This is the twisted tale of Vilmer and his crazy family which includes the lovely Leatherface. They have pastime of killing and stuffing people. Unfortunately, Jenny and her friends run into Vilmer and his clan in the middle of the night in the
middle of the woods.
The Extended Version is uncut and MPAA Unrated for:
Although it has not been cut by the BBFC, Texas Chainsaw Massacre 4 is the short standard version which removed the pointless alien subplot and the subplot of Jenny's abusive mother; all these cuts apply to dialogue scenes, there were no cuts
to the violence. This version is about 5:31s shorted than the Extended Version. See pictorial version details
The Standard Version is uncut and MPAA R rated for:
Final Score is a 2018 UK action film by Scott Mann.
Starring Pierce Brosnan, Dave Bautista and Ray Stevenson.
UK: Passed 15 for strong violence, language after BBFC advised pre-cuts for:
2018 cinema release
The BBFC commented:
This film was originally seen for advice. The company was told it was likely to be classified 18 but that their preferred 15 could be achieved by making reductions to stronger moments of violence. When the film was submitted for formal
classification these moments had been acceptably reduced and the film was classified 15.
Slender Man is a 2018 USA horror by Sylvain White.
Starring Joey King, Javier Botet and Annalise Basso.
Slender Man tells the story of a tall, thin, horrifying figure with unnaturally long arms and a featureless face, who is reputed to be responsible for the haunting and disappearance of countless children and teens.
Slender Man, as released in US theaters this week, is not a complete movie. While originally the producers developed a much darker take on the character,
were told that the producer Screen Gems' mandate was that it should be PG-13. The target was and always has been for teenagers.
However insiders told bloody-disgusting that Sony/Screen Gems were succumbing to fear of a PC backlash that started when the father of the girl who stabbed her classmate called it distasteful. 2018 isn't exactly the year of reason, and the studio
was scared into back peddling their horror film.
The father of the victim whose life was nearly claimed by two girls that worshipped the Slender Man had spoken out against the film, citing how they feel disgraced by Hollywood making a film about events that led to tragedy.
This also caused Sony and Screen Gems to release the film with very little promotional materials to it and it did not screen for critics.
bloody-disgusting's sources confirm that several major scenes from the film were completely removed by the studio leading up to this past weekend's release. Slender Man, as presented to audiences, isn't a complete film; many of the striking scenes
that were teased in the first trailer, like one of the characters stabbing her eyes out, or another ripping her tongue out after encountering Slender Man in the woods, are completely missing from the film.
To celebrate Frightfest 2018, during the August bank holiday, Horror Channel is dedicating thirteen nights to past festival hits.
Amongst the twenty-six fear-filled favourites, the channel will air four UK TV premieres: Simeon Halligan's terror-torial home invasion shocker WHITE SETTLERS; Jeff Maher's crowd-pleasingly ghoulish orgy of sex and gore BED OF THE DEAD; Chad
Archibald's breath-choking supernatural thriller THE DROWNSMAN; and the hauntingly sinister NIGHTWORLD, directed by Patricio Valladares and starring horror icon Robert Englund.
Plus, the channel is broadcasting three network premieres; Alberto Marini's sly and witty scaremonger SUMMER CAMP; Bernard Rose's FRANKENSTEIN, a stylishly smart update of the classic myth, starring Xavier Samuel, Danny Huston, Carrie-Anne Moss
and Tony Todd, plus RUPTURE, a surreally spooky sci-fi horror from Steven Shainberg (Secretary), starring Noomi Rapace.
The double bills airing every night from 9pm from August 17th 203 29th also feature FrightFest crowd-pleasing classics such as the pulsating, blood-soaked 80s homage TURBO KID; Kevin Kölsch and Dennis Widmyer's stunning contemporary occult tale of
Hollywood ambition, STARRY EYES; the terrifying anthology V/H/S, which pushes the genre in a fresh direction; Lowell Dean's rage-fuelled WOLFCOP; Franck Khalfoun's superior psychological horror MANIAC starring Elijah Wood; and Paul Hyett's hairy
horror and bloody action adventure HOWL, starring Ed Speleers, Shauna Macdonald and Sean Pertwee.
In an effort to safeguard artistic freedom in India, Congress MP, Shashi Tharoor, introduce d the Cinematograph (Amendment) Bill 2018
to reduce the pre-censorship powers of the Central Board Of Film Certification (CBFC).
Tharoor commented that the CBFC should be a certification body and not a moral policing body. He wrote on social media:
I introduced my Cinematograph (Amendment) Bill, 2018, to remove the outdated provisions which hamper the free flow of free speech, especially artistic freedom. The protection of artistic freedom is essential for the development of our culture and
It's [The CBFC's] censorship powers (& the Govt's power to revise its decisions as to whether a film should be screened or not) reflect a regressive and paternalistic outlook which is out of date in the 21st century. The existing
guidelines for certification are broad and vague, allowing the CBFC to pass absurd orders such as muting individual words of dialogue, like the term 'cow' in a documentary on Amartya Sen. My Bill introduces comprehensive guidelines for gradation
in film certification. My Bill also removes the discretionary powers of the State to ban films. The State should only resort to the power of suspension of films as the last resort in order to maintain public order. We should not be held hostage
by vigilante groups & self-appointed 'moral police'.
The bill seeks to completely remove the State's power to ban a film, which he says should be considered as a last resort. During the time of Padmaavat's release, states claimed that Section 6 of the Cinematograph Act empowers them to stop the
release of any film that risks public order.
Amongst the key changes are additional film certificates:
U -- film suitable for all persons, regardless of age, and is often family friendly;
U/A 12+ -- film suitable for persons above twelve years of age or for a person under the age of twelve with parental guidance;
U/A 15+ -- film suitable for persons (adolescents) above fifteen years or for a person under the age of fifteen with parental guidance
A -- film suitable for public exhibition, but restricted to adults;
C (A with Caution) -- film restricted for adults with the specific purpose of cautioning them that it has more than a reasonable amount of content such as violence, sex, nudity, drugs and other related contents;
S -- film restricted to viewership by members of a profession or any class of persons, having regard to the nature, content and theme of the film
Detailed guidelines are included in the bill for each category, here are the rules foa an adults only A rating:
Discrimination -- While there may be discriminatory themes and languages in the film, the film as a whole shall not endorse or glorify discriminatory language or behavour ;
Psychotropic Substances, Liquor, Smoking, Tobacco -- Imbibing of these elements may be shows, but the work as a whole shall not promote or encourage misuse of the same. The misuse of easily accessible and highly dangerous substances (for
example, aerosols or solvents) is not acceptable;
Imitable behaviour -- Dangerous behaviour (for example, committing suicide or inflicting self-harm) shall not be shown in detail that could be copied by others . Context, realism and setting shall determine the acceptability of depiction of
easily accessible weapons;
Language -- Very strong language, including abuse and vulgar words is permitted;
Nudity --There may be nudity, even in a sexual context, but without explicit detail ;
Sex-- Sexual activity may be portrayed but without strong detail . References to sexual behaviour is permitted, but very strong reference can only be justified in context . Works whose primary purpose is sexual arousal or stimulation is not
Fear, Threat & Horror--There may be strong threat and horror. A sustained focus on sadistic or sexual threat is not acceptable;
Violence--Strong violence is permitted, but explicit gory images are not acceptable . Strong sadistic violence is not acceptable, there may be detailed verbal references to sexual violence but the depiction of sexual violence must be discreet
and justified by context.
The proposal is introduced with plenty of fancy words about the CBFC being classifiers not censors, but the bill includes plenty of reasons to continue censoring and banning films anyway:
Films under this [top A with Caution] category shall not qualify for certification in the event of the following--
( 1 ) Where the material is in breach of criminal law, or has been created though the commission of a criminal offence;
( 2 ) Where material or treatment appears to the Board to risk harm to individuals;
For example, the detailed portrayal of violent or dangerous acts, or of illegal use of psychotropic substances, which may cause of public harm or morals. Other examples may include portrayals of sadistic or sexual violence that make this
violence looking appealing; reinforce the suggestion that victims enjoy sexual violence; or films that invite viewer complicity in sexual violence or other harmful violent activities;
( 3 ) Where the work is pornographic in nature and or compromises explicit sexual activity or dialogue that is non-contextual in nature. However, any sexually explicit material for educational purposes shall be allowed;
( 4 ) Where the work involves sadistic or sexual violence with children;
( 5 ) Where the work, including its dialogues, are likely to encourage an interest in sexually abusive activity which may include adults role- playing as non-adults.
Eighth Grade is a 2018 USA comedy by Bo Burnham.
Starring Elsie Fisher, Josh Hamilton and Emily Robinson.
An introverted teenage girl tries to survive the last week of her disastrous eighth grade year before leaving to start high school.
Eight Grade is a US film aimed at 8th graders but its 8th grade strong language has resulted in it being rated R by the MPAA. The R rating means that with graders cannot see the film at theatres unless accompanied by their parents.
The film makers from A24 Studio are not impressed by their target audience being disallowed so organised nationwide screenings where the R rating was not enforced (age restrictions are legally voluntary n the US). 50 no-rating-enforced screenings
were organised on August 8. The studio partnered with one theater in every state across America for the screenings.
But US moralist campaigners were not happy. The Parents Television Council called on the Motion Picture Association of America (MPAA) to hold the A24 Studio accountable for those under 17s admitted without a parent. PTC President Tim Winter
Subjective declarations such as the one by A24 -- that some content is 'too important' to be labeled in accordance with the standards set forth by the MPAA and understood, trusted and relied upon by parents -- undermine and negate the entire
purpose of having the content rating system in the first place. In this instance, and based upon empirical data of this film's content, the Hollywood studio at issue here is grotesquely and irresponsibly usurping parental authority. Either the
standard means something or it means nothing. Those who are openly violating both the spirit and the letter of the age-based content ratings system for this publicity stunt should be held to account by the MPAA.
1966 Soviet Union biography by Andrei Tarkovsky set for US Blu-ray and DVD release on 25th September 2018 with 2 versions. A UK release has been cancelled due to BBFC cuts being required for a horse fall
Andrei Rublev is a 1966 Soviet Union historical biography by Andrei Tarkovsky (as Andrey Tarkovskiy).
Starring Anatoliy Solonitsyn, Ivan Lapikov and Nikolay Grinko.
Cut by the BBFC for AA rated 1973 short UK cinema version. Otherwise there are two versions: a short director approved version and a longer Premiere Version.
The Director Approved Version does not contain the scene with the horse fall and so is uncut in the UK The BBFC seem to be in a bit of quandary about the level of violence giving it both 12 and 15 ratings as well as describing the level of
violence as both "moderate" and "strong".
The same package was scheduled to be released in the UK too but the distributors withdrew the release when it was made known that the Premiere Version would require BBFC cuts for a horse fall.
US: Uncut and MPAA Unrated for:
2018 Sony/Criterion [Premiere Version + Director Approved Cut] R0 Blu-ray at US Amazon
released on 25th September 2018
2018 Sony/Criterion [Premiere Version + Director Approved Cut] R0 DVD at US Amazon
released on 25th September 2018
Tracing the life of a renowned icon painter, the second feature by Andrei Tarkovsky vividly conjures the murky world of medieval Russia. This dreamlike and remarkably tactile film follows Andrei Rublev as he passes through a
series of poetically linked scenes--snow falls inside an unfinished church, naked pagans stream through a thicket during a torchlit ritual, a boy oversees the clearing away of muddy earth for the forging of a gigantic bell--gradually emerging as
a man struggling mightily to preserve his creative and religious integrity. Appearing here in the director's preferred 185-minute cut as well as the version that was originally suppressed by Soviet authorities, the masterwork Andrei Rublev is one
of Tarkovsky's most revered films, an arresting meditation on art, faith, and endurance.
SPECIAL EDITION FEATURES
New 2K digital restoration of the director's preferred 185-minute cut, with uncompressed monaural soundtrack
New 2K digital transfer of the original 205-minute version of the film,
The Passion According to Andrei
Steamroller and Violin, Tarkovsky's 1961 student thesis film
The Three Andreis, a 1966 documentary about the writing of the film's script
On the Set of "Andrei Rublev," a 1966 documentary about the making of the film
New interviews with actor Nikolai Burlyaev and cinematographer Vadim Yusov by filmmakers Seán Martin and Louise Milne
New interview with film scholar Robert Bird
Selected-scene commentary from 1998 featuring film scholar Vlada Petric
The man behind a new film about Hull's year as the UK City of Culture has hit out at censors after
they gave it it 15 rating.
A Northern Soul is Hull-born award-winning documentary filmmaker Sean McAllister's take on 2017. It follows struggling factory worker Steve Arnott's dream of bringing hip-hop and rap to the city's estates in a youth project involving a
The film was given a 12A rating by licensing councillors in Hull ahead of a recent series of initial screenings at the University of Hull and Vue cinema.
But now the BBFC has decided it should have a 15 rating for strong language.
While the documentary does feature regular use of the F-word, McAllister said swearing was what ordinary people in Hull did and claimed the decision was an attack on working-class people. On Twitter, he said:
It's a film about a working-class bloke helping kids with rap music find a better life.
McAllister commented: It's funny the swearing in The King's Speech is a lot worse, including the C-word, but that gets a 12A. He also compared the decision to the swearing on many of celebrity chef Gordon Ramsey's TV shows.
More screenings will be held on three evenings next week at Vue as well as later in the month. In response to the BBFC decision, Mr McAllister said all next week's screenings would be free to children under 15 and over 12ish.
[The censorship of strong language in films is one of the silliest aspects of film censorship. Surely young teams will be well versed in strong language, and they will have heard it all before. Surely it will make no difference if they hear the
same at the cinema.
But to be fair to the film censors, strong language is one of the things that parents, maybe especially middle class parents, ask for the censors to cut or restrict.
Should the film BBFC consider the actual effect of young teens hearing strong language on screen, or should they follow the wishes of the parents?].
23rd - 27th August 2018
Prince Charles + Cineworld, Leicester Square, London
Arrow Video FrightFest 2018 is delighted to present Graham Humphreys' stunning artwork for this year's annual Bank Holiday event, the UK's largest celebration of genre cinema, taking place at Cineworld Leicester Square and The Prince Charles
Cinema between Thurs Aug 23 & Mon Aug 27, 2018.
For Graham, celebrating the 200th anniversary of Mary Shelley's Frankenstein seemed too important to ignore:
Inbetweeners style comedy cut for a 15 rated cinema release
7th August 2018
The Festival is a 2018 UK comedy by Iain Morris.
Starring Joe Thomas, Hammed Animashaun and Claudia O'Doherty.
The film was passed 15 for strong sex references, crude humour, sex, drug misuse, very strong language after BBFC advised category pre-cuts for cinema release in 2018.
The BBFC commented:
This film was originally seen for advice. The company was advised the film was likely to be classified 18 but that their preferred 15 could be achieved by making reductions to three sequences of crude and sexual behaviour. When the film was
submitted for formal classification acceptable reductions has been made the film was classified 15.
When Nick's girlfriend dumps him at graduation, he has a colossal meltdown in front of the entire university. He's convinced his life is over, but his best mate Shane has the perfect solution: three days at an epic music festival. With the help
of "festival aficionado" and certified oddball Amy, Shane tries to get Nick to embrace the music, the mayhem and the mud. From the creators of the Inbetweeners comes The Festival, a movie about friendship, growing up, and going mad in a field.