Film Censorship in China

Hopes for film ratings in China took a step back as a senior government official here equated the creation of such a system with legalizing the production of pornography.

Liu Binjie, director of China's General Administration of Press and Publications (GAPP), said film ratings are "too sensitive" for the general public, and no such measures could be undertaken currently because China had yet to build a mature and orderly film market, the Xinhua News Agency reported.

Under the current circumstances, a film rating system equals legalizing the mass production of pornographic publications, he said.

Currently, films seeking cinematic release in China must be approved as suitable for all audiences, with cuts requested of scenes deemed too sexual, violent, or related to horror, magic and superstition.

The ultimate authority on a film rating system will likely be the State Administration of Radio, Film and Television, which regulates the production and distribution of film and television, although GAPP may have some say over whether products would be re-rated for home video release.

Censors reiterated the criteria for censorship saying that films with explicit sex and fear-provoking elements must be cut or revised before release.

The State Administration of Radio, Film and Television (SARFT) said in a notice on its website that the move was intended to purify screen entertainment and create a more harmonious and "green" film environment for the public, especially children.

The censor asked nationwide studios not to produce films that depict hardcore sexual activity, rape, prostitution, nudity and the like. Vulgar dialogue or music and sound effects that had a sexual connotation were also restricted.

Content involving murder, violence, horror, evil spirits and devils and excessively terrifying scenes, conversations, background music and sound effects were on the list as well.

Other films that would be banned include those that:

• Distort the civilization and history of China or other nations
• Tarnish the image of revolutionary leaders, heroes, important historic characters, members of the armed forces, police and judicial bodies
• Reconstruct crimes or reveal police investigatory techniques
• Advocate nihilism, environmental damage, animal abuse and the capture or killing of rare animals.

China's State Administration of Radio, Film and Television (SARFT) has submitted the final version of its Film Promotion Law to the State Council and a film rating system may be implemented, according to sources from the ongoing 10th Seminar for Film Directors from the Chinese mainland, Taiwan and Hong Kong.

The system, which will have a comparatively simple "two ratings", may offer some films that fail to meet mainland censorship requirements access to the Chinese mainland audience.

The current system has a single rating and that has to be suitable for children of all ages

A total of 150 directors took part in the seminar.

Update: Low Expectations

9th February 2009. See article from chinadaily.com.cn

A film rating system is very essential in China, Tong Gang, director of Motion Picture Bureau with the State Administration of Radio, Film and Television (SARFT) was quoted as saying by a report on website of the Ministry of Culture.

A movie rating system in China has been discussed for years since the people have begun to enjoy an increasing number imported films and a booming domestic film market.

The director said the draft of the law had recently been finished and was submitted by the SARFT to the State Council, China's cabinet. He did not reveal that whether the NPC's annual session this year would review or approve the draft law.

Tong said he had supported a movie rating system in China when he was interviewed by a TV program in Singapore and he expressed a will to take Hong Kong's rating system as a reference during a visit to the SAR: However, my utterance has been overexplained and even distorted by some media reports. A rating system in China will not mean that we will allow depictions of porn or violence in the movies for sales and screen.

A movie rating system cannot be implemented at the present time, a Chinese official has said.

Zang Zengxiang, deputy director of the Beijing municipal bureau of radio, film and television, said the bureau has been researching the feasibility of a movie rating system for several years. He said the research proved clearly that Beijing couldn't carry out a movie rating system for many reasons but he didn't explain any of them.

Audiences in the capital have grown used to spending their money on censored movies. All domestic and foreign movies must be censored in order to receive public viewing licenses from the State Administration of Radio, Film and Television.

Movies that show numerous sexual or violent scenes undergo large-scale deletions, an act that has been fiercely criticized as producing emasculated stories by some film industry insiders.

The fruitless struggle against censorship  started in 2003 with the first movie rating proposal by Wang Xingdong, a member of the Chinese People's Political Consultative Conference.

Li Yu, director of the Berlin Film Festival's nominated film Apple, which went through censorship a total of five times for its sex scenes, told METRO she never believed a rating system could be implemented under the current cultural and economical environment: We refer to censorship as an 'iron' rule, meaning that no one can move or dodge it. She added that the absence of a rating system took away the adult audience's right to watch adult scenes, and made it impossible to prevent younger moviegoers from seeing films with violence and sexual content.

China's film censor, the State Administration of Radio, Film and Television, said that an ongoing debate about a film classification system must end now and that China had no plans to introduce such a system as it was inappropriate.

We did a lot of investigation and research in both the overseas and domestic market, but decided that the movie classification system is not appropriate for the Chinese movie market currently, said Zhao Shi, vice minister of SARFT.

China is developing its own way to maintain the management of the movie market in a legal, scientific and effective way, and this 'own way' would be more suitable for China's domestic conditions and the reform of China's movie business, she said.

Many in the film business had hoped that a film classification system would be introduced as it would diminish  the need for censorship.

As it stands in China, all films have to be cut so as to be suitable for all ages.

The censorship process also takes a long time giving pirates ample time to flood the market with good DVD copies of the movie for impatient filmgoers.

China is planning even more repressive movie censorship to bar anti-government sentiments and messages of religious fanaticism from the screen, the government says.

The proposal, posted to the web site of the State Council. It is part of a draft film law now under consideration that would raise to 13 the subject categories not allowed. Previous bans cover too much smoking on screen, explicit sex and graphic violence.

Under the proposals, China would bar incitement to resist or undermine the constitution and the promotion of religious fanaticism from films. A further proposed ban would bar any film from promoting illegal drugs or terrorist activity.

Chinese film censors have been spouting about ludicrous reasons for cutting Titanic 3D.

Kate Winslet's famous bare-breasted life drawing scene has been censored in a bid to supposedly promote a harmonious ethical social environment, according to China's State of Administration of Radio, Film and Television (SARFT) classification board. A SARFT official told Offbeat China:

Considering the vivid 3D effects, we fear that viewers may reach out their hands for a touch and thus interrupt other people's viewing. To avoid potential conflicts between viewers and out of consideration of building a harmonious ethical social environment, we've decided to cut off the nudity scenes.

The nude scene was fully intact in the original Chinese screenings of the film in 1998.