Red Sparrow is a 2018 USA mystery thriller by Francis Lawrence.
Starring Jennifer Lawrence, Joel Edgerton and Mary-Louise Parker.
A young Russian intelligence officer is assigned to seduce a first-tour CIA agent who handles the CIA's most sensitive penetration of Russian intelligence. The two young officers collide in a charged atmosphere of trade-craft, deception, and
inevitably forbidden passion that threatens not just their lives but the lives of others as well.
UK: Passed 15 for strong bloody violence, gore, sexual violence, sex, very strong language after BBFC advised pre-cuts for:
2018 cinema release
The BBFC commented:
This film was originally seen for advice. The company was advised the film was likely to be classified 18 but that their preferred 15 could be achieved by making reductions in one scene of strong sadistic violence (a garroting). When the film
was submitted for formal classification appropriate reductions had been made in that scene and the film was classified 15.
Uncut in the US.
Uncut and MPAA R rated for strong violence, torture, sexual content, language and some graphic nudity.
Proposal for Designation of Age-verification Regulator
Thursday 1 February 2018
The Minister of State, Department for Digital, Culture, Media and Sport (Margot James)
I beg to move,
That the Committee has considered the Proposal for Designation of Age-verification Regulator.
The Digital Economy Act 2017 introduced a requirement for commercial providers of online pornography to have robust age-verification controls in place to prevent children and young people under the age of 18 from accessing
pornographic material. Section 16 of the Act states that the Secretary of State may designate by notice the age-verification regulator and may specify which functions under the Act the age-verification regulator should hold. The debate will focus
on two issues. I am seeking Parliament's approval to designate the British Board of Film Classification as the age-verification regulator and approval for the BBFC to hold in this role specific functions under the Act.
Liam Byrne (Birmingham, Hodge Hill) (Lab)
At this stage, I would normally preface my remarks with a lacerating attack on how the Government are acquiescing in our place in the world as a cyber also-ran, and I would attack them for their rather desultory position and
attitude to delivering a world-class digital trust regime. However, I am very fortunate that this morning the Secretary of State has made the arguments for me. This morning, before the Minister arrived, the Secretary of State launched his new
app, Matt Hancock MP. It does not require email verification, so people are already posting hardcore pornography on it. When the Minister winds up, she might just tell us whether the age-verification regulator that she has proposed, and that we
will approve this morning, will oversee the app of the Secretary of State as well.
Particulars of Proposed Designation of Age-Verification Regulator
01 February 2018
Motion to Approve moved by Lord Ashton of Hyde
Section 16 of the Digital Economy Act states that the Secretary of State may designate by notice the age-verification regulator, and may specify which functions under the Act the age-verification regulator should hold. I am therefore seeking this
House's approval to designate the British Board of Film Classification as the age-verification regulator. We believe that the BBFC is best placed to carry out this important role, because it has unparalleled expertise in this area.
Lord Stevenson of Balmacara (Lab)
I still argue, and I will continue to argue, that it is not appropriate for the Government to give statutory powers to a body that is essentially a private company. The BBFC is, as I have said before204I do not want to go
into any detail -- a company limited by guarantee. It is therefore a profit-seeking organisation. It is not a charity or body that is there for the public good. It was set up purely as a protectionist measure to try to make sure that people
responsible for producing films that were covered by a licensing regime in local authorities that was aggressive towards certain types of films204it was variable and therefore not good for business204could be protected by a system that was
largely undertaken voluntarily. It was run by the motion picture production industry for itself.
L ord Ashton of Hyde
I will just say that the BBFC is set up as an independent non-governmental body with a corporate structure, but it is a not-for-profit corporate structure. We have agreed funding arrangements for the BBFC for the purposes of
the age-verification regulator. The funding is ring-fenced for this function. We have agreed a set-up cost of just under £1 million and a running cost of £800,000 for the first year. No other sources of funding will be required to carry out this
work, so there is absolutely no question of influence from industry organisations, as there is for its existing work—it will be ring-fenced.
Fifty Shades Freed is a 2018 USA drama by James Foley.
Starring Arielle Kebbel, Tyler Hoechlin and Dakota Johnson.
UK: Passed 18 uncut for strong sex for:
2018 cinema release
The third installment of the 'Fifty Shades of Grey' trilogy.
Believing they have left behind shadowy figures from their past, newlyweds Christian and Ana fully embrace an inextricable connection and shared life of luxury. But just as she steps into her role as Mrs. Grey and he relaxes into an unfamiliar
stability, new threats could jeopardize their happy ending before it even begins.
And as always few other western countries think that the films needs an adults only rating.
Padmavat is a 2017 India historical romance by Sanjay Leela Bhansali.
Starring Deepika Padukone, Ranveer Singh and Shahid Kapoor.
Rani Padmavati (aka Padmini) is said to be one of the most beautiful women to ever exist. This real life story is epitome of Love and sacrifice between Rajput Queen Padmavati and Rana Rawal Ratan Singh, the Rajput ruler of Mewar. Their perfect
life took unfortunate turn when Allauddin Khilji's lustful eyes gazed upon Queen Padmavati. Alauddin Khilji is known as one of the most brutal rulers of the Khilji dynasty, who ascended the throne by killing his father-in-law, his brother-in-laws
and their uncles. He was known for attacking states, only for their land and women. And, the motive behind the attack on Mewar was none other than royal Rani Padmavati. Chittorgarh fort, today, stands as an epitome of the true Rajputana spirit,
loyalty, fidelity and bravery and a symbol of women power.
Court cases abound whenever there's a controversy about an Indian that should be banned or not banned. There are often several people who are willing to spend their cash on advocating for banning or not banning, often in different courts in
However, in the case of Padmavat these cases have rapidly moved to India's Supreme Court which has just passed two judgements about the film. Firstly the Court found that individual states should not be able to overrode the national film censor
and so bans in the states of Gujarat, Rajasthan, Madhya Pradesh and Haryana have been overturned.
The film's producers had approached the Supreme Court to challenge the states' ban, and Chief Justice Dipak
Misra concurred with the producers. He stated:
Cinemas are an inseparable part of right to free speech and expression. States... cannot issue notifications prohibiting the screening of a film.
The second judgement refused the case made by an advocate who wanted the court to overturn the CBFC decision and ban the film. The same judge refused to entertain a plea to cancel the Censor Board certificate given to the movie Padmaavat. Advocate
M.L. Sharma had contended that exhibiting the movie in certain States would be an open invitation for violence.
And of course that violence could yet overrule the Supreme Court and force cinemas to not show the film.
Even after the Supreme Court asking four States including Gujarat to allow screening of controversial Hindi movie Padmaavat, nearly 125 multiplexes across Gujarat will not show the movie which is set to release on the eve of Republic Day.
Gujarat Multiplex Owners Association, the apex body of multiplexes in the state has voluntarily decided not to show the movie. Core committee member of the association Rakesh Patel said that multiplex owners in Gujarat didn't want to take any risk
as there was no guarantee pertaining to safety of the properties.
Update: Inevitably banned by violent religious mobs
Padmavat has been released for worldwide screenings, including the UK, today on 25th January. Early reports suggest that cinemas in religious hotspots have decided not to screen the film rather than face violent protest.
Padmaavat opened in 3,100 screens across the country with an estimated occupancy of 50-55%. It's a very good number given the situation. It clearly shows audiences have come out and supported the film despite all odds, said Atul Mohan, editor of
trade magazine Complete Cinema .
Under normal circumstances, a big-ticket film like Padmaavat would have been screened in more than 4,000 screens. States like Rajasthan, Gujarat and parts of Madhya Pradesh and Haryana refrained from screening the period saga. Protests by the
Rajput Karni Sena and consequent violence in parts of the country led to several theatres refusing to showcase the movie..
The film was also pirated and streamed online on a Facebook page, showing interest but not revenue for the filmmakers.
Update: Rajputs who saw Padmaavat angry for opposing it earlier
It is clear that the BBFC are set to censor porn websites but what about the grey area of non-porn websites about porn and sex work. The BBFC falsely claim they don't know yet as they haven't begun work on their guidelines
The government publishes it guidance to the new UK porn censor about notifying websites that they are to be censored, asking payment providers and advertisers to end their service, recourse to ISP blocks and an appeals process
A person contravenes Part 3 of the Digital Economy Act 2017 if they make
pornographic material available on the internet on a commercial basis to
persons in the United Kingdom without ensuring that the material is not
normally accessible to persons under the age of 18. Contravention could lead
to a range of measures being taken by the age-verification regulator in
relation to that person, including blocking by internet service providers (ISPs).
Part 3 also gives the age-verification regulator powers to act where a person
makes extreme pornographic material (as defined in section 22 of the Digital
Economy Act 2017) available on the internet to persons in the United
This guidance has been written to provide the framework for the operation of
the age-verification regulatory regime in the following areas:
● Regulator's approach to the exercise of its powers;
● Age-verification arrangements;
● Payment-services Providers and Ancillary Service Providers;
● Internet Service Provider blocking; and
This guidance balances two overarching principles in the regulator's application of its powers under sections 19, 21 and 23 - that it should apply its powers in the way which it thinks will be most effective in ensuring
compliance on a case-by-case basis and that it should take a proportionate approach.
As set out in this guidance, it is expected that the regulator, in taking a proportionate approach, will first seek to engage with the non-compliant person to encourage them to comply, before considering issuing a notice
under section 19, 21 or 23, unless there are reasons as to why the regulator does not think that is appropriate in a given case
Regulator's approach to the exercise of its powers
The age-verification consultation Child Safety Online: Age verification for pornography identified that an extremely large number of websites contain pornographic content - circa 5 million sites or parts of sites. All
providers of online pornography, who are making available pornographic material to persons in the United Kingdom on a commercial basis, will be required to comply with the age-verification requirement .
In exercising its powers, the regulator should take a proportionate approach. Section 26(1) specifically provides that the regulator may, if it thinks fit, choose to exercise its powers principally in relation to persons who,
in the age-verification regulator's opinion:
(a) make pornographic material or extreme pornographic material available on the internet on a commercial basis to a large number of persons, or a large number of persons under the age of 18, in the United Kingdom; or
(b) generate a large amount of turnover by doing so.
In taking a proportionate approach, the regulator should have regard to the following:
a. As set out in section 19, before making a determination that a person is contravening section 14(1), the regulator must allow that person an opportunity to make representations about why the determination should not be
made. To ensure clarity and discourage evasion, the regulator should specify a prompt timeframe for compliance and, if it considers it appropriate, set out the steps that it considers that the person needs to take to comply.
b. When considering whether to exercise its powers (whether under section 19, 21 or 23), including considering what type of notice to issue, the regulator should consider, in any given case, which intervention will be most
effective in encouraging compliance, while balancing this against the need to act in a proportionate manner.
c. Before issuing a notice to require internet service providers to block access to material, the regulator must always first consider whether issuing civil proceedings or giving notice to ancillary service providers and
payment-services providers might have a sufficient effect on the non-complying person's behaviour.
To help ensure transparency, the regulator should publish on its website details of any notices under sections 19, 21 and 23.
Section 25(1) provides that the regulator must publish guidance about the types of arrangements for making pornographic material available that the regulator will treat as complying with section 14(1). This guidance is
subject to a Parliamentary procedure
A person making pornographic material available on a commercial basis to persons in the United Kingdom must have an effective process in place to verify a user is 18 or over. There are various methods for verifying whether
someone is 18 or over (and it is expected that new age-verification technologies will develop over time). As such, the Secretary of State considers that rather than setting out a closed list of age-verification arrangements, the regulator's
guidance should specify the criteria by which it will assess, in any given case, that a person has met with this requirement. The regulator's guidance should also outline good practice in relation to age verification to encourage consumer choice
and the use of mechanisms which confirm age, rather than identity.
The regulator is not required to approve individual age-verification solutions. There are various ways to age verify online and the industry is developing at pace. Providers are innovating and providing choice to consumers.
The process of verifying age for adults should be concerned only with the need to establish that the user is aged 18 or above. The privacy of adult users of pornographic sites should be maintained and the potential for fraud
or misuse of personal data should be safeguarded. The key focus of many age-verification providers is on privacy and specifically providing verification, rather than identification of the individual.
Payment-services providers and ancillary service providers
There is no requirement in the Digital Economy Act for payment-services providers or ancillary service providers to take any action on receipt of such a notice. However, Government expects that responsible companies will wish
to withdraw services from those who are in breach of UK legislation by making pornographic material accessible online to children or by making extreme pornographic material available.
The regulator should consider on a case-by-case basis the effectiveness of notifying different ancillary service providers (and payment-services providers).
There are a wide-range of providers whose services may be used by pornography providers to enable or facilitate making pornography available online and who may therefore fall under the definition of ancillary service provider
in section 21(5)(a) . Such a service is not limited to where a direct financial relationship is in place between the service and the pornography provider. Section 21(5)(b) identifies those who advertise commercially on such sites as ancillary
service providers. In addition, others include, but are not limited to:
a. Platforms which enable pornographic content or extreme pornographic material to be uploaded;
b. Search engines which facilitate access to pornographic content or extreme pornographic material;
c. Discussion for a and communities in which users post links;
d. Cyberlockers' and cloud storage services on which pornographic content or extreme pornographic material may be stored;
e. Services including websites and App marketplaces that enable users to download Apps;
f. Hosting services which enable access to websites, Apps or App marketplaces; that enable users to download apps
g. Domain name registrars.
h. Set-top boxes, mobile applications and other devices that can connect directly to streaming servers
Internet Service Provider blocking
The regulator should only issue a notice to an internet service provider having had regard to Chapter 2 of this guidance. The regulator should take a proportionate approach and consider all actions (Chapter 2.4) before
issuing a notice to internet service providers.
In determining those ISPs that will be subject to notification, the regulator should take into consideration the number and the nature of customers, with a focus on suppliers of home and mobile broadband services. The
regulator should consider any ISP that promotes its services on the basis of pornography being accessible without age verification irrespective of other considerations.
The regulator should take into account the child safety impact that will be achieved by notifying a supplier with a small number of subscribers and ensure a proportionate approach. Additionally, it is not anticipated that
ISPs will be expected to block services to business customers, unless a specific need is identified.
In order to assist with the ongoing review of the effectiveness of the new regime and the regulator's functions, the Secretary of State considers that it would be good practice for the regulator to submit to the Secretary of
State an annual report on the exercise of its functions and their effectiveness.
The US adult trade group, Free Speech Coalition at its inaugural Leadership Conference on Thursday
introduced Murray Perkins, who leads efforts for the UK's new age-verification censorship regime under the Digital Economy Act.
Perkins is the principal adviser for the BBFC, which last year signed on to assume the role of internet porn censor.
Perkins traveled to the XBIZ Show on an informational trip specifically to offer education on the Digital Economy Act's regulatory powers; he continues on to Las Vegas next week and Australia the following week to speak with online adult
The reason why I am here is to be visible, to give people an opportunity to ask questions about what is happening. I firmly believe that the only way to make this work is to with and not against the adult entertainment industry.
This is a challenge; there is no template, but we will figure it out. I am reasonably optimistic [the legislation] will work.
A team of classification examiners will start screening content for potential violations starting in the spring. (In a separate discussion with XBIZ, Perkins said that his army of examiners will total 15.)
Perkins showed himself to be a bit naive, a bit insensitive, or a bit of an idiot when he spouted:
The Digital Economy Act will affect everyone in this room, one way or the other, Perkins said. However, the Digital Economy Act is not anti-porn -- it is not intended to disrupt an adult's journey or access to their content.
[...BUT... it is likely to totally devastate the UK adult industry and hand over all remaining business to the foreign internet giant Mindgeek, who will become the Facebook/Google/Amazon of porn. Not to mention the Brits served on a platter to
scammers, blackmailers and identity thieves].
Maze Runner: The Death Cure is a 2018 USA action Sci-Fi thriller by Wes Ball.
Starring Rosa Salazar, Thomas Brodie-Sangster and Dylan O'Brien.
In the epic finale to The Maze Runner Saga, Thomas leads his group of escaped Gladers on their final and most dangerous mission yet. To save their friends, they must break into the legendary last city, a WCKD controlled labyrinth that may turn
out to be the deadliest maze of all. Anyone who makes it out alive will get the answers to the questions the Gladers have been asking since they first arrived in the maze. Will Thomas and the crew make it out alive? Or will Ava Paige get her way?
BBFC advised category cuts were required for a 12A rated cinema release in 2018. 2D and 3D version were then passed 12A for moderate violence, threat, language.
The BBFC commented:
This work was originally seen for advice. The company was advised that the film was likely to receive a 15 certificate but that their preferred 12A classification could be achieved by making some changes. The company was advised to reduce
moments of threat and 'horror' involving zombie-like characters. When the film was formally submitted, changes had been made and, consequently, the film was passed 12A
Austin Powers: International Man of Mystery is a 1997 USA / Germany crime comedy by Jay Roach.
Starring Mike Myers, Elizabeth Hurley and Michael York.
A 1960s hipster secret agent is brought out of cryofreeze to oppose his greatest enemy in the 1990s, where his social attitudes are glaringly out of place.
A princess Di joke was cut by the distributors for 15 rated 1997 cinema release. Later uncut on UK home video. Cut for a PG-13 rating in the US.
The Daily Mail has been perusing new only opened files at the BBFC and come u with a colourful examiner's report about Austin Powers: International Man of Mystery. The examiner wrote:
O dear, this really has to qualify as the worst new film for theatrical release.
I am not acquainted with Mr Mike Myers -- the star and writer of this product -- and cannot fathom how he can have been given this showcase for his talent.
It really is embarrassingly unfunny. The film is a spoof on a Bond movie but is so crass and asinine that one cannot even begin to warm to it. It really is embarrassingly unfunny. The film is a spoof on a Bond movie but is so crass and asinine
that one cannot even begin to warm to it.
The report went on to say that the movie had an aggressive edge and commented on its tacky and lavatorial humour. The examiner then launched a waspish tirade against some of the stars involved before concluding that the film was fit only for
The writer said the use of the word 'fuck' and repetition of terms such as 'shit' and 'shag' set the tone of the whole piece, crude, distasteful and unredeemed by intelligence, irony or wit.
But Myers had the last laugh, the film on a budget of just £12million took £50million at the international box office and combined with its two sequels, it brought in a total of £500million+.
A spokesman for the BBFC accepted the comments were more colourful then normal.
In 2016 there was a decrease in the number of explicit pornographic works submitted to the BBFC. The 476 works in 2016 represents
an a 19% decrease on 2015, ending the trend of year-on-year increases that had taken place over the preceding three years.
The proportion of R18works subject to cuts in 2016 was 35%, an increase of 22% over the previous year. This continues to reflect the BBFC's strict policies on material which combines sexual detail with activity which is
illegal, harmful, abusive or involves a lack of consent or the infliction of pain or injury. [The BBFC have misleadingly omitted some of the more trivial reasons for cuts from this list, such as use of the word teen, dialogue
references to incest, squirting and gagging].