Nanny Censors

Doctors writing for British Medical Journal open have issues a strong criticism of Ofcom for not implementing a total ban on junk food advertising before the 9pm watershed. Ofcom had a more nuanced restriction only targeting pre-watershed adverts in programmes that appeal to children.

The doctors have no gone further and suggested that public health officials should take over Ofcom's TV censorship powers related to health.

In a new study published in the journal BMJ Open, the campaigners said that the industry has unduly influenced the regulations for TV advertising of unhealthy foods to children. Hence, they said that since Ofcom's duty is to protect commercial broadcast interests, they should not be responsible for a public health issue.

Instead, the doctors argue, that public health doctors should be the ones to decide on this matter, noting that they are more credible in making decisions regarding health. The researchers based their conclusions on a thematic analysis of responses from stakeholders to the public consultation on proposals, which became effective in 2009. The proposals aimed to emphasize rules on TV advertising of foods for children and even teens.

The doctors say that Ofcom may have prioritized commercial considerations over the health of the children. This fact has led to questioning of the conflict of interests of the regulatory body, if protecting broadcasting interests should be a reason for not allowing it to lead a public health regulation.

They added that Ofcom should have banned adverts of high-sugar, high-fat, and salty food before 9 p.m. when children are still watching programs like evening shows with their parents. Despite banning junk food advertisements during shows watched by children aged 4 to 15 years old, it did so after two years. It banned the adverts only after industry representatives told it to do so.

Perennial whinger Rajan Zed has taken aim at a restaurant chain in Switzerland selling beef burgers and naming itself Holy Cow.

Zed said in a statement that cow, the seat of many deities, was sacred and had long been venerated in Hinduism.

It appeared to be a clear trivialization and ridiculing of a deeply held article of faith by Hindus world over. Hinduism should not be taken frivolously. Symbols of any faith, larger or smaller, should not be mishandled.

Zed urged Holy Cow! Gourmet Burger Company (HCGBC) to rethink about its name so that it was not unsettling to the Hindu community.

New research has found that reality TV programmes like Love Island , TOWIE and Geordie Shore have exposed children and young people to smoking and alcohol, partly because they're available on catch-up outside the 9pm watershed.

The study by the University of Nottingham's Centre for Tobacco and Alcohol Studies found that reality shows contain much higher levels of tobacco and alcohol content than other primetime TV programme genres. The in-depth analysis is published in the Journal of Public Health.

The research team previously reported high levels of tobacco imagery, including branding, in the 2017 series of Love Island. However, after complaints over the level of smoking in that series, an editorial decision was made to remove smoking content. The team's new study found no tobacco content in the 2018 series of Love Island.

For this new study, the researchers measured depictions of alcohol and tobacco products on Made in Chelsea, The Only Way is Essex, Geordie Shore and Love Island and the now discontinued Celebrity Big Brother ,all airing on UK channels for a total of 112 episodes between January and August 2018. They measured the number of one-minute intervals containing tobacco and/or alcohol imagery, including actual use, implied use, tobacco or alcohol-related materials, and product-specific branding, and estimated viewer exposure to the imagery on screen.

Audience viewing figures were combined with mid-year population estimates for 2017 to estimate overall and individual impressions -- separate incidents seen -- by age group for each of the coded episodes.

Alcohol content appeared in all 112 episodes and in 2,212 one-minute intervals, or 42% of all intervals studied. 18% of intervals included actual alcohol consumption, while 34% featured inferred consumption, predominantly characters holding alcoholic drinks. The greatest number of intervals including any alcohol content occurred in Love Island. Alcohol branding occurred in 1% of intervals and was most prevalent in Geordie Shore (51 intervals, 69% of episodes). Forty brands were identified, the most common being Smirnoff vodka (23 intervals, all but one of which occurred in Geordie Shore).

Tobacco content appeared in 20 episodes, in 110 or 2% of all intervals studied. Almost all (98%) of this content occurred in a single reality TV series, Celebrity Big Brother. This included actual tobacco use, inferred tobacco use, and tobacco paraphernalia. Tobacco branding was not present.

When all the data were combined with audience viewing figures and population estimates, the researchers estimate that the 112 episodes delivered 4.9 billion overall alcohol impressions to the UK population, including 580 million to children under the age of 16, as well as 214 million overall tobacco impressions, including 47 million to children under 16.

Lead researcher on the study, Alexander Barker, from the University's Division of Epidemiology and Public Health, said:

Starting to smoke or drink alcohol at a young age is a strong predictor of dependence and continued use in later life. Recent data shows that 44% of 11 to 15-year-olds in England have had an alcoholic drink, and 19% have tried smoking.

Given that seeing alcohol or tobacco imagery in the media promotes use among young people, our study therefore identifies reality television shows as a major potential driver of alcohol and tobacco consumption in young people in the UK. Tighter scheduling rules, such as restricting the amount of content and branding shown in these programmes, could prevent children and adolescents from being exposed to the tobacco and alcohol content.

Advertisers have launched a scathing attack on the government's plans to introduce further restrictions on junk food advertising, describing them as totally disproportionate and lacking in evidence.

In submissions to a government consultation, seen exclusively by City A.M. , industry bodies Isba and the Advertising Association (AA) said the proposals would harm advertisers and consumers but would fail to tackle the issue of childhood obesity.

The government has laid out plans to introduce a 9pm watershed on adverts for products high in fat, salt or sugar (HFSS) on TV and online .

But the advertising groups have dismissed the policy options, which were previously rejected by media regulator Ofcom, as limited in nature and speculative in understanding.

The AA said current restrictions, which have been in place since 2008, have not prevented the rise of obesity, while children's exposure to HFSS adverts has also fallen sharply over the last decade.

In addition, Isba argued a TV watershed would have a significant and overwhelming impact on adult viewers, who make up the majority of audiences before 9pm.

They also pointed to an impact assessment, published alongside the consultation, which admitted the proposed restrictions would cut just 1.7 calories per day from children's diets.

In a new survey by Action on Sugar and Action on Salt based at Queen Mary University of London, in association with Children's Food Campaign , has found half (51%) of 526 food and drink products which use cartoon animations on pack to appeal to children are unnecessarily high in fat, saturated fat, sugar and/or salt. Manufacturers and retailers are accused of deliberately manipulating children and parents into purchasing dangerously unhealthy products, which can encourage pester power and excessive consumption.

Action on Sugar, Action on Salt, Children's Food Campaign and other organisations are calling for a complete ban of such marketing tactics on unhealthy products and for compulsory traffic light nutrition labelling, giving parents the chance to make healthier choices. If marketing on children's packaging were to follow the same advertising codes as set by the Committee for Advertising Practices for broadcast advertising, half would fail the eligibility criteria and therefore would not be allowed to be advertised to audiences under the age of 16. The campaigners call for this criteria to be extended to all forms of media, and to any programme watched by a child, as is currently being discussed in the Governments latest consultation on further advertising restrictions for products high in fat, salt and sugar

Alarmingly Tom Watson MP, Deputy Leader of the Labour Party agreed with teh call for censorship saying:

This research reveals the scale of irresponsibility in the industry. We're in the midst of a child obesity crisis and companies are using cartoons to advertise their junk foods to kids. It's unacceptable. It's time we changed the rules to get these cartoons off our packs.

Amsterdam based Friekens Brewery (Friekens Brouwerij) has apologized and removed Hindu deity Lord Ganesh's image, associated with its I.P.A beer, from its website, ins response to comments from the perennial whinger RajanZed.

Friekens Brewery wrote:

We would like to apologise for the use of the image of Ganesh on the label of our I.P.A. beer. We never meant to offend anyone. Our apology. All reference to Ganesh and his image have been removed from our website, and we will develop a new brand identity for our I.P.A.

Zed, who is President of Universal Society of Hinduism, thanked Friekens Brewery for understanding the concerns of Hindu community which thought image of Lord Ganesh on such a product was highly insensitive.

Rajan Zed suggested that companies should send their senior executives for training in religious and cultural sensitivity so that they had an understanding of the feelings of customers and communities when introducing new products or launching advertising campaigns.

A pair of entrepreneurs have been refused European trademark protection for their energy drink named Brexit after an EU body labelled it offensive.

Pawel Tumilowicz and Mariusz Majchrzak had attempted to register their product Brexit with the European Union Intellectual Property Office (Euipo) after they launched the drink in October 2016.

But they were denied on the grounds that EU citizens would be deeply offended by the appropriation of the word. Euipo claimed:

Citizens across the EU would be deeply offended if the expression at issue was registered as a European Union trade mark.

The pair then appealed before Euipo's Grand Board of Appea which rejected Euipo's judgement that the word was offensive. However it ruled that Brexit could not be trademarked because it was not distinctive enough under EU law and would be confusing.

The high-caffeine drink - which is described on its website as the only reasonable solution in this situation - is branded with the Union Jack and was only named after the contentious political event for a laugh, the Telegraph reports.

Recent complaints about three Firebox products - Unicorn Tears Gin Liqueur , Unicorn Tears Raspberry Gin Liqueur and Unicorn Tears Raspberry Gin Liqueur Miniature - have been upheld by the Independent Complaints Panel.

The complainant, a member of the public, said the images on the product appealed to children. The Panel noted the illustration of the unicorn had the appearance of a child's drawing and would not be out of place as a logo on a child's toy, in a colouring book, or on an item of children's clothing. When considering the overall impression conveyed by the product, including the unicorn logo and childlike typeface, the Panel considered that the product did have a particular appeal to under 18s, and accordingly upheld the complaint.

The panel also agreed that the words Gin Liqueur and the product's ABV could have been communicated in larger text on the front of the label given that the product packaging was unconventional and was likely to have a particular appeal to under 18s. It was the view of the Panel that the product had the potential to cause consumer confusion as to its alcoholic nature and the Panel therefore did not believe that this had been communicated with absolute clarity within the spirit of the Code, particularly when considered alongside the unicorn logo, childlike typeface, sparkly pink liquid colour and cosmetic-like appearance.

Firebox is now working with the Advisory Service to amend the label on these three products.

The Portman Group is a trade organisation for the UK alcoholic drinks industry. It acts as the industry's censor of drink marketing and packaging. It reports:

A recent complaint about Beavertown Brewery's product, Neck Oil , was not upheld by the Independent Complaints Panel

The complainant, a member of the public, expressed concern that the product uses bright colours and that the name Neck Oil implies that the product is to be consumed in one i.e. necked. Furthermore, the complainant said that the colours used on the packaging are clearly aimed at the younger market and encourage irresponsible consumption .

The Panel firstly considered whether the product has a particular appeal to under 18s. The Panel discussed the colour palette and illustrations on the can design and noted that muted, instead of contrasting, colours had been used and that the artwork was sophisticated, and adult in nature. The Panel concluded that there was no element of the can that could have a particular appeal to under 18s and accordingly did not uphold the complaint with regards to under 18s.

The Panel considered the company's submission and acknowledged that the phrase neck oil was widely recognised as colloquial term for beer both within and outside the industry. The Panel noted that neck was used as a noun and did not consider that its use in this way suggested a down in one style of consumption. The Panel concluded that there were no visual or text cues to encourage irresponsible or down in one consumption and accordingly did not uphold the complaint with regard to encouraging consumption.

A chef has criticised Instagram after it decided that a photograph she posted of two pigs' trotters and a pair of ears needed to be protected from 'sensitive' readers.

Olia Hercules, a writer and chef who regularly appears on Saturday Kitchen and Sunday Brunch , shared the photo alongside a caption in which she praised the quality and affordability of the ears and trotters before asking why the cuts had fallen out of favour with people in the UK.

However Hercules later discovered that the image had been censored by the photo-sharing app with a warning that read: Sensitive content. This photo contains sensitive content which some people may find offensive or disturbing.

Hercules hit back at the decision on Twitter, condemning Instagram and the general public for becoming detached from reality.