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We really need
to bring back
weekly collections! |
I almost split my sides laughing, until I recalled that for a quarter of a
century people have been flung in prison for crimes that never existed. I
hope that the government ends up paying massive compensation. As far as my
taxes are concerned, it's a worthier cause than bombing Afghans, or
prosecuting prostitutes' maids for "controlling" them.
We Brits need to wake up top what our control freak government is doing.
Every time some nutter whinges about the opening of a sex shop, we need to
point out that such shops are only necessary because of the (illegal) VRA.
If M. LeBrun, Herr Braun and Sig. Bruni want a naughty film, they can buy it
from a mainstream shop or by mail order, while Mr Brown is obliged (or, it
appears, not obliged) to skulk into a sex shop in a sub-prime shopping area.
I suggest that all Melon Farmers write to their MPS asking for this nonsense
to be consigned to the dustbin of history where it belongs.
From Alan (writing from a civilised country, where the station bookstall has
a range of mucky films available to commuters)
Extra Laws
27th August 2009
by Jon Williams, See
article
from
pleasedsheep.com
The 1984 VRA has turned into rather a mess.
As
the Act was written a long time before DVD's and DVD extras, it's all a
matter of interpretation as to what, besides the actual film, needed to be
classified. In my book audio commentaries would be exempt, but the BBFC
tells you that 'Our lawyers suggest that these require classification'. And
what about 'the making of...' documentaries, interviews with cast and crew
members and so on. Ask the BBFC and they reply with, "It's our job to
classify things, it's up to you what you send us, we can't tell you what the
law is - look at the Act". I did, and I discovered that it's policed by
Trading Standards who only act in response to a complaint. Their concern is
actually more with pirate copies. So I put the question to a cross section
of Trading Standards departments as to what was exempt when it came to DVD
extras. And I got a lot of different replies, ranging from nothing is
exempt, to everything other than deleted scenes is. And then others pointed
out that the film's classification applies to the whole DVD, so if it's an
'18' then the extras can't be separately classified as they've got an '18'
by default. What's more they couldn't imagine anyone complaining about any
extras not having been classified (how would they know) but they would
complain if any of the extras went way beyond the film's classification. Of
course none of them wanted me to quote them, on the grounds that only a
judge could make any legal interpretations. But I did get the impression
that, provided the filmmakers included appropriate extras, they had more
important things to be getting on with.
Right now, for the next few months, all this has been made irrelevant. But
it is a golden opportunity to push for some sensible reforms, such as the
introduction of 'unrated-18' which would bring us into line with the US as
well as several other civilised countries.
Help for Small Circulation DVDs
27th August 2009.
From John, see also
www.myspace.com/julianmarshiii
An
idea that may have appeal even to MPs who don't care about censorship
issues...
If I make a film - or even want to release one from the decades ago - I have
to obtain a certificate (except for a few special cases - innocuous
documentaries and music videos). And that will cost me over £1,000 for a
feature length film.
As a new and unknown film maker I may sell only 250 copies of my film (an
adaptation of Shakespeare say - and not a Bard Nasty like TITUS ANDRONICUS
but an innocuous tale like ROMEO AND JULIET with its street sword fights and
under-age lust and... well, maybe one of his other ones *grin*). That means
£4 or more has to be added to the final sale price merely to pay the BBFC.
Isn't this a choke on creativity? But aren't we always being told that our
creative industries are worth billions to the economy?
The VRA is quite clearly preventing limited interest productions from being
seen. (This is as true for our cinematic heritage as it is for new titles.
What, for example, is the expected sales figure for a DVD of a silent film,
I wonder? Considering the limited appeal, I'd imagine that the BBFC fee
makes up a significant proportion of the cost of getting it to market.)
Offsite:
Could the UK Video Recordings Act of 1984 get any more useless?
28th August 2009. See
article
from
spiked-online.com
by Graham Barnfield
The
bottom line is that criminal law needs to butt out of the cinema and home
entertainment industries. If consenting participants in film productions
emerge unharmed from the production process, then the resulting films would
meet a revised, forward-looking minimum legal threshold in future. (Whether
they should go ahead on aesthetic or commercial grounds is a separate
issue.) This latest humiliation for the Video Recordings Act 1984 should be
a chance to wipe the tape clean and treat adult viewers as adults.
...Read the full
article