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| Video | Cuts | Cert | Run Time | Details |
| Valdez Is Coming | 6s |
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86:43s | Submitted in 2005 Compulsory cuts required under BBFC policy on animal cruelty to sight of horses being deliberately tripped and falling |
| Vampire Circus |
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83:33s | 1972 UK horror by Robert Young (Carlton) From IMDb UK censor Stephen Murphy requested many cuts to the film in 1972 though Hammer succeeded in shortening his original demands. The 2002 Carlton DVD issue is the longest available version and restores all previously cut footage. Other sources record this version as cut though. Cinema edits were made to:
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| Vampire Journals | 3s |
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78:06s | 1997 release by Ted Nicolaou (Entertainment in Video Ltd) |
| Vampire Lovers |
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1970 UK horror film by Roy Ward Baker
(ILC Prime) From IMDb: BBFC Cuts were waived when resubmitted in 2002 but the nude shot was unavailable to restore at the time. It has since been rediscovered and fully restored for the U.S MGM release. It seems that a few frames from the opening decapitation are still missing from the UK and US versions. The US release available from US Amazon is the most definitive version |
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| cut |
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Cuts were required for the X rated 1970
cinema release and these were carried forward to the 1987 video version from
Rank From IMDb:
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| Vampyres aka
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90:02s | 1974 horror film by Joseph Larraz (Anchor Bay) From imdb presumably referring to the US Anchor Bay version but it still my be relevant The DVD release from Blue Underground is the completely uncut version, containing the gore that was missing from the Anchor Bay DVD. Although the recent Anchor Bay release claims to be "uncut and uncensored", it is actually missing about 29 seconds of gore and violent footage during the murders of the two campers. All the nudity and sex scenes in the film, however, remain intact. The following are the 5 shots which were cut from the Anchor Bay release:
Seems safest to stick with Blue Underground region 1 version available from US Amazon Amazon Review: A pair of bisexual women living in a dark, decaying mansion have a craving for blood and sex. Hitchhiking in long black cloaks, they lure men home and then take them to bed, slash them with knives, and dump the bodies, making it look like a car wreck. They like one guy so much they keep him around for days and he knows something bad is happening, but he's not sure what. Some people camping nearby also suspect that the women are up to strange things.... The violence is strong even though there's more blood than gore, plenty of sex and nudity, and some very lyrical, beautiful scenes. The ending throws a whole new, darker twist on the proceedings and ties it all together nicely. It has kind of a "Hammer Films" look to it, but the storyline is more along the lines of Jean Rollin. Even though the budget was small, this is a quality-looking film. |
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| 26s |
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80:37s | Rank version cut when submitted in 1989. The cinema release was also cut | |
| Veiyil aka
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16s |
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2006 Indian drama by Vsanatha
Balan (Ayngaran International) Cinema release cut in 2006 with the following BBFC comment: Distributor chose to remove sight of suicide attempt whereby man draws razor blade across his wrist with accompanying blood spurt in order to achieve a 12A classification. A 15 classification was available. |
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| Velu Nayakan | 1:42s |
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144:51s | 1995 release by Mani Ratnam (Eros International) |
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Venus in Furs aka
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1:05s |
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82:03s | 1969 West Germany/Switzerland/Italy erotic film by Massimo
Dallamano (Shameless)
Cut by 1:05s when submitted in 2007 as specified by the BBFC: Remove all sight of woman's tearful screams turning to pleasure as man continues to rape her (this pleasure being indicated by her making moaning sounds and winding her arms around his neck). Intervening shots of other people may remain. From the 2007 BBFC Annual Report: The 1993 cuts were to a long scene of a rape and a scene where a preteen boy watches a couple having sex through a keyhole. As the boy was never present in the same place as the scene of sex, this material could be restored. But the rape scene was felt to endorse ‘rape myth’ attitudes and cuts were still required to remove this material. This cut version will be released on 31st December 2007 on the Shameless label |
| 2:32s |
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81:02s | The Redemption Films release was cut by the BBFC in 1993 From the 2007 BBFC Annual Report: The 1993 cuts were to a long scene of a rape and a scene where a preteen boy watches a couple having sex through a keyhole. |
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| cut |
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The cinema release of 1971 was cut by the BBFC | ||
| The Very Best of Irish Adult Home Videos | 4:31s |
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27:27s | 1995 release by Stuart Blair (Magazine Services) |
| A Very Brady Sequel | uncut |
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86:10s | 1996 US film by Arlene Stanford (Paramount) All cuts were waived when resubmitted in 2003 The uncut region 2 DVD is available at UK Amazon |
| 23s |
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85:47s | The CIC video release was cut when submitted in 1997. From newsgroup discussions Well I have some basic training with their use (and I know some good martial artists who are proficient) and I can absolutely guarantee that without extensive training (many months at least) the only person you'll hurt with nunchaku is yourself. They are a difficult weapon at best. Which is exactly the point made by A Very Brady Sequel - and I repeat my allegation that the BBFC-snipped version is actually more dangerous than the uncut version, because while the nunchakas are still visible, the repeated scenes of the user knocking himself out with them have largely been removed. |
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| A Very Dirty Dinner Party | 17s |
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120:13s | by Nicholas Steele (Third Millennium Distribution Ltd) Cut in 2006 with the following BBFC comment: The cuts were Cuts for Category. Distributor chose to remove clear sight of unsimulated fellatio in order to achieve an 18 classification |
| Victoria | 27s |
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49:51s | 1997 release by Gerald A. Whiting (Liquid Gold ) |
| Video Centerfold: 1998 Playmate of the Year: Karen McDougal | 9s |
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51:56s | 1998 release sex video (Playboy) |
| Video Contact | 8:43s |
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30:06s | 1995 release by Peter B. Fairbrass (PBF Motion Pictures) |
| Video World Horror Video | 3s |
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29:22s | 1995 release (Northern & Shell PLC) |
| Videodrome |
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80:41s | 1982 Canadian film by David Cronenberg. Cut for an R rating in the US. The BBFC passed this cut version for cinema & video
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83:41s | I am told that the Pioneer Laserdisc version has been released uncut. | ||
| A View to a Kill | cut |
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125:52s | 1985 UK/US action film by John Glen (Sony Pictures) The cinema release was cut in 1985 and cuts have persisted in all version since from mi6
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| Vijeta | 9s |
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152:01s | 1996 release by K. Muralimohan Rao (Sanco International Ltd) |
| Village Of Doom | 11s |
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105:21s | by Noboru Tanaka (Artsmagic Ltd) Cut in 2006 with the following BBFC comment: The cuts were Compulsory. Cut required to remove sight of a chicken being kicked and ill-treated |
| The Vindicator aka
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24s |
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87:28s | 1986 US film by Jean-Claude Lord (Polygram Video) |
| Violent City aka
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uncut |
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104:43s | 1970 Italian/French action film by Sergio Sollima
(Hollywood DVD) The cinema cuts were waived when resubmitted on video/DVD in 2004 The US Anchor Bay DVD version restores eight minutes of footage originally cut by United Artists for the U.S. release. Because these scenes were never dubbed into English, they are presented in their original Italian language with English subtitles. |
| cut |
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Cut for a cinema certificate in 1971 | ||
| Violence Jack | 4:25s |
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55:27s | Episode 1: Evil Town 3:55s pre-cut, 0:30s cut by the BBFC Sex, violence, bondage and cannibalism cut. |
| 6:43s |
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48:00s | Episode 2: Hell's Wind Sex, violence, bondage and cannibalism cut. |
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| 25s |
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36:51s | Episode 3: Slumking Sex, violence, bondage and cannibalism cut. |
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| Virgin Among the Living Dead aka
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1:19s |
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75:32s | 1971 French/Italian film by Jess Franco. The rape sequence preceding the satanic ritual has been partially deleted. |
| Virgin Treasures | 30:30s | R18 | 73:18s | 1997 release Released when semi-hardcore R18 guidelines were in force. |
| 41:58s |
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61:50s | Special Edition 41:58s unofficial pre-cuts |
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Visiting Hours aka
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99:21s | 1982 Canadian film by Jean-Claude Lord Same cut version for cinema and video Cuts rescued this video from the video nasties list The uncut region 1 DVD is available at US Amazon from April 18th 2006 Review from imdb
I honestly didn't expect much from this, or at least not as
much as I ended up getting. Visiting Hours was actually kind of
scary. |
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| Voluptrors: 2 | 6s |
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69:21s | by John Graham (Double 'D' Productions) Cut in 2006 with the following BBFC comment: The cuts were Cuts for Category. Company chose to cut sexual detail (penis in contact with labia) |
| Voluptuous: 4 | 28s |
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59:37s | 1996 release by John Lee Graham (Double 'D' Productions) |
| Voluptuous Naturals | 1:07s |
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104:41s |
by John Graham (Double 'D' Productions) Cut in 2006 with the following BBFC comment: The cuts were Cuts for Category. Distributor chose to remove two shots of unsimulated dildo penetration and two shots of sustained and vigorous masturbation for the requested 18 classification |
| The Voyeur aka
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8:08s |
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90:27s | 1994 Italian erotic drama by Tinto Brass (Nouveaux Pictures) 8s were cut by the BBFC when submitted in 1998 but about 8 minutes were pre-cut The uncut region 1 Director's Cut is available at US Amazon for a 26th February 2008 release
The story of erotic films in the 1990s is largely a
very sad one. American main stream cinema seems to avoid the subject
altogether, B movies are obsessed with coupling sex with violence and death,
and the typical porno is as exciting as drying paint. But there are a few
exceptions, most notably the films of Tinto Brass, and this film here is a
prime example. |
| Vulcan: Boys Behaving Badly | 19s |
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54:36s | 1997 release by Dicky Fitzwell (Zipper Video) |
| Vulcan: Hazy Days of Summer | 5:43s |
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61:49s | 1997 release adult by Mike Esser; Steve Bulfield (Zipper Video) |
| BBFC News 2000 2001 2002 2003 2004 2005 2006 2007 2008 Latest |
| Police Censorship Dare Devils at the BBFC (Sep 2006) |
| BBFC lay down the law on blasphemers by Mark Kermode (Feb 2006) |
| Appeal against BBFC cuts to Last House on the Left (June 2002) |
| What Are They Scared Of? Mark Kermode on Last House on the Left (June 2002) |
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