The strongest comedic cast in history has united to become the strangest superhero team ever in Mystery Men. They're a ragtag team of superhero wannabes that includes Mr. Furious
(Ben Stiller), The Shoveler (William H. Macy), The Blue Raja (Hank Azaria), The Bowler (Janeane Garofalo), The Spleen (Paul Reubens), Invisible Boy (Kel Mitchell) and The Sphinx (Wes Studi). When Captain Amazing (Greg Kinnear) falls into the hands of
evil madman Casanova Frankenstein (Geoffrey Rush) and his disco-dancing henchmen, there's suddenly a chance for the aspiring superheroes to show what they can do in this hilariously funny and thoroughly original misadventure.
1963 USA war historical adventure by John Sturges, once cut by the BBFC, just released on US Blu-ray and DVD
24th May 2020
The Great Escape is a 1963 USA war historical adventure by John Sturges. Starring Steve McQueen, James Garner and Richard Attenborough.
Cut for a 'U' rated 1963 cinema release. Uncut an PG rated thereafter.
Uncut and MPAA Unrated in the US.
US: Uncut and MPAA Unrated for:
2020 The Criterion Collection RA Blu-ray at US Amazon released on 12th May 2020
2020 The Criterion Collection R1 DVD
at US Amazon released on 12th May 2020
One of the most exciting adventure tales ever told, this action epic recounts the planning, execution, and aftermath of a daring true-life escape from a German prisoner-of-war camp
during World War II, in which 250 men attempted to tunnel their way to freedom. In the role that cemented his superstar status, Steve McQueen plays the motorcycle-racing daredevil who sets out to foil the Nazis, alongside an all-star cast that also
includes Charles Bronson, James Coburn, James Garner, and Donald Pleasence. The expert direction of John Sturges, eminently hummable Elmer Bernstein score, and rip-roaring stunts come together in what may just be the most spectacularly entertaining
prison-break movie of all time, a rousing ode to the determination, camaraderie, and courage of everyday heroes.
TWO-DVD SPECIAL EDITION FEATURES
- New, restored 4K digital transfer - Alternate 5.1 surround soundtrack - Two audio commentaries,
one from 1991, featuring director John Sturges and composer Elmer Bernstein; the other, from 2004, featuring actors James Coburn, James Garner, and Donald Pleasence - New interview with critic Michael Sragow - "The Great Escape": Heroes
Underground, a four-part 2001 documentary about the real-life escape from the Stalag Luft III prisoner-of-war camp during World War II, including interviews with POWs held there - The Real Virgil Hilts: A Man Called Jones, a 2001 program on the United
States Army Air Forces pilot David Jones, the inspiration for Steve McQueen's character in the film - Return to "The Great Escape," a 1993 program featuring interviews with Coburn, Garner, actors David McCallum and Jud Taylor, stuntman Bud
Ekins, and McQueen's son, Chad McQueen - Trailer - PLUS: An essay by critic Sheila O'Malley
Frozen in ice, can the creature be brought back to live again? Horror great Peter Cushing stars in this fantastic tale as the monster's creator, Baron von Frankenstein, determined to
bring the creature back to life. Long thought destroyed, Dr. Frankenstein's creation is discovered frozen alive and resurrected back in his laboratory. Unfortunately, the creature's mind is dormant and, much to the Baron's horror, he finds that only a
hypnotist can order the creature to do his unfathomable bidding now.
Special Features and Technical Specs:
BRAND NEW 4K RESTORATION OF THE FILM from an interpositive
NEW Audio Commentary with filmmaker/film historian Constantine Nasr
NEW The Men Who Made Hammer: Freddie Francis
NEW an interview with assistant director William P. Cartlidge
NEW an interview with actress Katy Wild
TV version of THE EVIL
OF FRANKENSTEIN (from the best available 16mm print)
The Making of THE EVIL OF FRANKENSTEIN -- Narrated by Edward de Souza and featuring interviews with Wayne Kinsey, Caron Gardner, Hugh Harlow, Pauline Harlow, Peter
Cushing and Don Mingay
From Sergio Corbucci , the legendary director of Django, Navajo Joe, The Great Silence, Companeros and The Mercenary comes The Specialists (Gli Specialisti,
aka Drop Them or I ll Shoot) , a thrilling spaghetti western starring French music and film great Johnny Hallyday ( The Man on the Train, Détective, Vengeance ).
Notorious gunfighter Hud Dixon (Hallyday) arrives in
Blackstone, a town where his brother was wrongfully accused of robbing a bank and lynched for it. As Hud seeks revenge, he starts to discover the truth behind the stolen loot, and has to contend with an idealistic sheriff, a beautiful and seductive
female banker, a corrupt businessman and a one-armed Mexican bandit, who was once his friend.
Also starring Gastone Moschin ( The Conformist, Caliber 9 ), Françoise Fabian ( Belle de Jour, My Night at Maud s ), and
gorgeously filmed by Dario Di Palma ( The Seduction of Mimi, The Oldest Profession ), Eureka Classics is proud to present Gli Specialisti on Blu-ray from a new 4K restoration.
BLU-RAY EDITION SPECIAL FEATURES
LIMITED EDITION O-CARD SLIPCASE [First Print Run of 2000 units]
1080p presentation on Blu-ray from an incredible 4K restoration
Restored Italian and French audio options
Rarely heard English dub track
Optional English subtitles
Feature-length audio commentary by filmmaker Alex Cox
A brand new and exclusive interview with Austin Fisher, author of Radical Frontiers in the Spaghetti Western: Politics, Violence and Popular Italian Cinema
PLUS: A LIMITED EDITION collector s booklet [First Print Run of 2000 units] featuring new writing by western authority Howard Hughes on both the film, and the "French-western" sub-genre
1980 Italy horror thriller by Lamberto Bava with a bit part in the video nastes panic, just released on UK Blu-ray
22nd May 2020
Macabre is a 1980 Italy horror thriller by Lamberto Bava. Starring Bernice Stegers, Stanko Molnar and Veronica Zinny.
Never censored but played a small part in British censorship history when
the VHS was held up at the 1983 Conservative Party conference during the video nasties panic as an example of everything rotten in the video industry and proof that censorship was urgently needed.
UK: Passed 18 uncut for strong
horror, sexualised nudity and necrophilia theme:
Synopsis Don't open the fridge! Lamberto Bava was taught his trade by his father, horror legend Mario Bava. Macabre, his first film as director, showed how well he'd learnt his lessons.
Still recovering from a pair of tragic and traumatic bereavements, Jane Baker (Bernice Steggers; Xtro, Sky Pilots) moves into a new apartment in New Orleans. The owner's son, Robert, is blind -- but that doesn't stop him hearing what Jane gets up to. It
sounds like she's resumed her passionate affair with her lover, Fred. Except that Fred died a year ago... Not quite a giallo, not quite a ghost story and with a final twist that will make you re-think everything you've already seen, Macabre showed that
Bava Jr. -- who'd go on to make the horror classic Demons -- was a chip off the old block.
Special Features and Technical Specs:
NEW 2K RESTORATION FROM THE ORIGINAL CAMERA NEGATIVE
NEW Don't Lose Your Head - Interview with Director Lamberto Bava
Audio Commentary by
Giallo Experts, Troy Howarth and Nathaniel Thompson
Alternate Italian Opening and End Credit Titles
featuring Original Poster and VHS artwork
Limited Edition "Soft Touch" Slipcase
Limited Edition Booklet Essay by Rachael Nisbet
DTS-HD MA Dual Mono English Audio
DTS-HD MA Dual-Mono Italian Audio with newly translated English Subtitles
"A delightfully outlandish comic strip directed by the master of the Italian B movie." -- Tom Milne, Time Out The suave, psychedelic-era thief called Diabolik (John Phillip
Law) can't get enough of life's good -- or glittery -- things. Not when there are currency shipments to steal from under the noses of snooty government officials and priceless jewels to lift from the boudoirs of the super-rich. The elusive scoundrel
finds plenty of ways to live up to his name in this tongue-in-cheek, live-action caper inspired by Europe's popular Diabolik comics. He clambers up walls, zaps a press conference with Exhilaration Gas, smacks a confession out of a crime lord while
freefalling with him from an airplane, and pulls off the heist of a twenty-ton gold ingot. Impossible? No, diabolical -- Danger: Diabolik, to be exact!
Special Features and Technical Specs:
NEW Audio Commentary with critics Troy Howarth and Nathaniel Thompson
Audio Commentary With Actor John Phillip Law And Tim Lucas, Biographer Of Director Mario Bava
Danger: Diabolik -- From Fumetti To Film
The Beastie Boys Music Video Body Movin' With Optional Commentary By Adam Yauch
Hate Crime is a 2013 USA action horror thriller by James Cullen Bressack. Starring Jody Barton, Nicholas Clark and Greg Depetro.
A Jewish family, that just arrived in a new neighborhood, are recording their youngest son's birthday celebrations on video when their home is suddenly invaded by a bunch of crystal-meth-crazed Neo-Nazi lunatics.
Hate Crime received the rare accolade of a BBFC ban for the film's DVD release in 2015. Now in 2020 the film is set for re-release (presumably only in the US).
The first two films from director James Cullen Bressack are getting
the re-release treatment later this year on VOD and DVD: My Pure Joy and Hate Crime.
From David Miller, the outstanding director of Flying Tigers, Sudden Fear, Midnight Lace, Captain Newman, M.D. and Executive Action, comes this contemporary western based on a novel by
Edward Abbey (Fire on the Mountain) and adapted for the screen by the great Dalton Trumbo (Papillon). Hollywood legend Kirk Douglas (The Vikings) ignites the screen in his personal favorite role as a cowboy on a collision course with the modern world in
Lonely Are the Brave. After landing himself in jail trying to break out his friend, Jack Burns (Douglas) finds himself alone and on the run from the law. Leading the manhunt is Sheriff Morey Johnson (Walter Matthau, Charley Varrick), who must bring Burns
to justice despite his own sympathy for the fugitive. Co-starring Gena Rowlands (Gloria), George Kennedy (Thunderbolt and Lightfoot) and Carroll O'Connor (Point Blank) and featuring top-notch cinematography by Philip H. Lathrop (Experiment in Terror)
with a rousing score by Jerry Goldsmith (100 Rifles), Lonely Are the Brave is an unforgettable portrait of a lawless man defying life in an orderly world.
Special Features: -NEW Audio Commentary by Film Historians Howard S. Berger and Steve
Mitchell -A Tribute: Kirk Douglas, Gena Rawlands, Steven Spielberg and Michael Douglas Discuss the Film's Legacy -The Music of LONELY ARE THE BRAVE: A Look Back at the Film's Memorable Score by Jerry Goldsmith -Optional English Subtitles -Dual-Layered BD50 Disc
The Age Appropriate Design Code has been written by the Information Commissioner's Office (ICO) to inform websites what they must do to keep ICO internet censors at bay with regards to the government's interpretations of GDPR provisions. Perhaps in the
same way that the Crown Prosecution Service provides prosecution guidance as to how it interprets criminal law.
The Age Appropriate Design Code dictates how websites, and in particular social media, make sure that they are not exploiting children's
personal data. Perhaps the most immediate effect is that social media will have to allow a level of usages that simply does not require children to hand over personal data. Requiring more extensive personal data, say in the way that Facebook does,
requires users to provide 'age assurance' that they are old enough to take such decisions wisely.
However adult users may not be so willing to age verify, and may in fact also appreciate an option to use such websites without handing over data
into the exploitative hands of social media companies.
So one suspects that US internet social media giants may not see Age Appropriate Design and the government's Online Harms model for internet censorship as commercially very desirable for their
best interests. And one suspects that maybe US internet industry pushback may be something that is exerting pressure on UK negotiators seeking a free trade agreement with the US.
Pure conjecture of course, but the government does seem very cagey
about its timetable for both the Age Appropriate Design Code and the Online Harms bill. Here is the latest parliamentary debate in the House of Lords very much on the subject of the government's timetable.
House of Lords
Hansard: Age-appropriate Design Code, 18 May 2020
Lord Stevenson of Balmacara:
To ask Her Majesty's Government when they intend to lay the regulation giving effect to the age- appropriate
design code required under section 123 of the Data Protection Act 2018 before Parliament.
The Parliamentary Under-Secretary of State, Department for Digital, Culture, Media and Sport (Baroness Barran) (Con)
The age-appropriate design code will play an important role in protecting children's personal data online. The Government notified the final draft of the age-appropriate design code to the European Commission as part of
our obligations under the technical standards and regulations directive. The standstill period required under the directive has concluded. The Data Protection Act requires that the code is laid in Parliament as soon as is practicably possible.
Lord Stevenson of Balmacara:
I am delighted to hear that, my Lords, although no date has been given. The Government have a bit of ground to make up here, so perhaps it will not be
delayed too long. Does the Minister agree that the Covid-19 pandemic is a perfect storm for children and for young people's digital experience? More children are online for more time and are more reliant on digital technology. In light of that, more
action needs to be taken. Can she give us some information about when the Government will publish their final response to the consultation on the online harms White Paper, for example, and a date for when we are likely to see the draft Bill for
I spent some time this morning with a group of young people, in part discussing their experience online. The noble Lord is right that the
pandemic presents significant challenges, and they were clear that they wanted a safe space online as well as physical safe spaces. The Government share that aspiration. We expect to publish our response to the online harms consultation this autumn and
to introduce the legislation this Session.
Lord Clement-Jones (LD)
My Lords, I was very disappointed to see in the final version of the code that the section dealing with
age-appropriate application has been watered down to leave out reference to age-verification mechanisms. Is this because the age-verification provisions of the Digital Economy Act have been kicked into the long grass at the behest of the pornography
industry so that we will not have officially sanctioned age-verification tools available any time soon?
There is no intention to water down the code. Its content is
the responsibility of the Information Commissioner, who has engaged widely to develop the code, with a call for evidence and a full public consultation.
Lord Moynihan (Con)
Lords, is my noble friend the Minister able to tell the House the results of the consultation process with the industry on possible ways to implement age verification online?
We believe that our online harms proposals will deliver a much higher level of protection for children, as is absolutely appropriate. We expect companies to use a proportionate range of tools, including age-assurance and
age-verification technologies, to prevent children accessing inappropriate behaviour, whether that be via a website or social media.
The Earl of Erroll (CB)
May I too push the
Government to use the design code to cover the content of publicly accessible parts of pornographic websites, since the Government are not implementing Part 3 of the Digital Economy Act to protect children? Any online harms Act will be a long time in
becoming effective, and such sites are highly attractive to young teenagers.
We agree absolutely about the importance of protecting young children online and that is
why we are aiming to have the most ambitious online harms legislation in the world. My right honourable friend the Secretary of State and the Minister for Digital and Culture meet representatives of the industry regularly to urge them to improve their
actions in this area.
Lord Holmes of Richmond (Con)
My Lords, does my noble friend agree that the code represents a negotiation vis-Ã -vis the tech companies and thus there is
no reason for any delay in laying it before Parliament? Does she further agree that it should be laid before Parliament before 10 June to enable it to pass before the summer break? This would enable the Government to deliver on the claim that the UK is
the safest place on the planet to be online. Share The edit just sent has not been saved. The following error was returned: This content has already been edited and is awaiting review.
The negotiation is not just with the tech companies. We have ambitions to be not only a commercially attractive place for tech companies but a very safe place to be online, while ensuring that freedom of speech is upheld. The timing
of the laying of the code is dependent on discussions with the House authorities. As my noble friend is aware, there is a backlog of work which needs to be processed because of the impact of Covid-19.
Ofcom has today imposed a sanction on the licensee Loveworld Limited, which broadcasts the religious television channel Loveworld, after a news programme and a live sermon included potentially harmful claims about causes of, and treatments for, Covid-19.
Our investigation found that a report on Loveworld News included unsubstantiated claims that 5G was the cause of the pandemic, and that this was the subject of a global cover-up. Another report during the programme presented
hydroxychloroquine as a cure for Covid-19, without acknowledging that its effectiveness and safety as a treatment was clinically unproven, or making clear that it has potentially serious side effects.
A sermon broadcast on Your
Loveworld also included unsubstantiated claims linking the pandemic to 5G technology; as well as claims which cast serious doubt on the necessity for lockdown measures and the motives behind official health advice on Covid-19, including in relation to
vaccination. These views were presented as facts without evidence or challenge.
Ofcom stresses that there is no prohibition on broadcasting controversial views which diverge from, or challenge, official authorities on public
health information. However, given the unsubstantiated claims in both these programmes were not sufficiently put into context, they risked undermining viewers' trust in official health advice, with potentially serious consequences for public health.
Given these serious failings, we concluded that Loveworld Limited did not adequately protect viewers from the potentially harmful content in the news programme and the sermon, and the news reports were not duly accurate. We have
directed Loveworld Limited to broadcast statements of our findings and are now considering whether to impose any further sanction.