China called on Saturday for a worldwide crackdown on the use of the Internet by religious extremists and terrorists to stamp out their ability to communicate their ideas and raise funds.
China's Foreign Minister Wang Yi made the remarks during the annual gathering of the 193-nation U.N. General Assembly in New York. he said:
As new developments emerge in the global fight against terrorism, the international community should take new measures to address them.
In particular, it should focus on combating religious extremism and cyber terrorism, resolutely eliminate the roots and block channels of spreading terrorism and extremism.
Theresa May responded on Tuesday for the British government.
She announced policies for new Extremist Disruption Orders. Extremists will have to get posts on Facebook and Twitter approved in advance by the police under sweeping rules planned by the Conservatives. They will also be barred from speaking at
public events if they represent a threat to the functioning of democracy , under the new Extremist Disruption Orders.
Theresa May, the Home Secretary, will lay out plans to allow judges to ban people from broadcasting or protesting in certain places, as well as associating with specific people.
The Home Secretary will also introduce banning orders for extremist groups, which would make it a criminal offence to be a member of or raise funds for a group that spreads or promotes hatred. The maximum sentence could be up to 10 years
Subterranean London: Cracking the Capital by Bradley L. Garrett (Compiler), Stephen Walter (Illustrator), Will Self (Foreword)
Bradley L. Garrett is researcher at the University of Oxford. His writing and photography has been featured in media around the world. Garrett is the author of Explore Everything: Place-Hacking the City. Will Self is a London-based journalist and
the author of nine novels. His most recent book, Umbrella, was published in paperback in April 2013. Stephen Walter is an obsessive draftsman educated at the Royal College of Art. His interest in the semiotics and the phenomenon of place often
finds form in hand-drawn maps.
Bradley L Garrett and his colleagues thought of their explorations and photographs as a form of public service. We were going to take photographs of parts of the city that people don't normally see and share them with the public.
The British Transport Police saw the situation differently.
In August 2012, upon returning to England from Cambodia , Garrett's plane was stopped on the runway at Heathrow. British Transport Police boarded, handcuffed him, and escorted him off the plane. He was taken through passport control, where
officials seized his passport and then placed him in custody for 24 hours.
Elsewhere, police took a battering ram to the front door of his London home and confiscated his property, including his phone and the entire contents of his filing cabinet, research notes and all. Authorities also raided the homes of ten other
people, identified from reading Garrett's ethnographic Ph.D. thesis on urban exploration.
Over the next two years, the defendants could not leave the country. Relationships fizzled out. Job contracts were cut short. Garrett didn't see his family and was denied permission to attend the funeral of a friend, journalist Matthew Power, who
passed away in Uganda in March.
When the case finally came to court this year, it collapsed within two weeks. As The Guardian reported, Garrett pleaded guilty to five counts of criminal damage to railway property and avoided jail.
...Read the full
article featuring some excellent photos from the book
According to recent news reports, a former male nurse who is an American citizen living now in Kent had allegedly fantasised in a US-based fetish chat room about raping, killing and eating young girls and women. After he supposedly tried to take
his fantasy into real life and meet up in Ashford with someone he believed was a 14 year old girl in order to kill and eat her , he was arrested and charged with various offences. It was revealed in court that the FBI had been monitoring
the man after he had chatted online two years ago about his cannibal fetish to a New York Police Department officer who was himself under investigation, and as a result the Kent police had been informed.
The man was subsequently found guilty of a grooming offence, but he also pleaded guilty to various other charges, including 7 counts of publishing an obscene article , which related specifically to the online chats he had taken part in. This
should jog people's memories somewhat, as it harks back to a case brought by (guess who?) Kent police in 2010. Here, a man was charged with the same offence for online chats involving fantasies about raping and murdering children. This sparked an
outcry at the time among the more libertarian-minded as it had been accepted for over 30 years that purely written material (as opposed to illustrated works), no matter what its subject matter or content, was no longer to be regarded as obscene.
So, what exactly is going on here? Well, a few years prior to this, during the public consultation about the extreme porn law now enacted by the Criminal Justice and Immigration Act 2008, the Kent police made a submission that there
remained ...a legislative gap in terms of written fantasy material specifically about child rape and murder , and so in their opinion the proposed law should be extended to cover extreme written material as well as images. Up to this
point, the police were acting responsibly and within their remit in flagging up to Parliament what they believed to be a gap in the law, but Parliament disagreed with them, and that should have been that. However, since then it appears that Kent
police have been adopting a different approach and trying instead to push the boundaries of the Obscene Publications Act (OPA) in an attempt to secure convictions for such extreme material.
As far as I am aware (and as someone who is not a member of the legal profession, my awareness in these matters only reaches as far as the public media), these attempts by Kent police have so far only managed to achieve guilty pleas . This is a
very different thing from a guilty verdict as it does not set a legal precedent, but who knows what might happen in the future. No matter what you may think about the depravity or otherwise of the material in question here, it could only take a
single guilty verdict to bring the OPA very much back into play for any type of written material, and we will all be worse off if we end up being robbed of our hard-won right to write what we please.
The European court of human rights (ECHR) is to investigate British laws that allow GCHQ and police to secretly snoop on journalists.
The Bureau of Investigative Journalism has gone to Strasbourg in a bid to get a finding that domestic law is incompatible with provisions in European law which give journalists right to keep sources confidential from police and others.
The application has been accepted by the ECHR, which has indicated in the past it will expedite cases on surveillance through its legal system.
The first scraps of information about the government's upcoming internet censorship laws have been reported in the Sunday Times.
The Government seems to be drafting a law to apply the BBFC/Crown Prosecution Service censorship R18 rules to Bristish adult websites.
The Sunday Times writes:
FILMS that glamorise sexual violence and abuse are to be banned from British-based websites as the government prepares to impose the same standards on the internet as on cinemas and shops selling DVDs.
Under legislation due later this autumn, British services will be prohibited from showing material that would be refused an age rating by the British Board of Film Classification (BBFC).
However it is yet clear how this can be implemented, as some of the BBFC prohibited content is very vague as what is to be banned with such material as squirting, breath constriction and narrative allusions to under 18s sex. Is a couple of
seconds of cuts enough to make a film totally illegal to show on a British website? It seems so, the article notes:
Currently films with scenes removed by the BBFC for consumption in cinemas or on DVD can be shown online in their original form without penalty.
Speaking to the Sunday Times, Video on Demand censor, Peter Johnson said there would be significant fines for websites breaching the new rules that will be imposed by Ofcom. Adding that if necessary services would be removed.
Roy Greenslade in the Guardian has written of a fascinating example of the 'right to be forgotten' being clearly abused.
The Worcester News was told by Google that it was removing from its search archive an innocuous article in praise of a young artist.
Although Google does not say who complained, the paper's editor, Peter John, is confident that Roach himself made the request because he had previously approached the News to remove the piece from its website. Apparently, Roach is now a
professional artist and, in the belief that he is now a much better painter than he was in 2009, he thinks the painting of a Walnut Whip which accompanies the article might damage his artistic reputation.
The Worcester News editor notes:
An artist wanting to remove part of his back catalogue did not strike us as the sort of principle that the European court of justice had in mind when it came up with the right to be forgotten ruling.
We are trying to appeal, but have not yet been able to find out if Google have an appeals procedure.
The video showing the murder of the kidnapped reporter James Foley by Islamic State terrorists has taken on an iconic importance. It is almost as if the video is somehow the cause of a war that has already been raging for sometime.
It is the focus of attention of the entire world. And yet actually watching is now considered to have almost magic powers to convert normal folk into either muslim hating extremists or else else into murderous jihadists. Presumably ordinary
people are best letting police, governments, and reporters watch it for them.
So it is somewhat inevitable that there has been a massive call for censorship of the video.
The Metropolitan Police Service provided to news reporters the following statement:
The MPS Counter Terrorism Command (SO15) is investigating the contents of the video that was posted online in relation to the alleged murder of James Foley.
We would like to remind the public that viewing, downloading or disseminating extremist material within the UK may constitute an offence under terrorism legislation.
But it appears that the police have been making it up about the video being illegal to view. David Allen Green has been pursing the police for information about which law makes the viewing illegal. He received not even a pointer to a law that was
even vaguely relevent. He concludes:
This was worrying. People need reliable and accurate public information, and they have the right to expect it from the well-funded PR departments of UK police forces. If a police force tells people something is against the law then it should be
able to instantly say on demand what that law is. The law should not be made up by press officers as they go along, especially in respect of matters such as terrorism where confidence in law enforcement agencies is crucial.
This gruesome video is the latest, and perhaps the most shocking, example of what has become known as jihadist porn .
Countless millions of people will have watched the brutal killing of Mr Foley, and other barbaric acts carried out by the Islamic State. I certainly don't regard them all as voyeurs, any more than I see myself as one. But what have we gained?
Haven't we, in fact, been damaged in some way?
Bloomberg picks up on discrepancies with showing images of Michael Brown killing...
While Twitter is taking pains to remove images of the death of James Foley, the journalist who was beheaded by Islamic militants, some photos of the body of Michael Brown , the teenager who was killed by police in Ferguson, Missouri , remains on
users' streams. To many on Twitter, images of violence against Foley can be seen as spreading a terrorist's message, while publicizing Brown's death shines a light on a perceived injustice.
The Guardian picks up on Twitter getting into a tangle of selective censorship
Twitter has got itself into a tangle. The social network's decision to remove all links to the horrific footage showing the apparent beheading of the photojournalist James Foley is one that most of its users, reasonably, support.
The social network went still further, suspending or banning users who shared the footage or certain stills, following public tweets from the company's CEO, Dick Costolo , that it would take action against such users.
It is hard to think of anyone having a good reason to view or share such barbaric footage, but Twitter's proactive approach reverses a long record of non-intervention.
Banning us from watching this video of a criminal act is a step too far
The Co-op has refused to bow to demands from anti-Page 3 campaigners to withdraw advertising from the Sun newspaper and to banish its sales to the top shelf.
The No More Page 3 campaign had targeted local Coop regional meetings and had won votes to censor the Sun in three southern regions.
The board of Co-operative Food told campaigners that it entirely respects the views of those campaigning to have 'Page 3 ' type images dropped from the Sun and the Star , but said:
We are mindful, in consideration of these motions, of the need to balance the following: our commercial need to market effectively to our customers; our commitment to create a family-friendly shopping environment and the problems associated with
using corporate influence via sales, promotions or advertising to seek to influence editorial decisions.
With over 18 million customers using the Co-operative every week and a significant proportion of our target audience, including members, reading the Sun it is vital that our media choices continue to reach this large audience cost effectively.
Removing advertising from the Sun based on what the paper chooses to publish runs the risk of being seen as trying to directly influence editorial decisions and sets a precedent for all publications and media channels in the future.
There is a need to balance, in a free society, press freedom alongside newspapers ' responsibility to deliver accurate, fair and appropriate content.
For these reason we do not use advertising to influence editorial decisions and currently have no plans to change this policy.
The Co-op sells half a million copies of the Sun each week.
In a boost for local democracy and the independent free press, councils in England were brought into the 21st century after Local Government Secretary, Eric Pickles, signed a Parliamentary order allowing press and public to film and digitally
report from all public meetings of local government bodies. This 'right to report' updates a law passed by Margaret Thatcher as a backbench MP.
Following the passage of both primary and secondary legislation, the move opens councils' digital doors, covering broadcasters, national press, local press, bloggers and hyper-local journalists and the wider public. The new law aims to end active
resistance amongst some councils to greater openness. Councils have even called the police to arrest people who tried to report, tweet or film council meetings, or claimed spurious 'health and safety' or 'reputational risks' to digital reporting.
This new law builds on Margaret Thatcher's successful Private Members' Bill from 1960 which allowed for the written reporting of council meetings by the press. The new rules will apply to all public meetings, including town and parish councils
and fire and rescue authorities.
Local Government Secretary, Eric Pickles, said:
Half a century ago, Margaret Thatcher championed a new law to allow the press to make written reports of council meetings. We have updated her analogue law for a digital age.
Local democracy needs local journalists and bloggers to report and scrutinise the work of their council, and increasingly, people read their news via digital media. The new 'right to report' goes hand in hand with our work to stop unfair state
competition from municipal newspapers - together defending the independent free press.
There is now no excuse for any council not to allow these new rights. Parliament has changed the law, to allow a robust and healthy local democracy. This will change the way people see local government, and allow them to view close up the good
work that councillors do.
Further information New rights
The government has published a
plain English guide of practical information on how the public can exercise their new rights, and what they should expect from their local government bodies.
The controversially titled Racist Joke Show has been pulled from the Edinburgh Fringe. It is an examination of the subject of racism rather than a show featuring offensive jokes.
Stand-up Jay Islaam had already taken a bit of flak over a poster for the show including a golliwog. A festival sponsor, Arts & Business Scotland, a publicly-funded quango wanted to be removed from the poster, which was agreed.
But now the show has been removed from the Festival programme completely, although it is unclear who made the decision.
Islaam initially put out a statement saying that Freestival organisers told them he could not go ahead because of sponsors concerns about being associated with a provocatively named comedy hour. But this connection was later retracted with Islaam
saying that he would say nothing further on the subject.
La Favorita Freestival, who admitted the original poster was insensitive and unnecessary , said the show had to be dropped from its planned venue, a meeting room at Phones 4U's offices, because: Phones4U's legal department got involved.
The phone company denied censoring the show, but something was up, as all festival events at its venue have now been moved elsewhere.
The show has now been replaced by the Family Friendly Politically Correct Comedy Show, which sounds suspiciously like it could be the same show re-titled.
A show by an Israeli theatre group has been cancelled by the venue after protesters disrupted other nearby events.
The show was due to take place as part of the Edinburgh Fringe Festival, an annual cultural festival in the Scottish capital that celebrates theatre, music and comedy. However, the Underbelly theatre was forced to cancel all performances of The City
by the Incubator Theatre group after anti-Israel demonstrators gathered outside, disrupting nearby events.
Described as Humphrey Bogart meets Jay-Z in a gritty and darkly comic whodunit hip-hop opera , The City did not have political content yet various Scottish cultural figures called for a boycott as the Incubator Theatre group
receives part of its funding from the Israeli Ministry of Culture.
The Society of Editors, which has the backing of senior figures at the BBC, Sky News and ITN as well as major newspaper groups, as joined with Index on Censorship and the Media Lawyers Association to call on David Cameron and key EU data
protection chiefs to resist censorship in the guise of the right to be forgotten. The Society of Editors has wriiten to David Cameron:
Dear Prime Minister,
The issues about the so-called right to be forgotten raised by the recent European Court judgement involving Google, with its implications for other search engines and accessibility to other journalistic information give us serious cause
We appreciate that no general right to be forgotten exists, as Ministers and the Information Commissioner have confirmed. The Court ruling is only about restricting access to links generated by search engines in response to name searches.
But there is a vital principle at stake which we trust that the Information Commissioner - responsible for adjudicating both data protection and freedom of information in the UK - and the government will defend with vigour.
The judgement makes clear that Europeans now have the right to demand that certain online material is obscured in search results and its dissemination via search engines is stopped. For media organisations and journalists, this is akin to being
asked - on the basis of the subjective opinions of individuals, rather than any specific Court order - to remove items from an index in newspaper archives. This is something we would only do after careful consideration based on a sound legal and
factual basis and hope never to be asked to do more.
We feel sure that neither the Information Commissioner nor the government would wish to see this happen but we seek assurances that any such moves will be firmly resisted and will not be applied in any new data protection legislation coming out
of Europe in the future.
We are concerned that the European Court's judgment goes against Article 10 of the European Convention of Human Rights and certainly the intentions of the UK Parliament when it introduced the Human Rights Act.
With regard to data protection legislation, journalistic work has always received special consideration. We are glad to see that the Court's ruling continues this, and does not require news publishers to remove articles when asked to do so by
individuals. This principle must be strongly defended or even enhanced. But the Court's ruling is deeply problematic for journalism in general, as it has the effect of limiting the accessibility and dissemination of journalistic work via search
engines, where the media company wishes this to be done. This reduces the visibility of the vital work done by journalists to ensure accountability throughout society, which in itself is contrary to the spirit behind Article 10.
For this reason, we believe that there should be greater transparency about the actions of search engines to comply with the European Court's ruling. Specifically, we believe there should be no restrictions on the ability of Google or other
operators to inform the originator of material when links to that material are removed. Any restrictions would prevent publishers having the opportunity to make their case on freedom of expression grounds thus making the process one-sided.
The Society of Editors has more than 400 members in national, regional and local newspapers, magazines, broadcasting and digital media, journalism education and media law. It campaigns for media freedom, self regulation, the public's right to
know and the maintenance of standards in journalism. This letter has the full support of the Society's board of directors which includes senior editors from Sky News and the BBC and and key regional newspapers in England, Scotland, Wales and
Northern Ireland. It also has the support of editors of major UK newspapers, including The Times, The Sunday Times, The Sun, The Guardian, The Independent, the Financial Times, the Daily Express, the Daily Mirror, the Sunday Mirror, The Daily
Telegraph, and Associated Newspapers as well as ITN.
We would be grateful for your comments about this and your assurances that these principles will be defended.
Ten products produced by independent brewer Direct Beers Ltd have been found to breach the Portman Group's Code of Practice on the Naming, Packaging and Promotion of Alcoholic Drinks.
The Independent Complaints Panel ruled that Cat Piss, Dog Piss, Bullshit, Dandelion & Birdshit, Big Cock, Arse Liquor, Puke, Shitfaced, Yellow Snow and Knobhead , all beers, breached the provisions of the Code.
All of the products were found to contravene Paragraph 3.2(h) of the Code, which states that drinks, packaging or promotional material should not have particular appeal to under-18s.
In addition, Puke, Shiitfaced and Knobhead were deemed to encourage illegal, irresponsible, or immoderate consumption (contrary to Paragraph 3.2f). Big Cock and Knobhead were found in breach for suggesting an association with sexual activity
(contrary to Paragraph 3.2d); whilst Shitfaced and Yellow Snow were found in breach for suggesting an association with bravado, violence, aggression, or anti-social behaviour (contrary to Paragraph 3.2b).
Complaints to the Panel regarding Direct Beers' Grumpy Git and Lazy Sod products, however, were not upheld.
All of the complaints about Direct Beers were submitted by the Public Health Team at Newcastle City Council.
Direct Beers asserted that none of its products were intended to appeal to under-18s, and explained that the vast majority of its drinks were sold in person at retail events, where it operated a Challenge 25 policy.
The Panel was concerned, however, that frequent references to scatological humour, defecation, urination, genitalia, vomiting and other bodily functions could prove particularly attractive to under-18s. It also noted that this appeal was
exacerbated by the cartoon illustrations shown on a number of the products.
Henry Ashworth, Secretary to the Independent Complaints Panel, said:
It is vitally important that alcohol producers ensure that their drinks do not in any way appeal to children, encourage violence, anti-social behaviour or immoderate drinking, or make references to sexual activity. There is a place for humour in
alcohol marketing, as the Panel's decisions on Grumpy Git and Lazy Sod show -- but it is important to know where to draw the line."
Direct Beers has not yet confirmed whether it will make any amendments to its products.
Leena McCall's Portrait of Ms Ruby May, Standing was removed from the Society of Women Artists' 153rd annual exhibition at the Mall Galleries in London after being deemed disgusting and pornographic , according to the artist.
Few things cause more umbrage now than someone wantonly enjoying tobacco. But further investigation revealed it was the way the sitter's short waistcoat and undone breeches framed a luxuriant dark V of pubic hair, not to mention, the Come
hither, if you dare! expression on May's face, as she coolly scrutinises the viewer, that seemed to be the problem.
The Mall Galleries have issued the following 'won't somebody think of the children' statement:
As an educational arts charity, the federation has a responsibility to its trustees and to the children and vulnerable adults who use its galleries and learning centre. After a number of complaints regarding the depiction of the subject and
taking account of its location en route for children to our learning centre, we requested the painting was removed.
The Society of Women Artists was permitted to replace McCall's work with another less provocative nude: one where the model wasn't tattooed and standing hand-on-hip, all unbuttoned. It seems the Mall Galleries' clientele can cope with nudes, so
long as the model is a more passive and unthreatening recipient of the wandering viewer's gaze. Which all seems a desperately outmoded form of prudishness.
McCall is understandably incensed at the censoring of her portrait, as her avowed intention in painting it was to explore, how women choose to express their sexual identity beyond the male gaze . It's an added irony that her work should be
removed from an all-female exhibition, curated by women. When I contacted the artist via her website, McCall explained that Ruby May (who leads erotic workshops) had proudly wanted to own the pubic hair that is so often waxed, covered or
air-brushed away in contemporary depictions of the female body -- and rarely glimpsed in classical ones, come to that. The painter can't begin to understand how a painting that reveals no intimate flesh, other than the pelvic triangle, could
possibly be described as pornography.
Offsite Comment: Pubic hair... now officially offensive
A High Court judge is considering whether fresh evidence from the Mayor of London's office shows that Boris Johnson personally ordered Transport for London to ban a Christian anti-gay bus advertisement, and whether he did so for an improper
purpose during his re-election campaign in 2012.
The advert by Core Issue Trust (CIT), which claimed that people can change unwanted homosexual feelings, was in response to Stonewall's campaign, Some people are gay. Get over it! which had been running on London buses for several months.
The ban on the Christian bus adverts took place during Boris Johnson's campaign for re-election as Mayor of London, just a day before he addressed an election rally organised by Stonewall, the gay pressure group.
Previously Mrs Justice Lang upheld the ban on the CIT slogan, Not Gay! Ex-Gay, Post-Gay and Proud. Get over it! , at the original High Court hearing. Following the decision, CIT submitted a Freedom of Information request which revealed
emails suggesting the Mayor had personally instructed TFL to ban the adverts. One email from the Mayor's Director of Communications at the time, Guto Harri, states that the Mayor personally ordered the Christian advertisement to be pulled. CIT
took the case to the Court of Appeal which sent it back to Mrs Justice Lang to consider the new email evidence which she had not seen at the first hearing.
Mrs Justice Lang stated she was not satisfied that the Mayor had told the full story about the ban and made an order for disclosure by Boris Johnson and TfL of all relevant documents.
CIT is not satisfied that the Order has been fully complied with and believes that documents which could be crucial to the case are still being withheld.
Core Issues Trust is being supported by the Christian Legal Centre, whose CEO, Andrea Williams, said:
This is suppression of free speech and expression by the political class. Boris and his high-level team are using their power to suppress a small Christian charity.
The fact that the Court of Appeal ordered this case to be reconsidered by Mrs Justice Lang is an important vindication of the rule of law. TfL has made it hard for us to get to this point; it has been hostile and obstructive and has certainly
not been a model of transparency. TfL has continued to promote Stonewall campaigns on its transport system -- a highly provocative action which shows disregard for the Court's original judgment, which held that neither Stonewall's or Core Issues
Trusts's adverts should have been allowed. If one point of view is championed on London's transport network, there must be room to display an opposing view. We hope the Judge will recognise that this freedom was violated when the Mayor banned
Core Issues Trust's adverts.