New Zealand introduces new certificate specifically for the Netflix drama 13 Reasons Why
|29th April 2017 |
13 Reasons Why is a USA Netflix mystery drama
Starring Dylan Minnette, Katherine Langford and Christian Navarro.
Thirteen Reasons Why, based on the best-selling
books by Jay Asher, follows teenager Clay Jensen (Dylan Minnette) as he returns home from school to find a mysterious box with his name on it lying on his porch. Inside he discovers a group of cassette tapes recorded by Hannah Baker (Katherine Langford)
-his classmate and crush-who tragically committed suicide two weeks earlier. On tape, Hannah unfolds an emotional audio diary, detailing the thirteen reasons why she decided to end her life. Through Hannah and Clay's dual narratives, Thirteen Reasons Why
weaves an intricate and heartrending story of confusion and desperation that will deeply affect viewers.
In the US the show is rated as TV-MA, an advisory 14 rating.
In the UK the series was rated 18 for sexual violence, strong
bloody images, suicide scene.
The New Zealand film censors of the OFLC have now introduced an RP18 certificate just for this show. RP18 means that the content is restricted to adults or to under 18's accompanied by their parents or guardians. It
is not clear how this relates to home viewing. The New censor already has RP13 and RP16 rage ratings with the same accompaniment exclusions.
The OFLC explains their new certificate in a press release:
Zealand Classification Office has created a new RP18 rating specifically for the popular Netflix series 13 Reasons Why. The classification recognises that teens are watching and will continue to watch the series, while signalling the strong
content and emphasising the essential role of parents and caregivers in discussing this material with young people in their care.
The show 13 Reasons Why has caused controversy worldwide mainly for its treatment of teen suicide.
The show -- aimed at a teen and young adult audience -- also includes bullying and intense violence, and strong scenes of sexual violence. Due to concerns about the show, the Chief Censor made use of his power to 'call in' and require classification of
Some aspects of the show have received praise from groups such as the Sexual Abuse Prevention Network, who have highlighted some positive messaging around consent and sexual violence in the show. The Mental Health
Foundation New Zealand also identifies the series as an opportunity to raise awareness around youth suicide and mental health.
The Classification Office also discussed the series with teens aged 14-18. Deputy Chief Censor Jared
Mullen says that:
All the teens we spoke to felt the show addressed issues that were relevant to them, and that the series overall had positive messages relating to social awareness: treating others with respect and
compassion, and raising awareness about suicide, sexual violence, bullying, and other issues.
Nevertheless, there are real risks created by the portrayal of suicide in 13 Reasons Why . The suicide method is clearly
shown -- contravening established health guidelines and creating the potential for copycat behaviour. The real links between mental health and suicide are not discussed at all in the series. The choice of the lead character to kill herself is also
portrayed quite fatalistically. In real life, most of those with suicidal thoughts recover, and do not go on to end their lives.
Deputy Chief Censor Jared Mullen:
These issues need to be talked
about in a way that is informed and safe -- parents, guardians and other adults need to have open conversations with teens about the issues raised by the show. Parents should use their judgement about whether their teen is ready to watch this show and
then watch it with them. The series raises a lot of issues but often fails to fully address them, and it's really important that trusted adults can step in at that point.
13 Reasons Why is classified RP18 with the
following warning note: "Series deals with suicide, bullying and depression. Episodes may contain violence, sexual material, drug use, and frequent offensive language. Some episodes contain graphic depictions of suicide and rape".
The RP18 classification recognises that 16 and 17 year olds continue to be at high risk of suicidal thoughts, but also recognises that teens should continue to have access to the show with the support of the adults in their lives.
|21st May 2016
National Portrait: Dr Andrew Jack, Chief Censor
See article from stuff.co.nz
|26th September |
A whole library of 1319 banned books
See article from
A total of 1319 books are banned in New Zealand and a further 728 are age restricted in some way. About one third of these have been listed since 1987.
Many are of a sexual nature, deal with violence, horror and crime and might have only
been fully read by one book censor in New Zealand who decided they shouldn't be available to the rest of us.
Some of the titles belonging to 'objectionable' or restricted books included Confessions of a Pimp , Horny Housewife , Inside Linda Lovelace
and A Lesbian Happening.
It was up to the Office of Film and Literature Classification and the Censorship Compliance Unit to assess books, films, DVDs and even T-shirts and determine whether they should be banned or restricted.
It has to include sex, horror, crime, cruelty or violence in some way for us to ban or restrict it, the office's advisor Michelle Baker said. Items that include offensive language and self harm, risk taking and suicide issues can't be
banned, but could be restricted.
Baker said the office hardly reviewed its decisions, unless someone requested it to do so. Books published about homosexuality before it was made legal in 1986 could have been banned at that time and remain so,
unless someone had requested they were reviewed.
Books are usually brought to the office's attention by police, customs or the public. The author, publisher, complainant and interested parties are given 14 days to make a submission, while one of
the office's 15 censors started reading the book.
Book Censorship Penalties
- A person found possessing an 'objectionable' book can be sentenced to up to five years in prison, or fined up to $50,000.
- A person who exhibited or displayed a banned book can be sentenced to up to 10 years in jail.
- Someone who made
a restricted book available to people under the age of restriction can be fined $10,000 or sentenced to three months' jail, and an organisation could be fined up to $200,000.
|22nd December |
Customs and police legal adviser becomes New Zealand's Chief Censor
See article from
Andrew Jack is New Zealand's new Chief Censor. His appointment follows the resignation in July of Bill Hastings.
Previously Dr Jack was Customs' legal and advisory services group manager. He is also New Zealand Police's chief legal adviser.
Dr Jack has a strong legal background and experience in dealing with law enforcement, Internal Affairs Minister Nathan Guy said in announcing the appointment: The role of Chief Censor is a difficult and demanding role with responsibility for
classifying publications that may need to be restricted or banned. It involves balancing the freedom of expression with potential harm caused to the community.
He will start a three-year term on 7th March 2011.
|20th December |
New Zealand's acting chief censor talks about games
See article from 3news.co.nz
|31st March |
The New Zealand film censor
Based on article from
The New Zealand's film and publication censorship is implemented by the Office of Film and Literature Classification (OFLC), currently headed by Bill Hastings.
Its legal remit is via the Film, Video and Publications
Classification Act 1993. This evolved from the Video Recordings Act 1987, which was passed as an urgent response to the video format that emerged in the early to mid-1980s, but was outside the reach of the existing film censorship law, the Films Act
OFLC Classification Labels:
Film and DVD labels are colour- coded, much the same as traffic lights:
- Green means anyone can view a film.
- Yellow means that anyone can view the film, but the film may contain material, such as violence or sexual themes, which may offend or upset some people. Parental guidance is advised before children view
- Red means that the film is legally restricted and can only be viewed by the audience specified. There are no exceptions to this restriction.
All labels have a rating or classification symbol and usually a note briefly explaining the nature of the film that may be of concern to viewers - for example, whether the film contains violence or sex.
- G - Unrestricted: Anyone can be shown or sold this.
- PG - Unrestricted: Parental guidance may be needed for younger viewers.
- M - Unrestricted: More suitable for viewers over 16 years.
- R13 - Restricted: It is illegal for
anyone to show or sell this to someone under 13 years of age.
- R15 - Restricted: It is illegal for anyone to show or sell this to someone under 15 years of age
- R16 - Restricted: It is illegal for anyone to show or sell this to someone
under 16 years of age.
- R18 - Restricted: It is illegal to show or sell this to someone under 18 years of age
- R - Restricted: There is a special restriction. Refer to the words on the right of the label for the full conditions.
- RP16 - Restricted: It is illegal to show or sell this to someone under under 16 years of age unless they are accompanied by a parent or guardian.
- RP13 - Restricted: It is illegal to show or sell this to someone under under 13 years of age unless they are accompanied by a parent or guardian.
A guardian is considered to be a responsible adult (18 years and over), for example, a family member or teacher who can provide guidance.
The Labelling Body is a private organisation representative of producers, distributors and exhibitors that
exercises statutory functions independently of the Classification Office.
Before issuing a label, the Labelling Body will cross-rate, rate, or refer the DVD to the Classification Office. The Labelling Body will cross-rate any DVD rated G, PG or M
in Australia, or U, PG or 12A in the United Kingdom.
The Labelling Body will rate any DVD title not previously rated in Australia or the United Kingdom. Once a DVD title has been rated or classified, a person may supply an unlimited number of
identical copies to the public provided each is labelled.
The Labelling Body will refer a DVD to the Classification Office if it has been classified MA15+ or higher in Australia, or 15 or higher in the United Kingdom, or if the Labelling Body is
of the view that the DVD has content that would be restricted under New Zealand law.
The Film, Video and Publications Classification Act 1993 requires any person who wishes to sell, hire, exchange or
loan, in the course of any business, any film, video or DVD, to obtain a label for that film, video or DVD from the Film and Video Labelling Body.
Failure to do so is an offence which carries a maximum fine of $3000 for an individual or $10,000
for a company.
- $30.38: The fee for any DVD rated G, PG or M in NZ, G, PG or M in Australia, and U, PG, 12 or 12A in the UK.
- $236.25: The fee for any DVD over two hours to be rated G, PG, or M.
- $275: The fee for any DVD to be classified by
the OFLC waived by 75 per cent.
- $1100: The fee for any DVD to be classified by the OFLC.
An application for the discretionary waiver requires evidence that the DVD is old, has artistic or cultural value or importance, is relatively unavailable and that the supply of the DVD is unlikely to produce commercial gain.
|1st October |
Bill Hastings seeks re-appointment
From New Zealand Herald
by Chris Barton
Bill Hastings, the New Zealand censor is about to go before a panel to be interviewed for his own job. Hastings is seeking a third, three-year term in the top job at the Office of Film and Literature Classification which he was appointed to in 1999. It's
a role that walks a fine line between what's injurious to the public good and freedom of expression. Controversy is never far away - the latest is Hastings' involvement in the R15 classification of the Aramoana mass murder film Out of the Blue .
Why does he want to continue? There are still a few things left to do. That includes seeing through the completion of the New Zealand Censorship Decisions Database going back to 1916. Almost a century of decisions - bans, cuts and the
reasons given - that need to be preserved. He's keen also to prepare the office for new media technologies, already coming fast and furious. Plenty to keep him busy in a job he obviously loves.
The main enjoyment I get is feeling that I've
done something. Whenever you ban some piece of child pornography or depiction of sexual violence, it's not going to change the world necessarily, but you've done a little bit to make it better.
He didn't always feel that way. Hastings' first
foray into hands-on censoring - part-time in 1989 at the Video Recordings Authority - was a disaster. I quit after three weeks. It was horrible. I had heard of 'B grade' videos, but not C, D, and E grade videos.
But he showed an aptitude
for the task. As a practising barrister and lecturer in international law at Victoria University, Hastings was horrified there was no overt or systematic reference to legal principles. So he wrote up a sheet - a checklist of classification criteria that
applied the law at the time. The same principles are applied today - except that the consideration sheet is now 36 pages.
Hastings also sat on the Indecent Publications Tribunal, joining in 1990. We met every six weeks and there were bags and
bags of crap novels and crap magazines to read before the hearing. Here he came into contact with the late Patricia Bartlett, the Catholic pro-censorship campaigner and founder of the Society for Promotion of Community Standards.
I had a lot of time for Patricia Bartlett. We [Hastings and other tribunal members] took tea with her. She had odd ideas, but they were always consistently odd.
In 1991 the tribunal presided over the landmark Penthouse case which ushered in a
sea change in New Zealand censorship - allowing images of consensual, non-violent adult sexual activity and banning demeaning depictions. The single models that weren't having sex, but were just looking out with their drug-addicted dead eyes into the
void - we began to ban those. Depictions of sex began to become more natural - as natural as these things can be in a Penthouse magazine.
Bartlett was not impressed. She complained about the foreign influence in New Zealand censorship, a
clear reference to the Canadian-born Hastings, who came to New Zealand in 1984 after finishing a Masters of Law at the London School of Economics.
While Hastings wants another chief censor's term, a small, but vocal group wants him gone. The
Society for Promotion of Community Standards says he and his deputy Nicola McCully have become desensitised to the injurious nature of hardcore porn and graphic violence. The attack is part of the society's ongoing campaign against Hastings, particularly
citing Hastings gay lifestyle.
Hastings points out that as chief censor, he's more involved in management and doesn't do a lot of censoring. That falls to the six men and 10 women in the office's classification unit.
The restriction on
having a censor serve no more than two terms was removed in 1999 in favour of giving censors job security and keeping institutional memory.
If anything, Hastings says censors become a bit trigger happy. We're always having to find that balance
between getting so fed up some days, you just want to ban everything, with the freedom of expression which is contained in the Bill of Rights.
All censors also get access to a psychologist and there are weekly debriefing sessions with
colleagues. The key to coping with toxic imagery is to acknowledge it's there. There are images in my head which I'll never be able to get rid of which the rest of New Zealand doesn't have to see because they've been banned. My technique is to see
them sealed in little watertight compartments that don't leak and leach into my mind to affect everything else that I do.
It also helps to put what's being viewed in perspective - something that came home during the classification of Out
of the Blue . He says the film wasn't as traumatic as some he's seen, but it was nonetheless moving and had impact. We talked to people who were families of victims as well as people who had survived being shot. I was talking to some, for example,
who had their 6-year-old son murdered - this job is nothing compared to that.
Do the personal attacks by the society affect him? Hastings says he has to develop a thicker skin. He remembers the hurt of his mother after she read some vitriolic
letters to the editor about him - "Billy, why do they hate you so much?" Then there was the dread about his kids seeing a newspaper billboard - "Morals campaigners out to get gay chief censor."
Hastings does get incensed by
what the society says - not by the personal references, but by the half truths and warped logic. That, for example, what he is doing is part of the homosexual agenda "to have sexually explicit and degrading films available as widely as
possible". Or that there is "a very strong link between paedophilia and homosexual lifestyle".
Many of the society's attacks go back to the banning of two Living Word videos by the Review Board in the late 90s. The fundamentalist
Christian videos promoted a thesis about gay men being paedophiles who became parents and teachers so they could have sex with children to avoid getting Aids. The ban was eventually overturned by the Appeal Court, which led to some definition changes in
the censorship law and an inquiry into hate-speech legislation.
Hastings says such videos wouldn't be banned today - mainly because they represent such a dated view.
Looking to the future where the internet bypasses censorship controls,
Hastings sees the office's role as arming people with the information they need to be their own classification office. I don't know if this will ever happen, but you can see a rosy sunny day when we don't need this office any more because everyone
will know about, or not demand, the stuff that harms them."