities the company says it systematically excises includes "the
B-words, the H-word when not referring to the place, the D-word, the S-word, the
F-word etc ..." It also includes references to deity (G-word and JC-words etc),
only when these words are used in a "non-religious context". One could spend an
afternoon figuring out exactly what all these forbidden terms are, or else
marvel at how conversant those easily offended clearly are with the objects of
their offence.
Saving Private Ryan
The notorious 24-minute opening scene involving D-Day death and gore on the
Normandy beaches is made far more palatable, as is the generally brutal
depiction of battle throughout. Despite director Steven Spielberg's insistence
that these images are critical in showing the sacrifice of troops and the true
nature of warfare, CleanFlicks finds them too much to take.
The Godfather
In the sanitised version of The Godfather, Sonny Corleone (played by James Caan)
does not die in a hail of bullets pounding relentlessly into his car. He just...
well, he's sort of there one minute and gone the next. And the notoriously gory
horse's head bit? Eighteen seconds is cut from one of the most famous scenes in
recent cinema history