From
Reuters
It broke box office records in parts of the Middle East, the heart of Islam,
and is now screening in Indonesia, the world's most populous Muslim country.
But to view Mel Gibson's The Passion of The Christ in Malaysia, viewers
must be Christian. No Muslims are allowed to see it.
It might spark off some religious disagreement in this country, Film
Censorship Board spokeswoman Kathy Kok said, explaining the board's decision
to bar a general release.
Gibson, Hollywood star-cum-producer and devout Catholic, did not even
bother to ask Malaysia, home to 25 million people, for approval to screen
his film in local cinemas. He and his distributors assumed the mainly Muslim
nation would ban it.
But after an appeal to the prime minister by local churches keen to see
the graphic movie about Christ's crucifixion, the censors have finally
cleared it -- but for Christian eyes only.
Just over half of Malaysia's population follows Islam, which forbids
flesh-and-blood portrayal of holy figures and says Jesus, a prophet in the
Muslim faith, was neither crucified nor the Son of God. Christians make up
about 9% of the population.
Details of how tickets will be sold have yet to be worked out but they
will not be available over the counter and the box-office hit will not be
advertised. Instead, churches are likely to become ticket outlets, taking
bookings for private screenings at commercial cinemas.
But the censor's decision to bar non-Christians from seeing the film has
drawn fire from at least one Muslim commentator, writing in the New Straits
Times, a newspaper that normally reflects government thinking.
Columnist Rose Ismail suggested Islamic clerics in Malaysia feared The
Passion of The Christ could lead some Muslim viewers to convert to
Christianity. To her, the viewing restrictions reflected a lack of
confidence. The ban implies that Malaysian Muslims' devotion to Islam is tenuous and
shallow; that we are easily seduced by religious beliefs, she wrote.
In neighbouring Indonesia, censors took a different approach, authorising
its general release but cutting some violent shots.
Even in parts of the Middle East, Gibson's tribute to the suffering of
Christ was aired -- largely thanks to a Jewish outcry over the film that
appeared to have encouraged Arab governments to break censorship rules.