| 27th January |
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| The word 'mong' as explained by Ricky Gervais Permalink full story: The R Word...Campaign against the word 'retard'
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See
article [pdf] from
stakeholders.ofcom.org.uk
|
Ricky
Gervais: Science
Channel 4, 14 October 2011, 22:35
Ricky Gervais: Science was a programme featuring a
stand-up show by the comedian Ricky Gervais. This post-watershed
programme focussed on Ricky Gervais's outspoken thoughts on a
variety of topics including racism, fame, obesity, religion and
language.
At one point during his routine, Ricky Gervais referred to
the singer Susan Boyle, and he made the following remark:
Look at Susan Boyle. If you can. Fucking
hell! Jesus Christ. Oh. Shocking. Be fair though, „cause
usually in the music industry it's all about image isn't it,
you can't just have a great voice and a great talent... but
I don't think she'd be where she was today if it wasn't for
the fact that she looked like such a fucking mong.
The comedian then proceeded to debate with an imaginary
complainant who might object to his use of the word mong
on television:
mong?. Yeah he did. Yeah. You
can't say „mong?. You can. It's fucking easy. It's one
of the easiest words to say, it's like [mouths the word
while he says it] „mong?, it's like, you just need lips,
„mo...?, even mongs can say it, that's part of the beauty of
the word.
He continued in the same vein.
Ofcom received three complaints about Ricky Gervais's
comments. They concerned his repeated use of the word mong,
which complainants regarded as offensive because of its
derogatory association with Down's Syndrome.
Ofcom considered Rule 2.3 of the Code, which states:
In applying generally accepted standards
broadcasters must ensure that material which may cause
offence is justified by the context... Appropriate
information should also be broadcast where it would assist
in avoiding or minimising offence.
Ofcom Decision: Not in Breach of Rule 2.3
We noted that Ricky Gervais's example about how the meaning
of words changes by saying:
When I came here tonight I called you
all „cunts?, remember? That used to be an insult, but now
it's a term of endearment. So words change. Okay.
In Ofcom's view, while this clearly drew the focus of the
routine on to the subject of how words change, thereby
potentially minimising the offence, it was nevertheless clearly
also done in a tongue-in-cheek way. This may have caused some
viewers to question his assertion that he had not used either
the words cunt or mong in an intentionally
offensive way.
However we considered that the degree of offensiveness was
reduced to some extent by many in the audience knowing Ricky
Gervais' reputation for acerbic, controversial and challenging
humour, and understanding that Ricky Gervais was likely to have
been being knowingly disingenuous when he said the word mong
was no longer linked with Down's Syndrome, and that the word
cunt was now a term of endearment. Ofcom considered
that the material would not have exceeded viewers' expectations
for Ricky Gervais's type of humour.
Ofcom also had regard to the fact that Channel 4 is a public
service broadcaster with a unique statutory remit to broadcast a
range of high quality and diverse programming, and this may
include programming that is provocative and controversial.
We noted that the programme began at 22:35, more than an hour
and a half after the watershed, and that therefore most viewers
of the programme would have been expecting stronger and more
challenging content.
We also took into account that Channel 4 brought the
challenging nature of the content to the attention of viewers
with a warning at the start of the programme, which stated that
it would contain strong language and adult humour.
We therefore concluded that several aspects of this content
had the potential to cause considerable offence. However, on
balance, this potential offence was justified by the context of
this provocative comedy routine challenging the evolution of
words, as broadcast with a warning as part of a late night
comedy show on Channel 4. Channel 4 therefore applied generally
accepted standards, and the broadcast of Ricky Gervais' comments
was not in breach of Rule 2.3.
Ofcom takes this opportunity to remind all broadcasters that
its recent 2010 research shows that the word mong has the
potential to be highly offensive to many people, and so
broadcasters should take great care with its use.
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| 26th January |
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| The word 'Retard' slips out during a live discussion on ITV's This Morning Permalink full story: The R Word...Campaign against the word 'retard'
|
Thanks to Nick
See
article [pdf] from
stakeholders.ofcom.org.uk
|
This
Morning
ITV1, 7 October 2011, 10:45
This Morning is ITV1's weekday morning topical magazine
programme which is hosted on a Friday by presenters Eamonn
Holmes and Ruth Langsford.
This programme featured an item at 10:45 about a survey which
reported that one third of Britons do not know the location of
the three largest cities in the UK. Studio guest Jonathan Wilkes
said he believed that he was in that third because he thought
Manchester was one of the three. Eamonn Holmes responded
incredulously:
what are you ... retarded? Don't be
stupid, don't be stupid ... if you follow football, which
you do, you know from the league tables ... where everywhere
is.
Several viewers contacted the broadcaster directly to
complain about Eamonn Holmes using the word retarded and,
following the commercial break, he made the following on screen
apology at 11:10:
Very good to see you again. Sorry to the
three or four of you who have got in touch this morning
because I have used the word retarded during the newspaper
review – and you seem to take it personally...or you seem to
say that I am insulting all sorts of people who have all
sorts of conditions. I used it as a term...that
someone...so, I don't know what you would use instead of the
word – but obviously I would never want to do that – cause
any sort of offence for that and having done so much work –
particularly, there is this the man who has an autistic
child, who says that somehow I have insulted his child, so I
really hope it hasn't. I certainly wouldn't use it in that
context but sorry if that caused you offence sir. I'll get
your name and address in a moment and reply to you.
A complainant alerted Ofcom to the use of the word
retarded. Ofcom considered the word was capable of causing
offence and raised potential issues under Rule 2.3 of the Code,
which states:
In applying generally accepted standards
broadcasters must ensure that material which may cause
offence is justified by the context.
ITV accepted that the word retarded did have the
potential to cause offence. However, in the context of a
spontaneous reaction made during a live discussion programme,
the Licensee did not consider it exceeded generally accepted
standards. Insofar as any offence was caused, ITV said it took
rapid and effective steps to mitigate that offence by
broadcasting a prompt apology. ITV considered the apology was
appropriately worded to convey Eamonn Holmes', and the
Licensee's, sincere regret for any offence caused.
Ofcom Decision: Resolved
Ofcom took account of the fact that This Morning is a live
programme, and the comment made by Eamonn Holmes was clearly
unscripted and made in response to a spontaneous situation.
However, on balance and in the circumstances of this particular
case, Ofcom considered that this was insufficient context to
justify the offence that the word retarded was capable of
causing to the audience.
Ofcom, however, took account of Eamonn Holmes' broadcast of a
personal apology as soon as practicable after the subsequent
commercial break, in which he stated that he had not intended to
cause any offence. On balance, Ofcom considered this case to be
resolved.
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| 26th January |
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| TV Censor suggests that video on demand should be censored more like TV than internet Permalink
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See article
from media.ofcom.org.uk
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Ed
Richards, the boss of Ofcom made a speech to the Oxford Media
Convention on the 25th January 2012.
He repeatedly alluded to more censorship for the internet and
video on demand in particular. He said:
In between the twin poles of linear TV and
the open internet, it becomes quite interesting.
When something looks, feels and acts like
TV, but is delivered over the internet and into people's living
rooms, we need something that meets audiences' expectations and
provides the right degree of reassurance.
It is here that such services intersect with
the views and concerns expressed by the participants in our
research and where greater assurance than currently on offer may
need to be considered.
It seems undesirable for these services to
be subject to full broadcasting style regulation -- by and large
they belong to a different form of service and come from a very
different context. But we do need to consider whether to develop
the approach in relation to existing co-regulation for video on
demand to offer greater assurance and to ensure there is public
trust in the approach to regulation as these services become
more and more pervasive and significant.
In the case of video-on-demand services, our
research shows that protection of minors and the risk of harmful
content is the most likely focus. And our experience of
broadcast regulation suggests that privacy and fairness for
individuals are also areas that need careful exploration.
In this context I wonder therefore whether
there may be a fairly simple opportunity to establish a core set
of principles and aims which are held in common across a diverse
media terrain with different regulatory environments.
Such a set of core principles could be
established between the regulators that emerge from the current
debate. They might aim to articulate the minimum standards which
we would like to see in the UK, regardless of the nature of the
service or its specific regulatory setting.
This is not as far-fetched as it may seem.
The Ofcom Broadcasting code is remarkably close to the BBC's
editorial guidelines. The PCC Code and the Ofcom Broadcasting
Code share many of the same objectives, principles and indeed
requirements, although the range of issues in the Ofcom Code is,
for obvious reasons, significantly more extensive.
...
But we take an interest in the debate
because over time, and quite quickly in some cases, the
difference between video on demand content and that of
increasingly video rich digital newspapers may well
diminish. In thinking about an approach to media regulation for
the next decade or more, it is as well to have an eye on the
direction in which the tide is flowing.
More prosaically, we might be able to offer
some assistance from what we have found to be necessary for
regulation to be effective.
In our experience there are some critical
features of regulatory systems which need to be present, or
largely present, in order to ensure effectiveness and in turn to
build and sustain public trust.
...Read the full article
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| 25th January |
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| Ofcom has another whinge at late night babe channels Sport XXX Girls and Northern Birds Permalink full story: Babe Channels...Ofcom have it in for free to air babe channels
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See
article [pdf] from
stakeholders.ofcom.org.uk
|
Bluebird
Live
Sport XXX Girls (Channel 967), 28/29 August 2011, 23:45 to 00:45
Sport XXX Girls (Channel 967), 29 August 2011, 02:45 to 03:45
Sport XXX Girls (Channel 967), 3/4 September 2011, 23:45 to
00:45
Bluebird 40+
Northern Birds (Channel 954), 29 August 2011, 22:50 to 23:25
Bluebird Live and Bluebird 40+ are segments of interactive
adult chat broadcast on free to air babe channels Sport XXX
Girls and Northern Birds.
The licences for Sport XXX Girls and Northern Birds are held
by Satellite Entertainment Limited (SEL).
A complaint alerted Ofcom to the level of sexual content in
the material listed above. Ofcom therefore viewed this content
and found:
1. Bluebird Live, Sport XXX Girls, 28/29 August 2011, 23:45
to 00:45 The female presenter was wearing a light blue one piece
costume which consisted only of a thin strip of fabric between
her legs which covered her vagina but resulted in her outer
genital area being exposed. During the broadcast she lay with
her legs wide open to camera gently thrusting her hips forward
and stroking her upper inner thigh area. Given that this shot of
the presenter with her legs wide open remained onscreen for the
majority of this broadcast, the material was both invasive and
prolonged.
SEL denied that the presenter's outer
genital area was exposed, saying that it was covered by her
garment. The Licensee also denied that these were prolonged
or intrusive images, and asked for further clarification
about what Ofcom considered to be invasive about the
material.
2. Bluebird Live, Sport XXX Girls, 29 August 2011, 02:45 to
03:45 The presenter wore only a pink lace thong and was filmed
with a hand held camera. Throughout the broadcast there were
various prolonged and intrusive images filmed, extremely close
up and for a duration of time, from directly behind the
presenter's buttocks and also between her wide open legs. While
being filmed in these positions she thrust her buttocks and hips
towards the camera revealing her outer genital area and anal
detail.
SEL said there were no prolonged images
in the sequence with the potential to cause offence, and
asked for Ofcom?s clarification as to how the images were
intrusive and prolonged.
3. Bluebird Live, Sport XXX Girls, 3/4 September 2011, 23:45
to 00:45 The female presenter was wearing only a thin white and
red thong. For the majority of this broadcast she was positioned
on all fours with her buttocks to camera. While in this position
her anal and outer genital areas were clearly visible. Given
these shots had a duration of several minutes and were in
sufficient close up to show anal and outer genital detail they
were both prolonged and intrusive.
The Licensee said that the presenter?s
garment was clearly covering her genitals, and that
for most of the sequence the model was on her stomach with
the camera focussing on her face; therefore, SEL failed to
see how these images could be in breach of the BCAP Code.
4. Bluebird 40+, Northern Birds, 29 August 2011, 22:50 to
23:25 The presenter wore a black leather look thong composed of
a thin strip of fabric only covering her vagina and so revealing
her outer genital area. During the broadcast she lay on her back
with her legs wide open to camera, and while in this position
she gently thrust her hips backwards and forwards. Some
particularly intrusive images followed, filmed at close range,
when her outer genital area was visible for a prolonged period.
In this position she massaged and stroked around her outer
genital area.
Ofcom considered this material raised issues warranting
investigation under Rule 4.2 of the BCAP Code, which states
that:
Ofcom Decision: Breach of Rule 4.2 of the
BCAP Code
Ofcom concluded that relevant scheduling restrictions were
not applied so as to ensure that the material which was
broadcast was not capable of causing serious or widespread
offence against generally accepted moral, social or cultural
standards. Specifically, this material should not have been
broadcast within the context of „adult chat? advertising content
that was freely available without mandatory restricted access.
Therefore Ofcom found this material in breach of Rule 4.2 of
the BCAP Code.
Ofcom has recently imposed a sanction on the Licensee for a
number of serious and repeated breaches of the BCAP Code3 ,
which led to the imposition of a financial penalty totalling
£130,000. These present contraventions of the BCAP Code by SEL
are another example of very poor compliance by the Licensee. In
the circumstances, Ofcom is considering what further regulatory
action is appropriate.
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| 24th January |
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| ITV documentary footage claiming to be the IRA attempting to shoot down a helicopter was in fact footage from a video game Permalink
|
Thanks to Nick
See
article [pdf] from
stakeholders.ofcom.org.uk
|
Exposure:
Gaddafi and the IRA
ITV1, 26 September 2011, 22:35
Exposure: Gaddafi and the IRA was a current affairs
programme which investigated the financial and military links
between the former Libyan leader, Colonel Gaddafi, and the Irish
Republican Army (IRA).
A total of 26 viewers alerted Ofcom to two pieces of footage
shown within the programme, which viewers considered were
misleading:
- footage, labelled IRA Film 1988, which was
described in the programme as film taken by the IRA of IRA
members attempting to shoot down a British Army helicopter
in June 1988. Viewers said that this footage was in fact
material taken from a video game; and
- footage of police clashing with rioters in Northern
Ireland, described in the programme as being of a riot in
the Ardoyne area of Belfast in July 2011. Viewers said that,
due to the type of police riot vehicles shown in the
footage, the footage must have been of an earlier riot.
Ofcom considered the above material raised issues warranting
investigation under Rule 2.2 of the Code, which states:
Factual programmes or items or
portrayals of factual matters must not materially mislead
the audience.
ITV explained that regrettably the internet
footage used was not cross-checked and verified by the
production staff as being the Cook Report footage. The
final result of this series of events was that the internet
footage used in the programme was not the Cook Report footage
but footage from the computer game Arma II. ITV said that
this incident was purely a case of human error. It was not
ITV's intention to mislead viewers and the use of the wrong
footage was in no way deliberate.
ITV also said that during the production process, the
programme producer had requested footage of the July 2011
Ardoyne riot from a local historian who has supplied footage
to various broadcasters in the past, and who, therefore, the
producer considered to be a trustworthy source. However, the
historian provided footage of an earlier riot that had
occurred in the Ardoyne area of Belfast several years before
2011. Due to a miscommunication between the producer and
the historian the discrepancy between the July riot and the
[riot footage] supplied was not discovered, and the clip of the
earlier riot remained in the programme. ITV said that
this mistake was the result of human error and not a deliberate
attempt to mislead viewers.
Ofcom Decision
The viewers of this serious current affairs programme were
misled as to the nature of the material they were watching. In
the circumstances, this represented a significant breach of
audience trust, particularly in the context of a public service
broadcaster. As such, Ofcom considered the programme to be
materially misleading, in breach of Rule 2.2.
Ofcom was particularly concerned by this compliance failure
by ITV. We do not expect any issues of a similar nature to arise
in future.
Breach of Rule 2.2
|
| 21st January |
|
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| UK TV censor revokes licence from Press TV citing lack of UK editorial control Permalink full story: Press TV...Political censoship merges with TV censorship
|
See article
[pdf]
from stakeholders.ofcom.org.uk
|
Ofcom
has revoked the licence for Press TV to broadcast to the UK.
Ofcom cites The Communications Act 2003. Under section 362(2)
of the Act, the provider of the service for the purposes of
holding a licence is the person with general control over which
programmes are comprised in the service.
Ofcom explained:
In the course of correspondence and
meetings with Ofcom, statements made by Press TV Limited
about the operation of the Licensed Service failed to
satisfy Ofcom that the Licensee had general control over
which programmes and other services were comprised in the
Licensed Service. Ofcom therefore concluded that Press TV
Limited had ceased to provide the Licensed Service in
accordance with section 362(2) of the Act and that,
accordingly, it was appropriate to revoke the Licence.
The Licence was revoked on 20 January
2012.
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| 20th January |
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| Ofcom confirms on appeal that TV channels are responsible for paying the exorbitant ATVOD fees rather then VOD platform provider, Virgin Permalink
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See
press release from
atvod.co.uk
See also
Regulator correctly determined editorial responsibility for
on-demand video services, Ofcom rules
from out-law.com
|
ATVOD
welcomes Ofcom appeal decision that it was correct to determine
that three Viacom companies were responsible for VOD services
featuring their content on the Virgin Media platform
Appeals by Viacom companies Nickelodeon UK Limited, The
Paramount Partnership and MTV Networks Europe against ATVOD
determinations that they respectively hold regulatory
responsibility for the Nickelodeon, Comedy Central and MTV video
on demand content on the Virgin Media platform, have today not
been upheld by Ofcom.
The decision means that the three Viacom companies rather
than Virgin Media are responsible for ensuring that the services
comprising their video on demand programmes on the Virgin Media
platform comply with the statutory rules which apply to On
Demand Programme Services.
The decision turned on the definition of editorial
responsibility as defined in section 368A of the
Communications Act 2003, which states that a person has
editorial responsibility for a service if that person has
general control over what programmes are included in the service
and over the manner in which those programmes are organised
within the service.
Welcoming the decision, ATVOD Chief Executive Pete Johnson
said:
This is a complex area and the appeal
system is a vital part of the process, giving service
providers, in particular, greater clarity over where
regulatory responsibility lies.
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Ofcom
Office of Communications A regulator with multiple
roles. Roles of Interest to Melon Farmers are:
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TV censors for nearly all radio/TV/cable/satellite except for the
BBC
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Internet censors for Video on Demand. This task has been
delegated to ATVOD but Ofcom retain teh absiolute authority
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Internet censors for copyright/file sharing issues
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Advert Censors for the limited role of TV channels which exist
mainly to advertise premium rate telephone services (such as babe
channels)
Websites:
Melon Farmers Pages:
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