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Sex Sells: Stringfellow's

So what goes on at Stringfellow's table dancing club

Based on an article from The Guardian

Lynn Barber
March, 2002

 

I didn't realise when I visited Stringfellow's club last month that I was watching the last days of an ancien régime. The girls still wore G-strings - how quaint! By the time you read this they will be totally nude - except when they do their pole-dancing for which, mercifully, G-strings will be resumed. Peter Stringfellow finally got his nude table-dancing licence on 7 February - the first ever granted by Westminster Council. He boasts that he was the first person to introduce topless table-dancing to central London in 1996, and now he is the first to bring nudity. Well done Peter! Après him, of course, le déluge.

There is a sort of strip-club war going on at the moment with Peter Stringfellow - who now counts as the Grand Old Man of Stripping and is practically a national institution - being challenged by the younger and possibly sharper John Gray, American head of the Spearmint Rhino chain. Gray already has six clubs in Britain, 31 in the States and a new one in Moscow, whereas Stringfellow has just the one, in St Martin's Lane, London. His attempt to conquer America in the late 80s, when he opened clubs in New York, Miami and Los Angeles, ended in bankruptcy in 1992, and he slunk back to London with his tail between his legs. Luckily he was able to buy back the lease of the original Stringfellows from the receivers, and has spent the past seven years making it a success.

But, of course, success always brings imitators and now there are these Rhinos charging in. They are much less strict than Stringfellows - the girls dance for customers in private booths where presumably the old no-touching rules go by the board. Stringfellow turns into Lady Bracknell at the mention of the name: I don't talk about Spearmint Rhino - I have no respect for their management. They are Wild West cowboys, they brought the backstreets of LA to London - the fact that they've got a club in Moscow says it all. I'm very keen to keep up our high standards of good taste and respectability. You saw for yourself - you had fun, didn't you?'

Strip clubs are booming again and Stringfellow invites me to his club for dinner. What shall I wear? What does one wear to a lapdancing club? I opt for the most flesh-concealing garment I own. Stringfellow, of course, is dressed in a leopardskin jacket to match the leopardskin upholstery on his 'throne' at the VIP table. Sartorially, he reminds me of my old boss Bob Guccione of Penthouse and his role model, Hugh Hefner - they all have the same taste for jungle prints, copious jewellery and improbable hair. Stringfellow's famous mullet - which he calls a lion's mane - is now silver rather than tawny, but the face-lift he had three years ago is bearing up well. He swears by La Prairie moisturiser. He thinks he doesn't look 61 and he is probably right - on the other hand, you would have to be 61 to want to look like this.

My eyes are on stalks looking at all the lapdancers. There seem to be about a million of them, but that's because of all the mirrors and also a huge television screen showing the scene downstairs, so there is naked flesh everywhere you look. Some of the girls are swinging round poles, others are dancing up close to customers, others are trawling the room. Pace Stringfellow, I wouldn't quite describe them as the most beautiful girls in the world, but there are certainly some beauties among them, and a fascinating variety of hair/skin/body types. I expected them all to be big busty blondes with implants, but according to Stringfellow less than 20 per cent of the girls have implants. Blondes probably predominate, but there are also plenty of black, Eurasian, Oriental, Latin girls, and quite a few with elegant, slender figures and no boobs at all. There is a weird little Spanish girl in white ankle socks who looks like a child with two footballs stuck down her dress. Then there is terrifying Leyla, a 6ft American Amazon built like a rugby prop who attacks her pole as if she plans to pull the whole building down. (Later, when I meet her, I ask her what sort of men she appeals to and she says, 'Older men. I mean old.')

It is very hard to concentrate on eating when there is so much tumultuous flesh going on, but actually the food is not bad. Stringfellow says he can't understand it when he goes to The Ivy and sees a party of men eating together, he thinks they'd be so much happier in his club. But perhaps they don't want naked boobs with their meal, I try to explain, but he thinks I'm only saying that because I'm a woman - he thinks all men want naked boobs with their meal. This is where his world-view significantly differs from mine, but we'll get on to that later.

Every few minutes, girls come up to kiss Stringfellow and then he passes them on to me. Some of them are too shy or foreign to chat, but many of them are extremely articulate. Clare, for instance, tells me she plans to train as a psychotherapist when her dancing career is over, but meanwhile working here is good practice for learning to listen sympathetically. That's what she mainly does, she says - most of her regulars want her to chat rather than dance - and on a good night she can make £1,000.

I find the money absolutely fascinating and, rather to Stringfellow's annoyance, keep asking the girls about it - what's the best they've made in a night? One says £1,200; several mention figures in the high hundreds. The deal is they charge £10 for a dance, which is put in their garter, but they also charge up to £200 an hour for sitting and talking to a man. But how do they broach that? If a man asks them for a dance and then starts chatting, how do they break it to him that this friendly conversation is going to cost him £100 or £200? Apparently, most of the customers know the form, but if they don't, the girl will chat to a man for a while for free and then say, 'I must go and dance to earn some money' and then he has the brilliant idea of paying her not to go away.

In theory, customers can come into Stringfellows, pay the £10 entry fee (before 10pm; £20 thereafter), have a drink, watch the girls, and be in and out for £50. But in practice, they soon decide they want to ask a girl to dance, and then they decide they want to chat, and in no time at all they're handing in their credit card and collecting Stringfellows' Heavenly Money, at which point they are hooked. At the other extreme are the money-no-object merchants who will keep half a dozen girls at their table, give them £1,000 each and fill them with Dom Pérignon. There was one the other evening who spent £12,000. The girls always tell Stringfellow when there's a 'man of stature' in the club, and Stringfellow goes over and says hello, and sends him some complimentary champagne, and invites him up for dinner in the VIP area. But usually the man doesn't bother moving because he's fully draped with girls. 'He enjoys the attention and the girls think he's wonderful,' says Stringfellow and looks hurt when I splutter, 'Well, they would wouldn't they?' No, he says, 'these are nice guys and the girls are genuinely interested to meet them.' But they can't go home with a customer, however much he spends - Stringfellow would lose his licence if they did.

The girls are self-employed and keep their own earnings. How then does Stringfellow make a profit? I was still puzzling my pretty little head over this when Stringfellow spelt it out for me - the girls pay to work here. They pay £65 a night plus £15 hair and make-up fee, and there are always at least 80 but sometimes more than 100 girls in the club. In addition, he keeps the customers' entry fees, plus - and this must be the real icing on the cake - 15 per cent commission on the aptly named Heavenly Money.

Our conversation is interrupted by the dazzling Deborah, a tall willowy beauty in a long spiderweb dress, who looks like a blonde Louise Brooks. Unfortunately, she seems to be mad. When I ask what she is interested in, she gives me a loopy smile and says, 'Schizophrenia.' She says the film producer Jerry Bruckheimer was in the other evening and she told him he ought to make a film about schizophrenia. How did that go down? 'He seemed a bit surprised.' I can imagine. Why is she so keen on schizophrenia? Another of her weird smiles. 'Most people are depressed, right? Whereas schizophrenia is exciting. I think it's kind of interesting to be two people.' Uh huh. So then I give her a great lecture about how schizophrenia is a very serious illness and she's a very silly girl to think there is anything glamorous about it, and she drifts away, looking hurt.

'What did you make of Deborah?' asks Stringfellow. 'Well, gorgeous, obviously - I can't understand why she's not a film star, but a bit... weird.' 'Did she talk about schizophrenia?' Yes. 'She always does!' he laughs. Then he says she used to be his girlfriend - she reigned for 18 months before his present girlfriend, Lucy Carr. And she still works here? Extraordinary. So later when Stringfellow asks who I want to dance for me, I tell him Deborah and he summons her back. But asking her to dance is obviously a mistake - she seems as embarrassed as me - clearly I have a long way to go in understanding the etiquette of lapdancing. But it serves the desired purpose, because then Stringfellow tells her to take me on the tour of the club and we have the chance for a tête-à-tête.

She takes me downstairs to the non-restaurant room which is much more jam-packed and heaving, and asks me for a cigarette. Stringfellow has already told me the girls are not allowed to smoke, but Deborah says she doesn't care, so we perch on an armchair and light up. What was it like going out with Stringfellow? ' Wonderful, the happiest 18 months of my life!' But how can she bear to still work here and see him with someone else? 'I like working here.' She wants to be an actress, and Stringfellow paid for her to go to drama classes, but the parts haven't really come up yet. 'I suppose it's a bit like acting being here,' I tell her. 'Yes!' she agrees vehemently. 'I told you I was schizophrenic - I'm acting all the time.'

Then we wander round the club, and she offers to show me the dressing room. This is the second rule she has broken - no cigarettes, no taking visitors to the dressing room - but she breezes in, and we find a lot of girls watching what seems to be a porn movie on television. Deborah says it is a documentary about rape, but I don't think you get long close-ups of erect penises in documentaries, even on Channel 4. I am still arguing the toss when a big man in a suit comes in and says smoothly, 'Seen what you wanted?' and holds the door open for me. I scuttle through it very fast.

Yes it was fun, and pretty harmless as far as I could see. So why does he want to jeopardise it by going nude? I suppose he feels he has to - if he doesn't start it, then Spearmint Rhino will - but he is on a very slippery slope. He says he will let the girls choose individually whether to keep their G-strings on, but I don't imagine the G-strings will survive very long among the nudes. And what will happen to my lovely Deborah? She seemed embarrassed enough about taking her bra off - will she really want to flaunt her fanny at the punters?

Even now, Stringfellow tends to wince if you call him a strip-club owner - he says the term has 'connotations' that he doesn't like. There are hints in his autobiography that he never really wanted to go into strip clubs in the first place - he only started in New York because it offered the only hope of staving off bankruptcy, but then he still went bankrupt anyway. At heart, of course, he is a terrific prude, like Hugh Hefner, like Bob Guccione - they always are, these flesh pedlars, they have to be, to retain their drive. Stringfellow still finds it amazing - all these years and girlfriends later - that girls will take their clothes off in public. 'The world has gone sex mad!' he complains. 'I don't want to open my paper and see girls with their boobs out! I am shocked by it!' He claims to have a 'Cliff Richard mentality' - presumably without the Christianity - and I know what he means. He is not blasé - he is still at heart the Sheffield schoolboy who got excited when a girl tucked her skirt in her knickers and did a handstand.

He says he knew nothing about sex when he was growing up - he remembers seeing his mother washing herself before going to hospital to have one of his brothers (he is the eldest of four) and he gazed at her great pregnant tummy with amazement, but she never let on there was a baby inside. He practically fainted the first time a girl told him about periods. He says that, going to an all-boys' school and having no sisters, he was always inclined to put girls on pedestals - these fabulous exotic creatures who would never pay him any attention. It was only when he opened his first hop in a church hall in Sheffield in 1962 and stood there with the spotlight on him and a microphone in his hand that the girls came flocking - he made love to one of them in the back of his van that very first night.

Since then, he claims to have slept with more than 2,000 women, often more than one a day - he recalls one particular week in Sheffield when he deflowered five virgins. He says in his autobiography: 'Sex was and is my release, my recreation and my drug. It's the one constant in my life, and possibly the thing that's kept me sane.' Until recently, he could not go for a day without sex - but now, he says, there's been a change. He has been faithful to his girlfriend Lucy Carr for two whole years, and nowadays he can spend a week by himself on his yacht in Ibiza without having sex at all. Of course, given that he claims that the secret of monogamy is lying, there is no particular reason to believe him, but somehow I do.

He sincerely believes that all men at heart are just like him and would like nothing more than to look at lapdancers and bed beautiful girls all the time. 'There's nobody any different to me; there's no man out there any different to me. All that I have done_ I'm just unbridled, if you know what I mean, whereas the majority of men are bridled, quite rightly.' I think he's wrong - I think the number of men who are seriously keen on sex, as opposed to saying they are, is actually quite small. He has the proof of it in his own club - it is probably the one place in London where you can be absolutely sure of not getting laid. So he is Mr Unbridled catering for the bridled masses who prefer their sex in fantasy form. I hope the advent of nudity doesn't bring him down to earth with a bump.



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