The
Indian Supreme Court has extended its stay on the orders passed by
Uttar Pradesh, Haryana and Uttarakhand banning the screening of
Jodhaa Akbar.
The stay extension came on a petition filed by the producer, UTV
Software Communication who alleged that the film was banned by
Madhya Pradesh, Uttar Pradesh, Haryana and Uttarakhand governments
after a section of the people objected to the alleged wrong
depiction of some historical characters in the film. The ban in
Madhya Pradesh was lifted by the High Court.
The petitioner said, the fundamental right to speech and
expression is being trampled upon by various State governments with
the sole objective of gaining political mileage by banning the film.
All approvals were obtained from the authorities, including the
Censor Board, before releasing the film.
Offsite:
Against Street Censorship
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full article
from the Hindu
by Rishi Vohra
The
recent violence in some States over Jodhaa Akbar raises the
question: Should public intolerance be allowed to hijack a medium
that is exclusively the director’s space?
In his latest offering Jodhaa Akbar, director Ashutosh
Gowarikar made a savvy decision in focusing on the religious
tensions between Akbar’s court, full of traditional Islamists, and
the Hindu Rajput c ulture of Jodhaa. Without taking sides, the
maverick filmmaker wisely portrays Akbar as a secular force who
wants to see “Hindustan’s” great religions coexist side by side.
However, despite Gowarikar’s effective efforts in maintaining that
balance, there was seen a streak of intolerance towards what some
claim to be an inaccurate, rehashed version of historical facts.
Even before its release, the film invited the ire of certain groups
and was subsequently banned in several States. Noted historians have
claimed that the basis of the movie, the relationship between Jodhaa
and Akbar, is completely faulty and incorrect. The Rajput groups of
India are arguing that the name Jodhaa was the name of Jehangir’s
wife.
Considering that Indian films are X-rayed by the stringent Indian
Censor Board, is it appropriate for films to be subjected to further
censorship demands and bans based on public intolerance? After all,
should not the Censors be the ultimate authority in deciding what
content is suitable for public viewing?
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